Jim Carrey and Cameron Diaz star in this '90s US comedy. After being thrown out of the Coco Bongo nightclub one sad evening, timid bank clerk Stanley Ipkiss (Carrey) happens across a powerful Norse mask in the river which transforms him into a wise-cracking, zoot-suited, green-faced superhero. With his new-found charm and powers, which include infinite malleability of his own body, Stanley chats up the gorgeous woman of his dreams, singer Tina Carlyle (Diaz), robs his own bank, outwits the cops and demolishes the local hoods. His extravagant nightly exploits attract the unwanted attention of Lt. Mitch Kellaway (Peter Riegert) and Tina's boyfriend Dorian Tyrell (Peter Greene), who is trying to exert his own control over the city.

Conceived as a challenge to long-standing conventional wisdom, Creating the Future is a work of social history/cultural criticism that examines the premise that the progress of art in Los Angeles ceased during the 1970safter the decline of the Ferus Gallery, the scattering of its stable of artists (Robert Irwin, Ed Kienholz, Ed Moses, Ed Rusha and others), and the economic struggles throughout the decadeand didn t resume until sometime around 1984 when Mark Tansey, Alison Saar, Judy Fiskin, Carrie Mae Weems, David Salle, Manuel Ocampo, among others became stars in an exploding art market. However, this is far from the reality of the L.A. art scene in the 1970s. The passing of those fashionable 1960s-era icons, in fact, allowed the development of a chaotic array of outlandish and independent voices, marginalized communities, and energetic, sometimes bizarre visions that thrived during the stagnant 1970s. Fallon s narrative describes and celebrates, through twelve thematically arranged chapters, the wide range of intriguing artists and the worldnot just the objectsthey created. He reveals the deeper, more culturally dynamic truth about a significant moment in American art history, presenting an alternative story of stubborn creativity in the face of widespread ignorance and misapprehension among the art cognoscenti, who dismissed the 1970s in Los Angeles as a time of dissipation and decline. Coming into being right before their eyes was an ardent local feminist art movement, which had lasting influence on the direction of art across the nation; an emerging Chicano Art movement, spreading Chicano murals across Los Angeles and to other major cities; a new and more modern vision for the role and look of public art; a slow consolidation of local street sensibilities, car fetishism, gang and punk aesthetics into the earliest version of what would later become the Lowbrow art movement; the subversive co-opting, in full view of Pop Art, of the values, aesthetics, and imagery of Tinseltown by a number of young and innovative local artists who would go on to greater national renown; and a number of independent voices who, lacking the support structures of an art movement or artist cohort, pursued their brilliant artistic visions in near-isolation. Despite the lack of attention, these artists would later reemerge as visionary signposts to many later trends in art. Their work would prove more interesting, more lastingly influential, and vastly more important than ever imagined or expected by those who saw it or even by those who created it in 1970 s Los Angeles. Creating the Future is a visionary work that seeks to recapture this important decade and its influence on today s generation of artists. Artists mentioned: John BaldessariEd RuschaChris BurdenVija CleminsMike KelleyJames TurrellPaul McCarthyDavid SalleCharles GarabedianTerry AllenCarole CaroompasDavid HammonsSenga NengundiElliott Pinckney"

Jim Carrey and Cameron Diaz star in this '90s US comedy. After being thrown out of the Coco Bongo nightclub one sad evening, timid bank clerk Stanley Ipkiss (Carrey) happens across a powerful Norse mask in the river which transforms him into a wise-cracking, zoot-suited, green-faced superhero. With his new-found charm and powers, which include infinite malleability of his own body, Stanley chats up the gorgeous woman of his dreams, singer Tina Carlyle (Diaz), robs his own bank, outwits the cops and demolishes the local hoods. His extravagant nightly exploits attract the unwanted attention of Lt. Mitch Kellaway (Peter Riegert) and Tina's boyfriend Dorian Tyrell (Peter Greene), who is trying to exert his own control over the city.

The 1977-78 Los Angeles Dodgers came close. Their tough lineup of young and ambitious players squared off with the New York Yankees in consecutive World Series. The Dodgers' run was a long time in the making after years of struggle and featured many homegrown players who went on to noteworthy or Hall of Fame careers, including Don Sutton, Steve Garvey, Davey Lopes, and Steve Yeager. Dodgerland is the story of those memorable teams as Chavez Ravine began to change, baseball was about to enter a new era, and American culture experienced a shift to the "me" era. Part journalism, part social history, and part straight sportswriting, Dodgerland is told through the lives of four men, each representing different aspects of this L.A. story. Tom Lasorda, the vocal manager of the Dodgers, gives an up-close view of the team's struggles and triumphs; Tom Fallon, a suburban small-business owner, witnesses the Dodgers' season and the changes to California's landscape-physical, social, political, and economic; Tom Wolfe, a chronicler of California's ever-changing culture, views the events of 1977-78 from his Manhattan writer's loft; and Tom Bradley, Los Angeles's mayor and the region's most dominant political figure of the time, gives a glimpse of the wider political, demographic, and economic forces that affected the state at the time. The boys in blue drew baseball's focus in those two seasons, but the intertwining narratives tell a larger story about California, late 1970s America, and great promise unrealized.