Riot and revelry have been mainstays of English and European
history writing for more than a generation, but they have had a
more checkered influence on American scholarship. Despite
considerable attention from "new left" historians during the 1970s
and early 1980s, and more recently from cultural and "public
sphere" historians in the mid-1990s, the idea of America as a
colony and nation deeply infused with a culture of public
performance has not been widely demonstrated the way it has been in
Britain, France, and Italy. In this important volume, leading
American historians demonstrate that early America was in fact an
integral part of a broader transatlantic tradition of popular
disturbance and celebration.
The first half of the collection focuses on "rough music" and
"skimmington"--forms of protest whereby communities publicly
regulated the moral order. The second half considers the use of
parades and public celebrations to create national unity and
overcome divisions in the young republic.
Contributors include Roger D. Abrahams, Susan Branson, Thomas J.
Humphrey, Susan E. Klepp, Brendan McConville, William D. Piersen,
Steven J. Stewart, and Len Travers. Together the essays in this
volume offer the best introduction to the full range of protest and
celebration in America from the Revolution to the Civil War.
General
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