For twelve generations, the inhabitants of a remote island in Newfoundland have lived and died together. Now, in the second decade of the 21st century, they are facing resettlement. They have each been offered a generous compensation package to leave the island for good. There's just one proviso: everyone must go. Gradually, all of the residents surrender to the inevitable. All of the residents, that is, but one: old Moses Sweetland. Motivated in part by a sense of history and belonging, and concerned that his somewhat eccentric great-nephew will wilt on the mainland, Moses resists the coercion of family and friends in order to hold onto the only place he's ever called home. As his options dwindle, Moses Sweetland concocts a scheme to remain the island's only living resident. Cut off from the outside world, with the food supply diminishing and weather shredding away the last evidence of human habitation, Sweetland finds himself, finally, in the company of ghosts . . . Written with incomparable emotional power and depth, Sweetland is a story about loyalty and courage, about the human will to persist even when all hope seems lost.

"In all creative writing, the question of what is true and what is real are two very different considerations. Figuring out how to dance between them is a murky business." In Most of What Follows Is True, Michael Crummey examines the complex relationship between fact and fiction, between the "real world" and the stories we tell to explain it. Drawing on his own experience appropriating historical characters to fictional ends, he brings forward important questions about how writers use history and real-life figures to animate fictional stories. Is there a limit to the liberties a writer can take? Is there a point at which a fictionalized history becomes a false history? What responsibilities do writers have to their readers, and to the historical and cultural materials they exploit as sources? Crummey offers thoughtful, witty views on the deep and timely conversation around appropriation.

Winner of the Commonwealth Writers' Prize for Best Book, Caribbean & Canada and the Canadian Authors Association Literary Award; Finalist for the Governor General's Literary Award for Fiction, the Thomas Head Raddall Atlantic Book Award, and the Winterset Award
When a whale beaches itself on the shore of the remote coastal town of Paradise Deep, the last thing any of the townspeople expect to find inside it is a man, silent and reeking of fish, but remarkably alive. The discovery of this mysterious person, soon christened Judah, sets the town scrambling for answers as its most prominent citizens weigh in on whether he is man or beast, blessing or curse, miracle or demon. Though Judah is a shocking addition, the town of Paradise Deep is already full of unusual characters. King-me Sellers, self-appointed patriarch, has it in for an inscrutable woman known only as Devine's Widow, with whom he has a decades-old feud. Her granddaughter, Mary Tryphena, is just a child when Judah washes ashore, but finds herself tied to him all her life in ways she never expects. "Galore "is the story of the saga that develops between these families, full of bitterness and love, spanning two centuries.
With Paradise Deep, award-winning novelist Michael Crummey imagines a realm where the line between the everyday and the otherworldly is impossible to discern. Sprawling and intimate, stark and fantastical, "Galore "is a novel about the power of stories to shape and sustain us.

Ten years, ten authors, ten critics. The Canadian Literature Centre/Centre de litterature canadienne reaches into its ten-year archive of Brown Bag Lunch readings to sample some of the most diverse and powerful voices in contemporary Canadian literature. This anthology offers readers samples from some of Canada's most exciting writers of fiction, nonfiction, and poetry. Each selection is introduced by a brief essay, serving as a point of entry into the writer's work. From the east coast of Newfoundland to Kitamaat territory on British Columbia's central coast, there is a story for everyone, from everywhere. True to Canada's multilingual and multicultural heritage, these ten writers come from diverse ethnicities and backgrounds, and work in multiple languages, including English, French, and Cree. Ying Chen | essay by Julie Rodgers Lynn Coady | essay by Maite Snauwaert Michael Crummey | essay by Jennifer Bowering Delisle Caterina Edwards | essay by Joseph Pivato Marina Endicott | essay by Daniel Laforest Lawrence Hill | essay by Winfried Siemerling Alice Major | essay by Don Perkins Eden Robinson | essay by Kit Dobson Gregory Scofield | essay by Angela Van Essen Kim Thuy | essay by Pamela V. Sing

The scarcely populated town of Sweetland clings to the shore of a remote Canadian island. Its slow decline has finally reached a head, with the mainland government offering each islander a generous resettlement package- the only stipulation being that everyone must leave. Fierce and enigmatic Moses Sweetland, whose ancestors founded the island, is determined to refuse. As one by one his neighbors relent, he recalls the town's rugged history and its eccentric cast of characters. For fans of The Shipping News, Michael Crummey's prose conjures up the mythical, sublime world of Sweetland's past amid a storm-battered landscape haunted by local lore. In a spare style that belies "huge emotional depth and heart" (Celeste Ng, author of Everything I Never Told You), Crummey masterfully weaves together the past and present, creating in Sweetland a spectacular portrait of one man's battle to survive as his world vanishes around him.