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Between 1979 and 1989, "BLOCK" initiated and responded to key
debates in visual and cultural studies, publishing writings by
artists, art and design historians and cultural theorists. The
journal's editors and contributors furthered the critical tradition
in art history, responded to the work of contemporary artists, and
brought the concerns of new cultural and critical theory to the
study of art and design history. The" BLOCK Reader in Visual
Culture" brings together classic writings by leading cultural
theorists and artists first published in this seminal journal and
which are now unavailable, providing an invaluable resource for the
teaching and study of art and design as well as theory and cultural
studies.
Contributors: Jon Bird, Barry Curtis, Tamar Garb, Philippa
Goodall, Nicholas Green, Frank Hannah, Dick Hebdige, Lucy Lippard,
Frank Mort, Kathy Myers, Fred Orton, Claire Pajaczkowska, Griselda
Pollock, Tim Putnam, Oliver Richon, Martha Rosler, Lisa Tickner,
Necdet Teymur, Judith Williamson.
Block was a hugely influential journal in the developing fields of
Visual and Cultural Studies. The journal's editors and contributors
sought to further the critical tradition in art history, respond to
the work of contemporary artists, and bring the concerns of new
cultural and critical theory, particularly feminist and
post-colonial theory, to the study of art and design history.
The Block Reader brings together classic writings by leading
cultural theorists and artists which were first published in the
journal, to provide an invaluable resource for the teaching and
study of art and design history and theory and cultural studies.
We are living in an age when 'nature' seems to be on the brink of extinction yet, at the same time, 'nature' is becoming increasingly ubiquitous and unstable as a category for representation and debate. Futurenatural brings together leading theorists of culture and science to discuss the concept of 'nature' - its past, present and future. Contributors discuss the impact on our daily life of recent developments on biotechnologies, electronic media and ecological politics. Increasingly, scientific theories and models have been taken up as cultural metaphors that have material effects in transforming 'ways of seeing' and 'structures of feeling'. The book addresses the issue of whether political and cultural debates about the body and environment can take place without reference to 'nature' or the 'natural'. This collection considers how we might 'think' a future developing from emergent scientific theories and discourses. What cultural forms may be produced when new knowledges challenge and undermine traditional ways of conceiving the 'natural'.
We are living in an age when 'nature' seems to be on the brink of extinction yet, at the same time, 'nature' is becoming increasingly ubiquitous and unstable as a category for representation and debate. F uturenatural brings together leading theorists of culture and science to discuss the concept of 'nature' - its past, present and future. Contributors discuss the impact on our daily life of recent developments in biotechnologies, electronic media and ecological politics. Increasingly, scientific theories and models have been taken up as cultural metaphores that have material effects in transforming 'ways of seeing' and `structures of feeling'. The book addresses the issue of whether political and cultural debates about the body and the environment can take place without reference to 'nature' or the `natural'. This collection considers how we might 'think' a future developing from emergent scientific theories and discourses. What cultural forms may be produced when new knowledges challenge and undermine traditional ways of conceiving the 'natural' ?
This text investigates the future for travelling in a world whose
boundaries are shifting and dissolving. The contributors bring
together popular and critical discourses of travel to explore
questions of identity and politics; history and narration;
collecting and representing other cultures; and tourism.
Series Information: Futures: New Perspectives for Cultural Analysis
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