Originally published in 1984, State Apparatus contributes to the debate on the theory of the state through posing questions regarding the state’s form, function, and apparatus. The book begins by setting out the theoretical and methodological problems and reviewing the various Conservative, Liberal and Marxist theories in light of these. It discusses state activity, using specific case studies to clearly illustrate key points, such as the development of welfare systems in North America and Western Europe. It also explores the use of language under the state, the role of the legal apparatus within a capitalist system, and the "local state". The book concludes with a discussion of democracy and the crisis of legitimacy, and the issue of justice and the state. State Apparatus is a detailed and comprehensive text, ideal for those with an interest in the history, theory, form, and function of the state.

Originally published in 1981, Urbanization and Urban Planning in Capitalist Society, is a comprehensive collection of papers addressing urban crises. Through a synthesis of current discussions around various critical approaches to the urban question, the book defines a general theory of urbanization and urban planning in capitalist society. It examines the conceptual preliminaries necessary for the establishment of capitalist theory and provides a theoretical exposition of the fundamental logic of urbanization and urban planning. It also provides a detailed discussion of commodity production and its effects on urban development.

This book illuminates the profound influence of geography on everyday life. Concentrating on the realm of social reproduction - gender, family, education, culture and tradition, race, ethnicity the contributors provide both an articulation of a theory of territory and reproduction and concrete empirical analyses of the evolution of social practices in particular places. At the core of the book's contribution is the concept of society as a 'time-space' fabric, upon which are engraved the processes of political, economic and socio-cultural life. A second distinctive feature of the book is its substantive focus on the relation between territory and social practice. Thirdly, it represents a significant step in the redefinition of the research agenda in human geography.

Originally published in 1984, State Apparatus contributes to the debate on the theory of the state through posing questions regarding the state's form, function, and apparatus. The book begins by setting out the theoretical and methodological problems and reviewing the various Conservative, Liberal and Marxist theories in light of these. It discusses state activity, using specific case studies to clearly illustrate key points, such as the development of welfare systems in North America and Western Europe. It also explores the use of language under the state, the role of the legal apparatus within a capitalist system, and the "local state". The book concludes with a discussion of democracy and the crisis of legitimacy, and the issue of justice and the state. State Apparatus is a detailed and comprehensive text, ideal for those with an interest in the history, theory, form, and function of the state.

Originally published in 1981, Urbanization and Urban Planning in Capitalist Society, is a comprehensive collection of papers addressing urban crises. Through a synthesis of current discussions around various critical approaches to the urban question, the book defines a general theory of urbanization and urban planning in capitalist society. It examines the conceptual preliminaries necessary for the establishment of capitalist theory and provides a theoretical exposition of the fundamental logic of urbanization and urban planning. It also provides a detailed discussion of commodity production and its effects on urban development.

This book illuminates the profound influence of geography on everyday life. Concentrating on the realm of social reproduction - gender, family, education, culture and tradition, race, ethnicity the contributors provide both an articulation of a theory of territory and reproduction and concrete empirical analyses of the evolution of social practices in particular places. At the core of the book's contribution is the concept of society as a 'time-space' fabric, upon which are engraved the processes of political, economic and socio-cultural life. A second distinctive feature of the book is its substantive focus on the relation between territory and social practice. Thirdly, it represents a significant step in the redefinition of the research agenda in human geography.

In the past decade, there has been a convergence of transdisciplinary thought characterized by geography s engagement with the humanities, and the humanities integration of place and the tools of geography into its studies.

GeoHumanities maps this emerging intellectual terrain with thirty cutting edge contributions from internationally renowned scholars, architects, artists, activists, and scientists. This book explores the humanities rapidly expanding engagement with geography, and the multi-methodological inquiries that analyze the meanings of place, and then reconstructs those meanings to provoke new knowledge as well as the possibility of altered political practices. It is no coincidence that the geohumanities are forcefully emerging at a time of immense intellectual and social change. This book focuses on a range of topics to address urgent contemporary imperatives, such as the link between creativity and place; altered practices of spatial literacy; the increasing complexity of visual representation in art, culture, and science and the ubiquitous presence of geospatial technologies in the Information Age.

GeoHumanties is essential reading for students wishing to understand the intellectual trends and forces driving scholarship and research at the intersections of geography and the humanities disciplines. These trends hold far-reaching implications for future work in these disciplines, and for understanding the changes gripping our societies and our globalizing world.

In the past decade, there has been a convergence of transdisciplinary thought characterized by geography s engagement with the humanities, and the humanities integration of place and the tools of geography into its studies.

GeoHumanities maps this emerging intellectual terrain with thirty cutting edge contributions from internationally renowned scholars, architects, artists, activists, and scientists. This book explores the humanities rapidly expanding engagement with geography, and the multi-methodological inquiries that analyze the meanings of place, and then reconstructs those meanings to provoke new knowledge as well as the possibility of altered political practices. It is no coincidence that the geohumanities are forcefully emerging at a time of immense intellectual and social change. This book focuses on a range of topics to address urgent contemporary imperatives, such as the link between creativity and place; altered practices of spatial literacy; the increasing complexity of visual representation in art, culture, and science and the ubiquitous presence of geospatial technologies in the Information Age.

GeoHumanties is essential reading for students wishing to understand the intellectual trends and forces driving scholarship and research at the intersections of geography and the humanities disciplines. These trends hold far-reaching implications for future work in these disciplines, and for understanding the changes gripping our societies and our globalizing world.

The postborder metropolis of Bajalta California stretches from Los Angeles in the north to Tijuana and Mexicali in the south. Immigrants from all over the globe flock to Southern California, while corporations are drawn to the low wage industry of the Mexican border towns, echoing developments in other rapid growth areas such as Phoenix, El Paso, and San Antonio. This incredibly diverse, transnational megacity is giving birth to new cultural and artistic forms as it rapidly evolves into something unique in the world. Postborder City is a genuinely interdisciplinary investigation of the hybrid culture on both sides of the increasingly fluid U.S. Mexico border, spanning the disciplines of art and art history, urban planning, geography, Latina/o studies, and American studies.

What a century of border films teaches about the real and imagined worlds of the US-Mexico borderlands-and how this understanding helps build better relations across boundaries. Border Witness is an account of cultural collision and fusion between Mexico and the United States, as seen on the ground and in films from the past hundred years. Blending film studies with political and cultural geography, Michael Dear investigates the making of cross-border identity and community in the territories between two nations. Border Witness introduces a new "border film" genre just now entering its golden age. A geographer and activist, Dear adopts an accessible and engaged perspective, combining the stories told by these films with insights drawn from his own decades-long research and travel. From early silent films to virtual reality, and from revolution to the present global crisis, border films provide fresh evidence for real and imagined politics and for envisioning future transborder architectures carved from in-between spaces. In an era of global geopolitics that favors walls and war over diplomacy, Dear's insights have relevance for borders around the world.

Borderwall as Architecture is an artistic and intellectual hand grenade of a book, and a timely re-examination of what the physical barrier that divides the United States of America from the United Mexican States is and could be. It is both a protest against the wall and a projection about its future. Through a series of propositions suggesting that the nearly seven hundred miles of wall is an opportunity for economic and social development along the border that encourages its conceptual and physical dismantling, the book takes readers on a journey along a wall that cuts through a "third nation"-the Divided States of America. On the way the transformative effects of the wall on people, animals, and the natural and built landscape are exposed and interrogated through the story of people who, on both sides of the border, transform the wall, challenging its existence in remarkably creative ways. Coupled with these real-life accounts are counterproposals for the wall, created by Rael's studio, that reimagine, hyperbolize, or question the wall and its construction, cost, performance, and meaning. Rael proposes that despite the intended use of the wall, which is to keep people out and away, the wall is instead an attractor, engaging both sides in a common dialogue. Included is a collection of reflections on the wall and its consequences by leading experts Michael Dear, Norma Iglesias-Prieto, Marcello Di Cintio, and Teddy Cruz.

"Urban Latino Cultures is a superb, multidimensional study of place and identity in Los Angeles. Recognizing that the transnational character of Latino realities is often realized in local expression and control of space, the book offers a useful lesson for those seeking to understand the ongoing transformations of many American cities, including San Antonio, Miami, and elsewhere and will be required reading for analysts of the new Los Angeles."  

--Manuel Pastor, Jr., Chair, Latin American & Latino Studies,

Merrill College, University of California

In public venues and in their homes, Latinos are asserting their cultural identities and changing the face of American cities. This book records the voices and visions of poets, cartoonists, photographers, architects, geographers, designers, playwrights, musicians, and filmmakers as they testify to the new vida latina in Los Angeles. They uncover the transformation of Latino memory, identity, and destiny in the social spaces of the barrio. Using Spanish, English, and Spanglish, contributors mingle the jingle of palatero trucks with sweatshops, in-your-face cartoons, rock music, family photos, hard-edged reporting, videos, and lyrical laments. The result is a joyful celebration of a pivotal moment in Latino history in the USA.

What a century of border films teaches about the real and imagined worlds of the US-Mexico borderlands—and how this understanding helps build better relations across boundaries.   Border Witness is an account of cultural collision and fusion between Mexico and the United States, as seen on the ground and in films from the past hundred years. Blending film studies with political and cultural geography, Michael Dear investigates the making of cross-border identity and community in the territories between two nations.   Border Witness introduces a new "border film" genre just now entering its golden age. A geographer and activist, Dear adopts an accessible and engaged perspective, combining the stories told by these films with insights drawn from his own decades-long research and travel. From early silent films to virtual reality, and from revolution to the present global crisis, border films provide fresh evidence for real and imagined politics and for envisioning future transborder architectures carved from in-between spaces. In an era of global geopolitics that favors walls and war over diplomacy, Dear's insights have relevance for borders around the world.

When thinking about the border separating the United States from Mexico, what typically comes to mind is an unwelcoming zone with violent, poverty-ridden towns, cities, and maquiladoras on one side and an increasingly militarized network of barriers and surveillance systems on the other. It was not always this way. In fact, from the end of Mexican-American War until the late twentieth century, the border was a very porous and loosely regulated region. In this sweeping account of life within the United States-Mexican border zone, acclaimed urbanist and geographer Michael Dear traces the border's long history of cultural interaction, from exchanges between the region's numerous Mesoamerican tribes onwards. Once Mexican and American settlers met at the Rio Grande and the southwest in the nineteenth century, new forms of interaction evolved. But as Dear warns in his bracing study, this vibrant zone of cultural and social amalgamation is in danger of fading away because of highly restrictive American policies and the violence along Mexico's side of the border. As he explains through analyses of the U.S. border security complex and the emerging Mexican narco-state, the very existence of the "third nation" occupied by both Americans and Mexicans is under serious threat. But through a series of evocative portraits of contemporary border communities, he shows that the potential for revitalizing this in-between nation still remains. Combining a broad historical perspective and a commanding overview of present-day problems, Why Walls Won't Work represents a major intellectual foray into one of the most hotly contested political issues of our era.

Today, when one thinks of the border separating the United States from Mexico, what typically comes to mind is a mutually unwelcoming zone, with violent, poverty-ridden towns, cities, and maquiladoras on one side and an increasingly militarized network of barriers and surveillance systems on the other. It was not always this way. In fact, from the end of Mexican-American War until the late twentieth century, the border was a very porous and loosely regulated region. In this sweeping account of life within the United States-Mexican border zone, Michael Dear, eminent scholar and co-founder of the "L.A. School" of urban theory, traces the border's long history of cultural interaction, beginning with the numerous Mesoamerican tribes of the region. Once Mexican and American settlers reached the Rio Grande and the desert southwest in the nineteenth century, new forms of interaction evolved. But as Dear warns in his bracing study, this vibrant zone of cultural and social amalgamation is in danger of fading away because of highly restrictive American policies and the relentless violence along Mexico's side of the border. Through a series of evocative portraits of contemporary border communities, he shows that the 'third space' occupied by both Americans and Mexicans still exists, and the potential for reviving it remains. Yet, Dear also explains through analyses of the U.S. "border security complex" and the emerging Mexican "Narco-state" why it is in danger of extinction. Combining a broad historical perspective and a commanding overview of present-day problems, Why Walls Won't Work represents a major intellectual intervention into one of the most hotly contested political issues of our era.

For most of the twentieth century, the principles of the "Chicago School" have guided urban analysts throughout the world. Los Angeles has been regarded as an exception to the rules governing the growth of American cities. But just as the Chicago School emerged at a time when that city was reaching new national prominence, Los Angeles is now making its impression on the minds of urbanists across the world.

From Chicago to L.A. begins the task of defining an alternative agenda for urban studies and examines the case for shifting the focus of urban studies from Chicago to Los Angeles. The authors, experienced scholars from a variety of disciplines, examine:

• The concepts that have blocked our understanding of Southern California cities
• The imaginative structures that people have been using to understand and explain Los Angeles
• The utility of the "Los Angeles School" of urbanism

For most of the twentieth century, the principles of the "Chicago School" have guided urban analysts throughout the world. Los Angeles has been regarded as an exception to the rules governing the growth of American cities. But just as the Chicago School emerged at a time when that city was reaching new national prominence, Los Angeles is now making its impression on the minds of urbanists across the world.

From Chicago to L.A. begins the task of defining an alternative agenda for urban studies and examines the case for shifting the focus of urban studies from Chicago to Los Angeles. The authors, experienced scholars from a variety of disciplines, examine:

• The concepts that have blocked our understanding of Southern California cities
• The imaginative structures that people have been using to understand and explain Los Angeles
• The utility of the "Los Angeles School" of urbanism

The Los Angeles region is increasingly held up as a prototype--for good or ill--of our collective urban future; however, it is probably the least understood and most under-studied major city in the United States. Very few people beyond the boundaries of Southern California have an accurate appreciation of what the region is, who lives there, and what it does. This collection of essays brings together some important voices to dispel the myths about Southern California and to begin the process of rethinking Los Angeles. This important volume seeks to go beyond the "rebuilding" literature and explore the multiple meanings of Los Angeles, fuse theory and method into a new vision of an urban reality, break with the traditional boundaries of urban analysis, and account for the complexities of the regional megacity. Editors Michael J. Dear, H. Eric Schockman, and Greg Hise have assembled a groundbreaking volume that will be of interest to scholars and students of urban studies and American culture. Tentative contents