A comprehensive and breathtakingly illustrated presentation of the genius of Michelangelo by the world's leading expert on the artist The Italian Renaissance master Michelangelo Buonarroti (1475-1564) was especially celebrated for his disegno, a term that embraces both drawing and conceptual design. Featuring more than 200 drawings as well as paintings, sculpture, and architectural plans and views, this authoritative examines Michelangelo as "the divine draftsman and designer" whose work, according to Giorgio Vasari, embodied the unity of the arts. Carmen C. Bambach delivers a thorough and engaging narrative of the artist's long career, beginning with his training under Ghirlandaio and Bertoldo and ending with his 17-year appointment as chief architect of St. Peter's Basilica at the Vatican. In each thematic chapter, related drawings and other works are illustrated and discussed together, many for the first time, to provide new insights into Michelangelo's creative process. In addition to St. Peter's, other featured projects include the Sistine Chapel ceiling, the Tomb of Pope Julius II, and the architecture of the Campidoglio in Rome. Michelangelo's theories of art are also explored, and new consideration is given to his personal life and affections and their effect on his creative output. Magnificent in every way, this book will be the foremost publication about this remarkable artist for many years. Published by The Metropolitan Museum of Art/Distributed by Yale University Press Exhibition Schedule: The Metropolitan Museum of Art (11/13/17-02/12/18)

November 19, 1479: a dynastic alliance, two noble scions, a regal wedding, short-lived and with an unhappy ending. These pages reconstruct the story of the magnificent bas relief in the Acton Collection (Villa La Pietra, Florence), commissioned to celebrate the marriage between Antonio Basso Della Rovere, nephew of Pope Sixtus IV, and Caterina Marzano d'Aragona, the niece of King Ferdinand I of Naples. The heraldic symbols of the three coats of arms leave no doubt about the identities of the characters and events surrounding its creation, and lead us to the original location of the work, born as the overdoor to the main portal of the Basso Della Rovere Palace in piazza della Maddalena in Savona. Through close examination of the Della Rovere in Rome, this study highlights some previously unknown facts about the family's origins and returns to Savona and its role as a political, cultural, and artistic protagonist in late 15th-century Italy.