This volume is a self-contained companion piece to Studying Vibrational Communication, published in 2014 within the same series. The field has expanded considerably since then, and has even acquired a name of its own: biotremology. In this context, the book reports on new concepts in this fascinating discipline, and features chapters on state-of-the art methods for studying behavior tied to substrate-borne vibrations, as well as an entire section on applied biotremology. Also included are a historical contribution by pioneers in the field and several chapters reviewing the advances that have been made regarding specific animal taxa. Other new topics covered are vibrational communication in vertebrates, multimodal communication, and biotremology in the classroom, as well as in art and music. Given its scope, the book will appeal to all those interested in communication and vibrational behavior, but also to those seeking to learn about an ancient mode of communication.

A collection of magical Italian folk and fairy tales-most in English for the first time The Pomegranates and Other Modern Italian Fairy Tales presents twenty magical stories published between 1875 and 1914, following Italy's political unification. In those decades of political and social change, folklorists collected fairy tales from many regions of the country while influential writers invented original narratives in standard Italian, drawing on traditional tales in local dialects, and translated others from France. This collection features a range of these entertaining jewels from such authors as Carlo Collodi, most celebrated for the novel Pinocchio, and Domenico Comparetti, regarded as the Italian Grimm, to Grazia Deledda, the only Italian woman to have received the Nobel Prize in Literature. With one exception, all of these tales are appearing in English for the first time. The stories in this volume are linked by themes of metamorphosis: a man turns into a lion, a dove, and an ant; a handsome youth emerges from a pig's body; and three lovely women rise out of the rinds of pomegranates. There are also more introspective transformations: a self-absorbed princess learns about manners, a melancholy prince finds joy again, and a complacent young woman discovers gratitude. Cristina Mazzoni provides a comprehensive introduction that situates the tales in their cultural and historical context. The collection also includes period illustrations and biographical notes about the authors. Filled with adventures, supernatural and fantastic events, and brave and flawed protagonists, The Pomegranates and Other Modern Italian Fairy Tales will delight, surprise, and astonish.

The book uncovers three key figures of early sixteenth-century Italy and their companies adding an innovative perspective to the historiographical account of sixteenth-century Italian reforming movements and offering researchers and students of early modern religion and Italy with a new narrative of the Italian reforming movements. The companies aimed at reforming not the Church, but society at large, starting from the inner conversion of the individual (lay and religious, male and female), in order to return to the model of the first Christian communities, showing students and researchers how these reforms influenced and shaped Italian society. The book also suggests that the companies represented a specific expression of a wider ascetic and mystic 'unconventional' current that emerged in parallel with the spiritual milieus that were open to Luther's ideas, providing researchers and postgraduate students with an innovative and nuanced analysis of 15th and 16th century Italian spirituality.

The book uncovers three key figures of early sixteenth-century Italy and their companies adding an innovative perspective to the historiographical account of sixteenth-century Italian reforming movements and offering researchers and students of early modern religion and Italy with a new narrative of the Italian reforming movements. The companies aimed at reforming not the Church, but society at large, starting from the inner conversion of the individual (lay and religious, male and female), in order to return to the model of the first Christian communities, showing students and researchers how these reforms influenced and shaped Italian society. The book also suggests that the companies represented a specific expression of a wider ascetic and mystic 'unconventional' current that emerged in parallel with the spiritual milieus that were open to Luther's ideas, providing researchers and postgraduate students with an innovative and nuanced analysis of 15th and 16th century Italian spirituality.

This compendium examines the choices, construction, inclusions and exemptions, and expanded practices involved in the process of creating a photograph. Focusing on work created in the past twenty-five years, this volume is divided into sections that address a separate means of creating photographs as careful constructs: Directing Spaces, Constructing Places, Performing Space, Building Images, and Camera-less Images. Introduced by both a curator and a scholar, each section features contemporary artists in conversation with curators, critics, gallerists, artists, and art historians. The writings include narratives by the artist, writings on their work, and examinations of studio practices. This pioneering book is the first of its kind to explore this topic beyond those artists building sets to photograph.

The aim of this volume is to provide a comprehensive description of methods and protocols useful for the further study of T-helper cells. Chapters guide readers through T-helper cell recovery, molecular study, signal transduction pathways, T-cell manipulation and, last but not least, "omic" approaches. Written in the highly successful Methods in Molecular Biology series format, chapters include introductions to their respective topics, lists of the necessary materials and reagents, step-by-step, readily reproducible laboratory protocols, and tips on troubleshooting and avoiding known pitfalls. Authoritative and cutting-edge, T- Helper Cells: Methods and Protocols aims to be a useful practical guide to researches to help further their study in this field.

Control processes are those mental functions that allow us to initiate, monitor, and prioritize mental activities. They are crucial to normal mental functioning. A better understanding of the nature of control processes and their deficits is important for clinical work and for an adequate theory of consciousness. Previously, control processes have been examined within the frameworks of two parallel but independent paradigms: those of cognitive psychology and of neuropsychology. Cognitive psychologists have stressed the theoretical and empirical nature of normal unimpaired control processes; neuropsychologists have focused on the relationships between damage to specific functional areas of the brain and deficits in specific control processes. Both have contributed extensively to our understanding of control processes. However, they have tended to operate independently, with little if any cross-talk between disciplines, despite the potential benefits such dialogue is likely to generate. This book represents the first attempt to synthesize cognitive and neuropsychological perspectives on control processes. It contains state-of-the-art reports on various aspects of control processes by experts from both disciplines.

Control processes are those mental functions that allow us to initiate, monitor, and prioritize mental activities. They are crucial to normal mental functioning. A better understanding of the nature of control processes and their deficits is important for clinical work and for an adequate theory of consciousness.
Previously, control processes have been examined within the frameworks of two parallel but independent paradigms: those of cognitive psychology and of neuropsychology. Cognitive psychologists have stressed the theoretical and empirical nature of normal unimpaired control processes; neuropsychologists have focused on the relationships between damage to specific functional areas of the brain and deficits in specific control processes. Both have contributed extensively to our understanding of control processes. However, they have tended to operate independently, with little if any cross-talk between disciplines, despite the potential benefits such dialogue is likely to generate.
This book represents the first attempt to synthesize cognitive and neuropsychological perspectives on control processes. It contains state-of-the-art reports on various aspects of control processes by experts from both disciplines.

In November 1973, William J. Wright, a former patient and trustee of the Farview State Hospital for the Criminally Insane, brutally murdered two teenage boys, Edmund Keen and Paul Freach, in Lackawanna County, a region that took great pride in not only its history, but its reputation as a friendly, family-oriented, safe place to live. It was a place where families could leave their doors unlocked, and be confident about allowing their children to play and explore outdoors. Yet all that would change in an instant. The brutal murders of these two boys forever altered the way people thought of this region and the safe neighborhoods they had come to take for granted. Kathleen P. Munley and Paul R. Mazzoni tell a story of unbelief, anger, and fear, but also courage and fortitude. They delve deep into the Commonwealth v. William J. Wright trial, looking inside the investigation, the trial, and how the public was impacted by this unthinkable crime. In captivating detail, the authors weave together the events of this devastating crime and remind us that, even in the pleasant light of day, evil can and does exist, and one must always be on guard.

Biotremology is a new and emerging discipline in biological sciences that covers all aspects of behavior associated with substrate-borne mechanical waves. This volume provides state-of-the-art reviews and technical contributions from leading experts and invited younger researchers on topics from signal production and transmission to perception in its ecological context. Reviews about the knowledge of well-studied groups are complemented with perspectives on the study of less-explored groups or contexts. Special attention is given to practical issues in measuring substrate-borne vibrations as well as to applied biotremology. The book appeals to all those interested in communication and vibrational behavior.

An incisive, unified account of modern poetry in the Western tradition, arguing that the emergence of the lyric as a dominant verse style is emblematic of the age of the individual. Between the end of the eighteenth century and the beginning of the twentieth, poetry in the West was transformed. The now-common idea that poetry mostly corresponds with the lyric in the modern sense-a genre in which a first-person speaker talks self-referentially-was foreign to ancient, medieval, and Renaissance poetics. Yet in a relatively short time, age-old habits gave way. Poets acquired unprecedented freedom to write obscurely about private experiences, break rules of meter and syntax, use new vocabulary, and entangle first-person speakers with their own real-life identities. Poetry thus became the most subjective genre of modern literature. On Modern Poetry reconstructs this metamorphosis, combining theoretical reflections with literary history and close readings of poets from Giacomo Leopardi to Louise Gluck. Guido Mazzoni shows that the evolution of modern poetry involved significant changes in the way poetry was perceived, encouraged the construction of first-person poetic personas, and dramatically altered verse style. He interprets these developments as symptoms of profound historical and cultural shifts in the modern period: the crisis of tradition, the rise of individualism, the privileging of self-expression and its paradoxes. Mazzoni also reflects on the place of poetry in mass culture today, when its role has been largely assumed by popular music. The result is a rich history of literary modernity and a bold new account of poetry's transformations across centuries and national traditions.

Founded in 1944 by Helen Valentine, Seventeen magazine was the first modern "teen magazine." An immediate success, it became iconic in establishing the tastes and behaviors of successive generation of teen girls covering the last half of the 20th century. Kelley Massoni has written the first cultural history of the origins of Seventeen and its role in shaping the modern teen girl ideal. Using content analysis, interviews, letters, oral histories, and promotional materials, Massoni is able to show how Seventeen helped create the modern concept of "teenager." The early Seventeen provided a generation of thinking young women with information on citizenship and clothing, politics and popularity, adult occupations and adolescent preoccupations, until economic and social forces converged to reshape the magazine toward teen consumerism. A chapter on the 21st century Seventeen brings the story to the present. Fashioning Teenagers will be of interest to students of popular culture, sociology, gender studies, mass media, journalism, business, and American studies.

The aim of this volume is to provide a comprehensive description of methods and protocols useful for the further study of T-helper cells. Chapters guide readers through T-helper cell recovery, molecular study, signal transduction pathways, T-cell manipulation and, last but not least, "omic" approaches. Written in the highly successful Methods in Molecular Biology series format, chapters include introductions to their respective topics, lists of the necessary materials and reagents, step-by-step, readily reproducible laboratory protocols, and tips on troubleshooting and avoiding known pitfalls. Authoritative and cutting-edge, T- Helper Cells: Methods and Protocols aims to be a useful practical guide to researches to help further their study in this field.

This book constitutes the refereed proceedings of the 21st Brazilian Symposium on Formal Methods, SBMF 2018, which took place in Salvador, Brazil, in November 2018. The 16 regular papers presented in this book were carefully reviewed and selected from 30 submissions. The papers are organized in topical sections such as: techniques and methodologies; specification and modeling languages; theoretical foundations; verification and validation; experience reports regarding teaching formal methods; and applications.Chapter "TeSSLa: Temporal Stream-Based Specification Language" is available open access under a Creative Commons Attribution 4.0 International License via link.springer.com.

In November 1973, William J. Wright, a former patient and trustee of the Farview State Hospital for the Criminally Insane, brutally murdered two teenage boys, Edmund Keen and Paul Freach, in Lackawanna County, a region that took great pride in not only its history, but its reputation as a friendly, family-oriented, safe place to live. It was a place where families could leave their doors unlocked, and be confident about allowing their children to play and explore outdoors. Yet all that would change in an instant. The brutal murders of these two boys forever altered the way people thought of this region and the safe neighborhoods they had come to take for granted. Kathleen P. Munley and Paul R. Mazzoni tell a story of unbelief, anger, and fear, but also courage and fortitude. They delve deep into the Commonwealth v. William J. Wright trial, looking inside the investigation, the trial, and how the public was impacted by this unthinkable crime. In captivating detail, the authors weave together the events of this devastating crime and remind us that, even in the pleasant light of day, evil can and does exist, and one must always be on guard.

This compendium examines the choices, construction, inclusions and exemptions, and expanded practices involved in the process of creating a photograph. Focusing on work created in the past twenty-five years, this volume is divided into sections that address a separate means of creating photographs as careful constructs: Directing Spaces, Constructing Places, Performing Space, Building Images, and Camera-less Images. Introduced by both a curator and a scholar, each section features contemporary artists in conversation with curators, critics, gallerists, artists, and art historians. The writings include narratives by the artist, writings on their work, and examinations of studio practices. This pioneering book is the first of its kind to explore this topic beyond those artists building sets to photograph.

Biotremology is a new and emerging discipline in biological sciences that covers all aspects of behavior associated with substrate-borne mechanical waves. This volume provides state-of-the-art reviews and technical contributions from leading experts and invited younger researchers on topics from signal production and transmission to perception in its ecological context. Reviews about the knowledge of well-studied groups are complemented with perspectives on the study of less-explored groups or contexts. Special attention is given to practical issues in measuring substrate-borne vibrations as well as to applied biotremology. The book appeals to all those interested in communication and vibrational behavior.

The powerful voice of major Italian medieval woman mystic, translated with commentary. Angela of Foligno is considered by many as the greatest mystical voice among Italian medieval women. She devoted herself to a relentless pursuit of God when as a middle-aged woman she lost her mother, husband and children; illiterate herself, she dictated her experiences to her confessor, who transcribed her words into Latin as the Memorial. In a direct and vigorous style, it tells of her suffering, visions, joy, identification with Christ, and finally her mystical union with God. However, her book has always been viewed with suspicion, indeed even bordering on heresy; her spirituality goes beyond conventional language as well as beyond accepted doctrines and modes of prayer. This annotated selection from the Memorial is preceded by a biographical introduction which places Angela's text in its historical, cultural, and spiritual context; the accompanying interpretive essay which follows compares Angela's experience with that of twentieth-century Christian feminist theologians. The volume is completed with an annotated bibliography. CRISTINA MAZZONI is Professor and Chair, Department of Romance Languagesand Linguistics at the University of Vermont.