Virtual Reality has the potential to provide descriptive and practical information for medical training and therapy while relieving the patient or the physician. Multimodal interactions between the user and the virtual environment facilitate the generation of high-fidelity sensory impressions, by using not only visual and auditory, but also kinesthetic, tactile, and even olfactory feedback modalities. On the basis of the existing physiological constraints, Virtual Reality in Medicine derives the technical requirements and design principles of multimodal input devices, displays, and rendering techniques. Resulting from a course taught by the authors, Virtual Reality in Medicine presents examples for surgical training, intra-operative augmentation, and rehabilitation that are already in use as well as those currently in development. It is well suited as introductory material for engineering and computer science students, as well as researchers who want to learn more about basic technologies in the area of virtual reality applied to medicine. It also provides a broad overview to non-engineering students as well as clinical users, who desire to learn more about the current state of the art and future applications of this technology.

This reference book is for anyone involved in generating surgical training scenarios, as well as in VR-based training in general. It examines the main components required to define a scenario, in the context of surgical scene generation: Generation of the scene geometry; modelling of organ appearance; definition of biomechanical parameters. The book is the ideal reference for any reader involved in generating training scenarios, as well as in VR-based training in general.

This reference book is for anyone involved in generating surgical training scenarios, as well as in VR-based training in general. It examines the main components required to define a scenario, in the context of surgical scene generation: Generation of the scene geometry; modelling of organ appearance; definition of biomechanical parameters. The book is the ideal reference for any reader involved in generating training scenarios, as well as in VR-based training in general.

This book constitutes the refereed proceedings of the Third International Symposium on Biomedical Simulation, ISBMS 2006, held in Zurich, Switzerland in July 2006. The 12 revised full papers and 11 poster papers presented were carefully reviewed and selected from 37 submissions. The papers are organized in topical sections on simulation of biophysical processes, systems and applications, and anatomical modeling and tissue properties.

Virtually unparalleled in scope and spanning more than five decades, the photography of visionary Helmut Newton (1920-2004) reached millions through publication in magazines like Vogue and Elle. His oeuvre transcended genres, bringing elegance, style, and voyeurism to fashion, portrait, and glamour photography through a body of work that remains as inimitable as it is unrivaled. Having mastered the art of fashion photography early in his career, Newton's shoots invariably went beyond standard practice, blurring the lines between reality and illusion. Newton's clear aesthetic pervades all areas of his work, particularly fashion, portraiture, and nude photography. Women take center stage - with subjects such as Catherine Deneuve, Liz Taylor, and Charlotte Rampling. Moving beyond traditional narrative approaches, Newton's fashion photography is imbued not only with luxurious elegance and subtle seduction, but also cultural references and a surprising sense of humor. During the 1990s, Newton shot for the German, American, Italian, French, and Russian editions of Vogue, primarily in and around Monte Carlo where he was living from 1981 onwards. Transforming locations like his own garage into starkly contrasting or particularly minimalist theatrical stages, Newton would often portray the eccentric lives of the beautiful and rich, full of eroticism and elegance, in unconventional scenarios. He made use of and simultaneously questioned visual cliches, at times tinged with self-irony or mockery, but always full of empathy. Helmut Newton. Legacy, which accompanies an international exhibition tour of Newton's work, showcases highlights from one of the most published bodies of work in photography, including numerous rediscovered images. A prolific image maker and genuine visionary, this book celebrates Newton's lasting influence on modern photography and visual art to this day.

Berlin and Chicago-based photographer Andrea Wilmsen challenges our perception of interiors in her photographs of the Bode Museum in Berlin, Germany. Her focus varies from fragmented views of architectural details to carefully composed close-up details of empty walls, creating unique portraits of the museum. Wilmsen is inspired by the American philosopher and art critic Arthur C. Danto and his book titled The Transfiguration of the Commonplace, which questions what makes an object a work of art. Yet, she takes the question further and is driven to uncover what makes art spaces special stages for prestigious artworks. Wilmsen is driven by how we prioritise certain works of art over others, and further, where the boundaries lie between what we consider art and what is visible outside of the works that are established as art in a museum.  Text in English and German.

Helmut Newton was in his sixties and already a well-established photographer when he and his wife moved to the French Riviera. At an age when many people would consider retirement, Newton instead plunged headfirst into one of the most prolific and liberating stages of his career. The city of Monaco was the perfect backdrop for his fashion photography, and it also provided him with a wealth of subjects for his famous portraits, including the stars of the Ballet de Monte-Carlo and the Princely Family. And it was in Monaco that Newton finally tried his hand at landscapes. While this volume focuses primarily on the years 1981 to 2004, it also looks at Newton's historic links with the Cote d'Azur and the area around Bordighera, Italy. There are essays by a range of experts in photography, film, and art and three interviews, including one with Paloma Picasso. In these remarkable photographs readers will discover the French Riviera through Newton's fascinated, slightly ironic lens: a way of life characterized by ease and elegance; a world dominated by appearance and superficiality; and a veritable living theater, in which he was both actor and privileged member of the audience.