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Showing 1 - 6 of 6 matches in All Departments
Melissa Bashardoust's Girl, Serpent, Thorn is “an alluring feminist
fairy tale” (Kirkus Reviews) about a girl cursed to be poisonous to the
touch and who discovers what power might lie in such a curse.
Sixteen-year-old Mina is motherless, her magician father is vicious, and her silent heart has never beat with love for anyone - has never beat at all, in fact, but she'd always thought that fact normal. She never guessed that her father cut out her heart and replaced it with one of glass. When she moves to Whitespring Castle and sees its king for the first time, Mina forms a plan: win the king's heart with her beauty, become queen, and finally know love. The only catch is that she'll have to become a stepmother. Fifteen-year-old Lynet looks just like her late mother, and one day she discovers why: a magician created her out of snow in the dead queen's image, at her father's order. But despite being the dead queen made flesh, Lynet would rather be like her fierce and regal stepmother, Mina. She gets her wish when her father makes Lynet queen of the southern territories, displacing Mina. Now Mina is starting to look at Lynet with something like hatred, and Lynet must decide what to do - and who to be - to win back the only mother she's ever known...or else defeat her once and for all. Entwining the stories of both Lynet and Mina in the past and present, Girls Made of Snow and Glass traces the relationship of two young women doomed to be rivals from the start. Only one can win all, while the other must lose everything - unless both can find a way to reshape themselves and their story.
SOMETIMES THE PRINCESS IS THE MONSTER From the author of Girls Made of Snow and Glass, this captivating and utterly original Persian-inspired fairy tale about a girl cursed to be poisonous to the touch is perfect for fans of Natasha Ngan and Naomi Novik. 'Monstrously beautiful and enchanting' Tasha Suri, author of Empire of Sand There was and there was not, as all stories begin, a princess cursed to be poisonous to the touch. But for Soraya, who has lived her life hidden away from everyone, apart from her family, safe only in her gardens, it's not just a story. As the day of her twin brother's wedding approaches, Soraya must decide if she's willing to step outside of the shadows for the first time. Below in the dungeon is a demon who holds knowledge that she craves, the answer to her freedom. And above is a young man who isn't afraid of her, whose eyes linger not with fear, but with an understanding of who she is beneath the poison. Soraya thought she knew her place in the world, but when her choices lead to consequences she never imagined, she begins to question who she is and who she is becoming . . . human or demon. Princess or monster.
ONLY ONE CAN BE QUEEN 'A feminist fantasy fairy tale not to be missed' BookPage Sixteen-year-old Mina is motherless, her magician father is vicious, and her silent heart has never beat with love for anyone. In fact, it has never beat at all, for her father cut it out and replaced it with one of glass. When she moves to Whitespring Castle, Mina forms a plan: win the king's heart with her beauty, become queen, and finally know love. The only catch is that she'll have to become a stepmother. Fifteen-year-old Lynet looks just like her late mother, and one day she discovers why: a magician created her out of snow in the dead queen's image. Lynet would rather be like her fierce and regal stepmother, Mina, but when her father makes her queen of the southern territories, Mina starts to look at Lynet with something like hatred, and Lynet must decide what to do - and who to be - in order to win back the only mother she's ever known . . . or else defeat her once and for all. 'An empowering and progressive original retelling' School Library Journal 'Utterly superb' ALA Booklist 'Dark, fantastical, hauntingly evocative' Kirkus
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