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The collection of pre-Columbian Peruvian textiles in the Danish National Museum consists of around 500 items, which were all found in graves. The textiles are mainly garments that were used for wrapping around the mummies. The mummies were buried in subterranean burial chambers in the sandy desert on the central and southern coast of Peru, from where they were excavated around AD 1900. The burials originate from about 500 BC to AD 1550 and are dated by their style, material, and technology. The pre-Columbian Peruvians mastered all the textile technologies which were known in Europe before the industrialisation -- and even a few more (eg: discontinuous warp, double wrap and possibly some of the supplementary warp and weft techniques). Most of these techniques are represented in this collection.
Approaches to Ancient Etruria covers a wide range of topics within the legacy of the Etruscans material and immaterial. Through close examination of the visible we gain insight into the questions of social and cultural identities, and broader questions lead to new interpretations and hypotheses. In fifteen articles, scholars from Italy, Germany, Sweden, Norway and Denmark present recent work on a broad range of Etruscan issues. Contributions include a settlement study and a detailed work on architectural mouldings, and they provide insights into religious practices, burial customs, funerary art, portraiture and social relations, deduced from epigraphical testimonia. Several articles deal with imagery in tombs, tomb paintings, bronze reliefs etc. one presenting a new hypothesis on the scenes on the Tragliatella oinochoe, another examining the Magistratensarkophag from Tomba dei Sarcofagi in Cerveteri while others explore space in tombs or invite the reader to experience images of nature or imagine Etruscan music. Two contributions deal with objects in the Etruscan Collection created by the Danish sculptor Bertel Thorvaldsen during his extended sojourn in Rome (17971838). The introduction includes a useful overview of Etruscan studies and Etruscan collections in Denmark.
Tradition from the Latin tradere, literally to hand over or hand down has many meanings and as a concept has a long history in Western culture. When using archaeological remains to interpret the social relations of people of Antiquity, tradition becomes an important concept. We cannot explain change without knowing and being conscious of la longue duree of material culture. Thus, over a long-term perspective archaeologists seek to trace a record of continual change. This lavishly illustrated book takes readers from prehistoric Santorini to Late Antique Rome and discusses the role of tradition in the transmission of culture and the creation, maintenance and negotiation of identity in the ancient world. Covering a wide array of subjects, including cultic rituals and the use of magical objects and symbols, votive traditions in Greek sanctuaries, funerary portraits, and Iron Age pottery, Tradition reveals how culture inheres in each and how actions and objects alike play a role in the continuation and change of culture. With its thoroughly interdisciplinary approach, Tradition breaks new ground in the studies of the classical and ancient world.
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