"Zutot: Perspectives on Jewish Culture" aims to fill a gap that has become more and more conspicuous among the wealth of scholarly periodicals in the field of Jewish Studies. Whereas existing journals provide space to medium - and large sized articles, they neglect the small but poignant contributions, which may be as important as the extended, detailed study. The yearbook "Zutot" serves as a platform for small but incisive contributions, and provides them with a distinct context. The substance of these contributions is derived from larger perspectives and, though not always presented in an exhaustive way, will have an impact on contemporary discussions. "Zutot" covers Jewish Culture in its broadest sense, i.e. encompassing various academic disciplines - literature, languages and linguistics, philosophy, art, sociology, politics and history - and reflects binary oppositions such as religious and secular, high and low, written and oral, male and female culture.

A powerful guide to manifesting the happiness and satisfaction we desire in the present by reconnecting with our experiences from the past, from a master intuitive and expert life coach In our identity-obsessed culture, it is easy to think that who we are is determined by what we see in the mirror. But what if we open our minds to the notion that we are souls journeying through many lives over time? How would it change the way we think about ourselves now to remember how we lived before? Michelle Brock has helped thousands of people discover the stories of their previous lives - their traumas and triumphs, losses and loves - and has witnessed incredible results. When we learn our stories from the past, we can reach unprecedented heights of self-awareness in the present. Asking questions about our other lives is inherently human and essential to our spiritual development. With Michelle's enlightening guidance and prompts throughout to encourage self-reflection and compassion, you will be inspired to reject any limiting notions of what defines you, heal from the ordeals of previous lives, and embrace a joyful, emotionally fulfilling existence in the here-and-now.

The 2001 yearbook aims to fill a gap that has become more and more conspicuous among the wealth of scholarly periodicals in the field of Jewish Studies. It covers Jewish Culture in its broadest sense, i.e. encompassing various academic disciplines - literature, languages and linguistics, philosophy, art, sociology, politics and history - and reflects binary oppositions such as religious and secular, high and low, written and oral, male and female culture.

The yearbook Zutot serves as a platform for small but incisive contributions, and provides them with a distinct context. The substance of these contributions is derived from larger perspectives and, though not always presented in an exhaustive way, will have an impact on contemporary discussions.

Margot Asquith was the wife of Herbert Henry Asquith, the Liberal Prime Minister who led Britain into war in August 1914. Asquith's early war leadership drew praise from all quarters, but in December 1916 he was forced from office in a palace coup, and replaced by Lloyd George, whose career he had done so much to promote. Margot had both the literary gifts and the vantage point to create, in her diary of these years, a compelling record of her husband's fall from grace. An intellectual socialite with the airs, if not the lineage, of an aristocrat, Margot was both a spectator and a participant in the events she describes, and in public affairs could be an ally or an embarrassment - sometimes both. Her diary vividly evokes the wartime milieu as experienced in 10 Downing Street, and describes the great political battles that lay behind the warfare on the Western Front, in which Asquith would himself lose his eldest son. The writing teems with character sketches, including Lloyd George ('a natural adventurer who may make or mar himself any day'), Churchill ('Winston's vanity is septic'), and Kitchener ('a man brutal by nature and by pose'). Never previously published, this candid, witty, and worldly diary gives us a unique insider's view of the centre of power, and an introduction by Michael Brock, in addition to explanatory footnotes and appendices written with his wife Eleanor, provide the context and background information we need to appreciate them to the full.

H. H. Asquith fell in love with Venetia Stanley in the spring of 1912. Over the next three years he wrote to her whenever he could not see her: sometimes three times a day, sometimes during a debate in the house of Commons, on occasion even during a Cabinet meeting. He shared many political and military secrets with her and wrote freely of his colleagues in government, who included LLoyd George, Churchill, and Kitchener. The correspondence ended abruptly in May 1915 when Venetia told Asquith of her engagement to a junior Cabinet Minister, Edwin Montagu. The Prime Minister, who was at a crisis in his political fortunes, confessed himself utterly heart-broken. This reissue of Asquith's letters to Venetia Stanley includes explanatory notes from Michael and Eleanor Brock, two of the leading authorities in the field. This volume documents a romance, and yet is vital reading for anyone interested in the history of World War I or in British politics of the time.

Margot Asquith was the wife of Herbert Henry Asquith, the Liberal Prime Minister who led Britain into war in August 1914. Asquith's early war leadership drew praise from all quarters, but in December 1916 he was forced from office in a palace coup, and replaced by Lloyd George, whose career he had done so much to promote. Margot had both the literary gifts and the vantage point to create, in her diary of these years, a compelling record of her husband's fall from grace. She once described herself as 'a sort of political clairvoyant', but she did not anticipate the premier's fall, and it is for her candour, not her clairvoyance, that the diary is valuable. Margot was both a spectator of, and a participant in, the events that she describes, and in public affairs could be an ally or an embarrassment - sometimes both. Her diary evokes the wartime milieu, as experienced in 10 Downing Street, and describes the great political battles that lay behind the warfare on the Western Front. Her writing teems with character sketches, including those of Lloyd George ('a natural adventurer who may make or mar himself any day'), Churchill ('Winston's vanity is septic'), and Kitchener ('a man brutal by nature and by pose'). Witty and worldly, Margot also possessed a childlike vulnerability: 'This is the 84th day of the war' she wrote in October 1914, 'and speaking for myself I have never felt the same person since. I don't mean to say I have improved! On the contrary...'. This volume brings together a wealth of previously-unpublished source material with an introductory essay from Michael and Eleanor Brock, two of the leading authorities in the field. This will be vital reading for anyone with an interest in the history of World War I or in British politics of the time.

Michaela Brocke geht der Frage nach, wie Wahlaufgaben zu gestalten sind, um im Rahmen von Discrete Choice-Analysen zuverlassige Aussagen zu erhalten. In einer umfangreichen empirischen Studie variiert sie systematisch die Komplexitat der Aufgaben anhand mehrerer Merkmale und betrachtet die Auswirkungen dieser Variationen auf die Gute der Antworten. Aus den Ergebnissen lassen sich konkrete Empfehlungen zur optimalen Gestaltung von Discrete Choice-Analysen in der Marktforschungspraxis ableiten.