What are the contexts (political, social, legal, cultural) of theatre censorship in twenty-first-century Europe? Given the abolition of state-sanctioned and institutional forms of stage censorship in the late twentieth century, the prevalence of authoritarian and populist politics, and the escalation of so-called ‘culture wars’, in what ways and to what extent does stage censorship manifest and proliferate today? How does censorship respond (or not) to governmental, economic, moral, and religious circumstances? And how have theatre-makers in Europe contested or countered censorial prohibitions in the recent past?   This edited collection is the first pan-European study of contemporary theatre censorship. An international range of scholars assess how new forms of censorship operate to silence artists and control performances; they explore how theatre artists respond to constraints placed upon their work across territories, and analyse how age-old political, religious, and moral taboos impact on theatrical creation and reception. Readers are invited to consider not only the varied mechanisms of censorship, including its more covert iterations, but also what is censored, when, how, and why, particularly in relation to the sensitive issues of religion, race, sexuality, and nationalism. By focusing on the work of key European theatre practitioners, as well as significant productions and performances, contributors reflect on the impact of censorship on artistic policies and cultural activity, and the forms of protest mobilized against it.  

Over the past two decades, theatre practitioners across the West have turned to documentary modes of performance-making to confront new socio-political realities. This has led to an astonishing range of performance styles, ways of working and modes of intervention in varied sites of theatrical production. The essays in this collection place this work in context, exploring historical and contemporary examples of documentary and 'verbatim' theatre, and applying a range of critical perspectives that elaborate its impact and significance today. Focusing on examples from the US, UK, Canada, Australia, South Africa and the Middle East, this collection, now in paperback for the first time and with a new Preface, raises provocative questions about documentary theatre's relationship to new technology, media, the body, the archive, memory, autobiography, and national identity. It examines the viability and resonance of documentary theatre in an era of infotainment, globalisation and postmodernity, and explores its past and potential contribution within the public sphere.

Aircraft Structures for Engineering Students, Seventh Edition, is the leading self-contained aircraft structures course text suitable for one or more semesters. It covers all fundamental subjects, including elasticity, structural analysis, airworthiness and aeroelasticity. Now in its seventh edition, the author has continued to expand the book's coverage of analysis and design of composite materials for use in aircraft and has added more real-world and design-based examples, along with new end-of-chapter problems of varying complexity.

The Pinners' and Wiresellers' Book covers the accounts of the medieval craft of the Pinners between 1462 and 1511, prior to and following their meeger with the Wiremongers to form the Wiresellers Company in 1497. It is a most unusual volume since there are no other administrative records surviving from such a lowly craft in medieval London. It reveals how a small craft (some thirty members) struggled to maintain a hall, control working practices, license alien craftsmen and secure prayers for themselves and their families at the house of the Carmelite Friars in Fleet Street and St James's hospital in Westminster. On occasion the Pinners joined forces with other crafts, such as the Girdlers in searching in the City to confiscate defective goods, or with the Cutlers to petition Parliament against the import of manufactured goods from abroad. However, in spite of their brave efforts, to which this slim volume bears witness, the Pinners were not able to remain an independent craft. They joined the Wiresellers in 1497, and this amalgamated craft itself went on to merge with the Girdlers in the sixteenth century. This volume has never been in print before and has hitherto only rarely been used by historians. The London Record Society edition is enhanced by the inclusion of the wills of some thirty medieval pinners and wiresellers, most of which were registered in the Court of the Bishop of London's Commissary (whose records are now in Guildhall Library). Barbara Megson read history at Girton College, Cambridge, and spent much of her professional life in the field of Education as a teacher, administrator and as H.M. Inspector of Schools. More recenlty she has focused her attention on the medieval city of London and in 1993 published Such Goodly Company: A Glimpse of the Life of Bowyers of London 1300-1600. She is currently working on a history of the Farriers of London.

Written by biomedical scientists and clinicians, with the purpose of disseminating the fundamental scientific principles that underpin medicine, this new edition of the Oxford Handbook of Medical Sciences provides a clear, easily digestible account of basic cell physiology and biochemistry. It also includes an investigation of the traditional pillars of medicine (anatomy, physiology, biochemistry, pathology and pharmacology) integrated in the context of each of the major systems relevant to the human body. It is cross-referenced to the Oxford Handbook of Clinical Medicine, Oxford Handbook of Clinical Specialities, and Oxford Handbook of Practical Drug Therapy. Thoroughly illustrated, it is the ideal introduction to the medical sciences for medical students and biomedical scientists, as well as a valuable refresher for junior doctors.

Over the past two decades, theatre practitioners across the West have turned to documentary modes of performance-making to confront new socio-political realities. The essays in this book place this work in context, exploring historical and contemporary examples of documentary and 'verbatim' theatre, and applying a range of critical perspectives.

Over the past two decades, theatre practitioners across the West have turned to documentary modes of performance-making to confront new socio-political realities. The essays in this book place this work in context, exploring historical and contemporary examples of documentary and 'verbatim' theatre, and applying a range of critical perspectives.

Structural and Stress Analysis, Fourth Edition, provides readers with a comprehensive introduction to all types of structural and stress analysis. Starting with an explanation of the basic principles of statics, the book then covers normal and shear force, bending moments, and torsion. Building on the success of prior editions, this update features new material on structural dynamics and fatigue, along with additional discussions of Eurocode compliance in the design of beams. With worked examples, practice problems, and extensive illustrations, it is an all-in-one resource for students and professionals interested in learning structural analysis.

Introduction to Aircraft Structure Analysis, Third Edition covers the basics of structural analysis as applied to aircraft structures. Coverage of elasticity, energy methods and virtual work set the stage for discussions of airworthiness/airframe loads and stress analysis of aircraft components. Numerous worked examples, illustrations and sample problems show how to apply the concepts to realistic situations. As a self-contained guide, this value-priced book is an excellent resource for anyone learning the subject.