This comprehensively revised - essentially rewritten - new edition of the 1990 edition (described as "extremely useful" by MATHEMATICAL REVIEWS and as "understandable and comprehensive" by Scitech) guides readers through the dense array of mathematical information in the International Tables Volume A. Thus, most scientists seeking to understand a crystal structure publication can do this from this book without necessarily having to consult the International Tables themselves. This remains the only book aimed at non-crystallographers devoted to teaching them about crystallographic space groups.

Screen version of the popular Broadway musical. In pre-Revolutionary Ukraine, Jewish fiddler Tevye (Topol) plans to marry off his three daughters. However, none of the girls chooses what their father considers to be a suitable partner. Meanwhile, the Russian Czar and Cossacks begin a campaign of intimidation against Tevye's village. Songs include 'If I Were a Rich Man' and 'Sunrise, Sunset'.

Michele Glazer's poems take on questions of being and value, exploring not just "what" is, but "how" it is. The poems trouble borders--between self and other, old and young, sick and well, stranger and intimate; between physical states in processes of decay; and between line and phrase, sentence and interruption, prose and poem, resisting the desire for something irrefutable with an abiding skepticism. The poems are drawn to missteps in perception and in language, those fractures that promise to crack open a surface to yield some other, greater meaning: "What is looked at is changed / what is looked for is gone." From this collision of passion and severity come poems that are strange and darkly beautiful.

"A Time for Love, A Time for Friendship" is a cautionary tale that was unintentionally written by a civilian from Queens, NY, who survived the terrorist attacks of September 11th, 2001 in downtown Manhattan, and tells the story of how the emotional turmoil left in its wake destroyed his life, how he lost the love of his life, how he was betrayed by his childhood friend, how he fought for justice, and how he is working to get his life back by trying to, intentionally, become a writer.

Kevin Bacon stars in this sporting underdogs comedy as a high school assistant basketball coach Jimmy Dolan intent on recruiting Saleh, a towering genius of a player, who, unfortunately, is also an African Prince who believes his responsibilty lies with his Winabi tribe. As the existing coach is retiring Jimmy is vying for promotion against another assistant, and he needs to get the best team. So Jimmy sets out to convince Saleh that his true destiny lies with basketball. However when he arrives in Africa, Jimmy discovers that the Winabi have acrimonious relations with the neighbouring tribe and it appears that the only way to settle all differences is with a basketball match.

Perhaps the archetypal 1970's American cop show, Dave Starsky (Paul Michael Glaser) and Ken 'Hutch' Hutchinson (David Soul) are plainclothes cops patrolling the streets of an unnamed city--portrayed by Los Angeles--in a 1973 red Grand Torino. Dark-haired Starsky, who has an unflagging appetite and a quick quip for any situation, and tall, blonde, heart-throb Hutch, who is more soulful and serious, are not just partners on the job--they are also close friends. But their unorthodox methods are endlessly frustrating for their boss, Captain Dobey (Bernie Hamilton).

The duo has a powerful ally on the street, however, in the police informant Huggy Bear (Antonio Fargas), a shady character who provides Starsky and Hutch with plenty of inside information. Full of tyre-screeching chases, shoot-outs, running and jumping up and down fire escapes and across busy roads, STARSKY AND HUTCH has plenty of street-wise action and humour. Contains series 1 to 4 of STARKSY AND HUTCH.

IN "Aggregate of Disturbances, Michele Glazer confronts the slipperiness of language and perception as she probes natural processes--the lives of insects, the uncertainty of love, and the deaths of human beings. Nature's beauty interests Glazer less than the fact that it is chaotic, amoral, redundant, charming, and indifferent to human concern--qualities that are, in these poems, turned into another kind of beauty. "The stalk was knocked flat & the allium's great lavender sphere / kissed the dirt & in the aftermath the pendulous blossomed / tip bobbed like a wand madly attempting to enchant-enchant-enchant. // I wanted to believe that it happened to amuse me." These taut lyrical poems negotiate between desire for something irrefutable and an uneasy bedrock of paradox. In the interstices, "Aggregate of Disturbances breaks open language and experience to offer a glimpse of "the eye on the other side."