A collection of Kafka's greatest short fiction, translated by Michael Hofmann Kafka's masterpiece of unease and black humour, Metamorphosis, the story of an ordinary man transformed into an insect, is brought together in this collection with the rest of his works that he thought worthy of publication. It includes Contemplation, a collection of his earlier short studies; The Judgement, written in a single night of frenzied creativity; The Stoker, the first chapter of a novel set in America; and an eyewitness account of an air display. Together, these stories, fragments and miniature gems reveal the breadth of his vision, his sense of the absurd, and above all his acute, uncanny wit. Translated with an introduction by Michael Hofmann

'One of the greatest novels ever written' Philippe Sands Set against the doomed splendour of the Austro-Hungarian Empire, The Radetzky March tells the story of the celebrated Trotta family, tracing their rise and fall over three generations. Theirs is a sweeping history of heroism and duty, desire and compromise, tragedy and heartbreak, a story that lasts until the darkening eve of World War One, when all is set to fall apart. Rich, epic and profoundly moving, The Radetzky March is Joseph Roth's timeless masterpiece.

'If I think about it, and I have the time and inclination and capacity to do so, we dogs are an odd lot.' How does a dog see the world? How do any of us? In this playful and enigmatic story of a canine philosopher, Kafka explores the limits of knowledge. Penguin Modern: fifty new books celebrating the pioneering spirit of the iconic Penguin Modern Classics series, with each one offering a concentrated hit of its contemporary, international flavour. Here are authors ranging from Kathy Acker to James Baldwin, Truman Capote to Stanislaw Lem and George Orwell to Shirley Jackson; essays radical and inspiring; poems moving and disturbing; stories surreal and fabulous; taking us from the deep South to modern Japan, New York's underground scene to the farthest reaches of outer space.

Habermas's Public Sphere: A Critique analyzes the evolution of Juergen Habermas's social and political theory from the 1950s to the present by focusing on the explicit and on the tacit changes in his thinking about The Structural Transformation of the Public Sphere, his global academic bestseller, which has been translated into 30 languages. Integrating "public sphere," "discourse," and "reason," the three categories at the center of his lifelong work as a scholar and as a public intellectual, Habermas's classic public sphere concept has deeply influenced an unusually high number of disciplines in the social sciences and in the humanities. In the process, its complex methodology, whose sources are not always identified, can be perplexing and therefore lead to misunderstandings. While Habermas's "Further Reflections on the Public Sphere" (1992) contain several far-reaching clarifications, they still do not identify a number of the most important sources for his methodology, above all Herbert Marcuse and Ernst Bloch. Hence, a key purpose of this study is to thoroughly analyze the Marxist critique of ideology that Habermas uses in dialectical fashion for his theory reconstruction of Immanuel Kant's liberal ideal of a rational-critical public as the organizational principle of the constitutional state and as the method of Enlightenment. Such dialectical thinking allows him to appropriate the structure of Reinhart Koselleck's Critique and Crisis and of Carl Schmitt's writings on the modern state while simultaneously upending their conservative critique of Liberalism and of the Enlightenment. However, this strategy restricts the application of his concept to his stylizations of the French Revolution and of his British "model case." This critique reinvigorates Habermas's seminal distinction between the purely political polis of antiquity, which excludes the private economy from the res publica, and the modern public sphere with its rational-critical discourse about commodity exchange and social labor in the political economy. At the same time, it identifies the crises of seventeenth-century England and the Dutch Republic as the origins of the new channels of public communication used to constantly evaluate the role of state power as political facilitator and regulator of an increasingly complex, dynamic, and crisis-prone market economy.

This collection of new translations brings together the small proportion of Kafka's works that he himself thought worthy of publication. It includes Metamorphosis, his most famous work, an exploration of horrific transformation and alienation; Meditation, a collection of his earlier studies; The Judgement, written in a single night of frenzied creativity; The Stoker, the first chapter of a novel set in America and a fascinating occasional piece, and The Aeroplanes at Brescia, Kafka's eyewitness account of an air display in 1909. Together, these stories reveal the breadth of Kafka's literary vision and the extraordinary imaginative depth of his thought.

Selected by the preeminent Kafka biographer and scholar Reiner Stach and newly translated by the peerless Michael Hofmann, the seventy-four pieces gathered here have been lost to sight for decades and two of them have never been translated into English before. Some stories are several pages long; some run about a page; a handful are only a few lines long: all are marvels. Even the most fragmentary texts are revelations. These pieces were drawn from two large volumes of the S. Fischer Verlag edition Nachgelassene Schriften und Fragmente (totaling some 1100 pages). "Franz Kafka is the master of the literary fragment," as Stach comments in his afterword: "In no other European author does the proportion of completed and published works loom quite so...small in the overall mass of his papers, which consist largely of broken-off beginnings." In fact, as Hofmann recently added: "'Finished' seems to me, in the context of Kafka, a dubious or ironic condition, anyway. The more finished, the less finished. The less finished, the more finished. Gregor Samsa's sister Grete getting up to stretch in the streetcar. What kind of an ending is that?! There's perhaps some distinction to be made between 'finished' and 'ended.' Everything continues to vibrate or unsettle, anyway. Reiner Stach points out that none of the three novels were 'completed.' Some pieces break off, or are concluded, or stop-it doesn't matter!-after two hundred pages, some after two lines. The gusto, the friendliness, the wit with which Kafka launches himself into these things is astonishing."

Japan's capital city of Kyoto was devastated by earthquake, storm, and fire in the late 12th century. Retreating from "this unkind world," the poet and Buddhist priest Kamo-no-Chomei left the capital for the forested mountains, where he eventually constructed his famous "ten-foot-square" hut. From this solitary vantage point Chomei produced "Hojoki," an extraordinary literary work that describes all he has seen of human misery and his new life of simple chores, walks, and acts of kindness. Yet at the end he questions his own sanity and the integrity of his purpose. Has he perhaps grown too attached to his detachment?

First new collection of poems since Approximately Nowhere (1999).

Reading Habermas: Structural Transformation of the Public Sphere dissolves Habermas's monolithic stylization to precisely access his seminal distinction between the purely political polis of antiquity, which excludes the private economy from the res publica, and the modern public sphere with its rational-critical discourse about commodity exchange and social labor in the political economy. Deconstructing the uniform mold of Structural Transformation's narrative about a rise and fall of the bourgeois public sphere in modernity also allows to identify and understand the ideology-critical methodologies of Habermas's theory reconstruction of Kant's ideal of the liberal public in the context of the French Revolution. Readers of this guide realize that Habermas's interpretation of a sociological and political category with the norms of constitutional theory and intellectual history causes the "collapsing of norm and description" he acknowledged in 1989 and thus frequent misunderstandings about the historical validity of Structural Transformation's ideal-type derived from Condorcet's absolute rationalism and Kant's "unofficial" philosophy of history. Specifically, the guide explains that Habermas's key construct of a "morally pretentious rationality" of the bourgeois public sphere entirely depends on the claim about "natural laws" harmoniously regulating the economy. While neoliberalism still maintains this claim, Hegel "decisively destroyed" it already in 1821.

Pigeons on the Grass is told over a single day in Munich in 1948. The first new cinemas and insurance offices are opening atop the ruins, Korea and Persia are keeping the world in panic, planes rumble in the sky (but no one looks up), newspaper headlines announce war over oil and atomic bomb tests. Odysseus Cotton, a black man, alights at the station and hires a porter; Frau Behrend disowns her daughter; with their interracial love affair, Carla Behrend and Washington Price scandalize their neighbors-who still expect gifts of chocolate and coffee; a boy hustles to sell a stray dog; Mr. Edwin, a visiting poet, prepares for a reading; Philipp gives himself up to despair; Emilia sells the last of her jewelry; Alexander stars as the Archduke in a new German Super-production; and Susanne seeks out a night to remember. In Michael Hofmann's words, "in their sum, they are the totality of existence." Koeppen spares no one and sees all in this penetrating and intense novel that surveys those who remain, and those who have just arrived, in a damaged society. As inventive as Joyce and as compulsively readable as Dickens, Pigeons on the Grass is a great lost classic.

Habermas's Public Sphere: A Critique analyzes the evolution of Juergen Habermas's social and political theory from the 1950s to the present by focusing on the explicit and on the tacit changes in his thinking about The Structural Transformation of the Public Sphere, his global academic bestseller, which has been translated into 30 languages. Integrating "public sphere," "discourse," and "reason," the three categories at the center of his lifelong work as a scholar and as a public intellectual, Habermas's classic public sphere concept has deeply influenced an unusually high number of disciplines in the social sciences and in the humanities. In the process, its complex methodology, whose sources are not always identified, can be perplexing and therefore lead to misunderstandings. While Habermas's "Further Reflections on the Public Sphere" (1992) contain several far-reaching clarifications, they still do not identify a number of the most important sources for his methodology, above all Herbert Marcuse and Ernst Bloch. Hence, a key purpose of this study is to thoroughly analyze the Marxist critique of ideology that Habermas uses in dialectical fashion for his theory reconstruction of Immanuel Kant's liberal ideal of a rational-critical public as the organizational principle of the constitutional state and as the method of Enlightenment. Such dialectical thinking allows him to appropriate the structure of Reinhart Koselleck's Critique and Crisis and of Carl Schmitt's writings on the modern state while simultaneously upending their conservative critique of Liberalism and of the Enlightenment. However, this strategy restricts the application of his concept to his stylizations of the French Revolution and of his British "model case." This critique reinvigorates Habermas's seminal distinction between the purely political polis of antiquity, which excludes the private economy from the res publica, and the modern public sphere with its rational-critical discourse about commodity exchange and social labor in the political economy. At the same time, it identifies the crises of seventeenth-century England and the Dutch Republic as the origins of the new channels of public communication used to constantly evaluate the role of state power as political facilitator and regulator of an increasingly complex, dynamic, and crisis-prone market economy.

Presenting the desperate conflict of the First World War through the eyes of an ordinary German soldier, Ernst Junger's Storm of Steel is translated by Michael Hofmann in Penguin Modern Classics. 'As though walking through a deep dream, I saw steel helmets approaching through the craters. They seemed to sprout from the fire-harrowed soil like some iron harvest.' A memoir of astonishing power, savagery and ashen lyricism, Storm of Steel depicts Ernst Junger's experience of combat on the front line - leading raiding parties, defending trenches against murderous British incursions, and simply enduring as shells tore his comrades apart. One of the greatest books to emerge from the catastrophe of the First World War, it illuminates like no other book not only the horrors but also the fascination of a war that made men keep fighting for four long years. Ernst Junger (1895-1998) the son of a wealthy chemist, ran away from home to join the Foreign Legion. His father dragged him back, but he returned to military service when he joined the German army on the outbreak of the First World War. Storm of Steel (Stahlgewittern) was Junger's first book, published in 1920. Greatly admired by the Nazis, Junger remained at a distance from the regime, with books such as his allegorical work On the Marble Cliffs (1939) functioning as a covert criticism of Nazi ideology and methods. If you enjoyed Storm of Steel, you might like Edward Blunden's Undertones of War, also available in Penguin Modern Classics. 'To read this extraordinary book is to gain a unique insight into the compelling nature of organized, industrialized violence' Niall Ferguson, author of War of the World 'Hofmann's interpretation is superb' The Times 'Unique in the literature of this or any other war is its brilliantly vivid conjuration of the immediacy and intensity of battle' Telegraph 'Storm of Steel is what so many books claim to be but are not: a classic account of war' Evening Standard

The great novel of 1920s Berlin life, in a superb new translation by Michael Hofmann Franz Biberkopf is back on the streets of Berlin. Determined to go straight after a stint in prison, he finds himself thwarted by an unpredictable external agency that looks an awful lot like fate. Cheated, humiliated, thrown from a moving car; embroiled in an underworld of pimps, thugs, drunks and prostitutes, Franz picks himself up over and over again - until one day he is struck a monstrous blow which might just prove his final downfall. A dazzling collage of newspaper reports, Biblical stories, drinking songs and urban slang, Berlin Alexanderplatz is the great novel of Berlin life: inventing, styling and recreating the city as reality and dream; mimicking its movements and rhythms; immortalizing its pubs, abattoirs, apartments and chaotic streets. From the gutter to the stars, this is the whole picture of the city. Berlin Alexanderplatz brought fame in 1929 to its author Alfred Doeblin, until then an impecunious writer and doctor in a working-class neighbourhood in the east of Berlin. Success at home was short-lived, however; Doblin, a Jew, left Germany the day after the Reichstag Fire in 1933, and did not return until 1945. This landmark translation by Michael Hofmann is the first to do justice to Berlin Alexanderplatz in English, brilliantly capturing the energy, prodigality and inventiveness of Doeblin's masterpiece.

'A hugely significant and wonderfully haunting collection' William Boyd In the 1920s and 1930s, Joseph Roth travelled extensively in Europe, living in hotels and writing about the towns through which he passed and the people he encountered. Collected in one volume, his experiences in Italy, Germany, Russia, Albania and Ukraine form a series of tender vignettes that capture life in the inter-war years. Evocative, curious and sharply observed, these literary postcards document a continent clinging to tradition while on the brink of further upheaval.

The first poem in Gottfried Benn's first book, Morgue (1912) - written in an hour, published in a week, and notorious ever after, or so the poet claimed - with its scandalous closing image of an aster sewn into a corpse by a playful medical student, set him on his celebrated path. And indeed, mortality, flowers, and powerful aesthetic collisions typify much of Benn's subsequent work. Over decades, as he suffered the vicissitudes of an often hostile fate - the death of his mother from untreated cancer; the death of his first wife Edith in 1922; his brief but disastrous attempt to ingratiate himself with the Nazis in 1933, followed by their persecution of him; the suicide of his second wife Herta in 1945, afraid she would fall into the hands of the Russians - the harsh, sometimes callous voice of the poems relented, softened, and mellowed. The later Benn - from which Impromptus is chiefly drawn, many of the poems translated into English for the first time - is deeply affecting: the routines and sorrows and meditations of an intelligent, pessimistic, and experienced man. Written in what T. S. Eliot called the 'third voice' of poetry, the low un-upholstered monologue of the poet talking to himself, these poems are slender ribbons of speech on the naked edge of song and silence. With this new collection of poems selected and translated by Michael Hofmann, Gottfired Benn, at long last, promises to attain in English the presence and importance that he so richly deserves.

THE ACCLAIMED INTERNATIONAL BESTSELLER 'One of the most extraordinary and compelling novels written about World War II. Ever' Alan Furst Inspired by a true story, Hans Fallada's Alone in Berlin is a gripping wartime thriller following one ordinary man's determination to defy the tyranny of Nazi rule Berlin, 1940, and the city is filled with fear. At the house on 55 Jablonski Strasse, its various occupants try to live under Nazi rule in their different ways: the bullying Hitler loyalists the Persickes, the retired judge Fromm and the unassuming couple Otto and Anna Quangel. Then the Quangels receive the news that their beloved son has been killed fighting in France. Shocked out of their quiet existence, they begin a silent campaign of defiance, and a deadly game of cat and mouse develops between the Quangels and the ambitious Gestapo inspector Escherich. When petty criminals Kluge and Borkhausen also become involved, deception, betrayal and murder ensue, tightening the noose around the Quangels' necks ... This Penguin Classics edition contains an afterword by Geoff Wilkes, as well as facsimiles of the original Gestapo file which inspired the novel. 'Terrific ... a fast-moving, important and astutely deadpan thriller' Irish Times 'An unrivalled and vivid portrait of life in wartime Berlin' Philip Kerr 'To read Fallada's testament to the darkest years of the 20th century is to be accompanied by a wise, somber ghost who grips your shoulder and whispers into your ear: "This is how it was. This is what happened"' The New York Times

Managers are confronted with many difficult demands which are still unknown to them. Gaining a better knowledge for unconscious ways of human behavior and their motivations is very important. This book introduces research work to European readers by selected contributions from leading psychoanalytically oriented management theorists and clinicians. The authors deal with different topics such as leadership, corporate culture, family business, organizational stress, career dynamics and so on. All of them try to win an understanding and insight into conscious, unconscious, rational and irrational behavior. The purpose of this book is fulfilled if this knowledge can be practiced in order to achieve improvements for the cooperation between people in general.

A memoir of astonishing power, savagery, and ashen lyricism, Storm of Steel illuminates not only the horrors but also the fascination of total war, seen through the eyes of an ordinary German soldier. Young, tough, patriotic, but also disturbingly self-aware, Junger exulted in the Great War, which he saw not just as a great national conflict but--more importantly--as a unique personal struggle. Leading raiding parties, defending trenches against murderous British incursions, simply enduring as shells tore his comrades apart, Junger kept testing himself, braced for the death that will mark his failure.

Published shortly after the war's end, Storm of Steel was a worldwide bestseller and can now be rediscovered through Michael Hofmann's brilliant new translation.First time in Penguin ClassicsAcclaimed new translation based on a new authoritative textWidely viewed as the best account ever written of fighting in World War I