In this volume, Pulitzer Prize-winning historian Michael Kammen explores the U.S. Constitution's place in the public consciousness and its role as a symbol in American life, from ratification in 1788 to our own time. As he examines what the Constitution has meant to the American people (perceptions and misperceptions, uses and abuses, knowledge and ignorance), Kammen shows that although there are recurrent declarations of reverence most of us neither know nor fully understand our Constitution. How did this gap between ideal and reality come about? To explain it, Kammen examines the complex and contradictory feelings about the Constitution that emerged during its preparation and that have been with us ever since. He begins with our confusion as to the kind of Union we created, especially with regard to how much sovereignty the states actually surrendered to the central government. This confusion is the source of the constitutional crisis that led to the Civil War and its aftermath. Kammen also describes and analyzes changing perceptions of the differences and similarities between the British and American constitutions; turn-of-the-century debates about states' rights versus national authority; and disagreements about how easy or difficult it ought to be to amend the Constitution. Moving into the twentieth century, he notes the development of a "cult of the Constitution" following World War I, and the conflict over policy issues that persisted despite a shared commitment to the Constitution.

In this volume, Pulitzer Prize-winning historian Michael Kammen explores the U.S. Constitution's place in the public consciousness and its role as a symbol in American life, from ratification in 1788 to our own time.

As he examines what the Constitution has meant to the American people (perceptions and misperceptions, uses and abuses, knowledge and ignorance), Kammen shows that although there are recurrent declarations of reverence most of us neither know nor fully understand our Constitution. How did this gap between ideal and reality come about? To explain it, Kammen examines the complex and contradictory feelings about the Constitution that emerged during its preparation and that have been with us ever since. He begins with our confusion as to the kind of Union we created, especially with regard to how much sovereignty the states actually surrendered to the central government. This confusion is the source of the constitutional crisis that led to the Civil War and its aftermath. Kammen also describes and analyzes changing perceptions of the differences and similarities between the British and American constitutions; turn-of-the-century debates about states' rights versus national authority; and disagreements about how easy or difficult it ought to be to amend the Constitution. Moving into the twentieth century, he notes the development of a "cult of the Constitution" following World War I, and the conflict over policy issues that persisted despite a shared commitment to the Constitution.

"History painting," for many people, conjures up Washington Crossing the Delaware and other paintings of heroic historical events. But history has made its way into considerably more American art than such obvious examples, in the view of Michael Kammen. In three thought-provoking and innovative essays, Kammen ranges from the Renaissance to the twentieth century, from central Europe to the western United States, and from elegant oil painting to folk sculpture to show the transformations of Old World icons of time into New World images of social memory and tradition. In the first essay, Kammen demonstrates how American artists and artisans modified European emblems of time in response to their New World setting. In the second essay concerning nineteenth-century landscape art, he explores how artists used space to represent the movement of American culture through time. In the final essay, he looks at two distinctively American motifs of collective memory and tradition-old houses and elm trees. Throughout this interdisciplinary study, Kammen draws his examples from well-known and lesser-known artists, as well as from diverse American writers. Over 100 black-and-white illustrations accompany the text. Of interest to all students of American culture, Meadows of Memory raises intriguing questions about the American paradox of desiring to conquer mutability while yearning for emblems of a (perhaps imagined?) past.

With "Digging Up the Dead", Pulitzer Prize - winning historian Michael Kammen reveals a treasure trove of fascinating, surprising, and occasionally gruesome stories of exhumation and reburial throughout American history. Taking us to the contested grave sites of such figures as Sitting Bull, John Paul Jones, Frank Lloyd Wright, Daniel Boone, Jefferson Davis, and even Abraham Lincoln, Kammen explores how complicated interactions of regional pride, shifting reputations, and evolving burial practices led to public and often emotional battles over the final resting places of famous figures. Grave-robbing, skull-fondling, cases of mistaken identity, and the financial lures of cemetery tourism all come into play as Kammen delves deeply into this little-known - yet surprisingly persistent - aspect of American history. Simultaneously insightful and interesting, masterly and macabre, "Digging Up the Dead" reminds us that the stories of American history don't always end when the key players pass on. Rather, the battle - over reputations, interpretations, and, last but far from least, possession of the remains themselves - is often just beginning.

This new edition of "Democracy in America "makes Tocqueville's classic nineteenth-century study of American politics, society, and culture available -- finally! -- in a brief and accessible version. Designed for instructors who are eager to teach the work but reluctant to assign all 700 plus pages, Kammen's careful abridgment features the most well-known chapters that by scholarly consensus are most representative of Tocqueville's thinking on a wide variety of issues. A comprehensive introduction provides historical and intellectual background, traces the author's journey in America, helps students unpack the meaning behind key Tocquevillian concepts like "individualism," "equality," and "tyranny of the majority," and discusses the work's reception and legacy. Newly translated, this edition offers instructors a convenient and affordable option for exploring this essential work with their students. Useful pedagogic features include a chronology, questions for consideration, a selected bibliography, illustrations, and an index.

Kammen is a major American historian, whose books have received the Bancroft and Parkman prizes. This book collects his essays on American culture, of which he is one of the major historians.

He was a friend of James Joyce, Pablo Picasso, e.e. cummings, John Dos Passos, Irving Berlin, and F. Scott Fitzgerald--and the enemy of Ezra Pound, H.L. Mencken, and Ernest Hemingway. He was so influential a critic that Edmund Wilson declared that he had played a leading role in the "liquidation of genteel culture in America." Yet today many students of American culture would not recognize his name. He was Gilbert Seldes, and in this brilliant biographical study, Pulitzer Prize-winning historian Michael Kammen recreates a singularly American life of letters. Equally important, Kammen uses Seldes's life as a lens through which to bring into sharp focus the dramatic shifts in American culture that occurred in the half-century after World War I.
Born in 1893, Seldes saw in his lifetime an astonishing series of innovations in popular and mass culture: silent films and talkies, the phonograph and the radio, the coming of television, and the proliferation of journalism aimed at mainstream America in such venues as Vanity Fair, The SaturdayEvening Post, and Esquire. (His monthly column in Esquire was called "The Lively Arts.") Seldes was more than a witness to these changes, however; he was the leading champion of popular culture in his time, and a skilled practitioner as well. Kammen, the first scholar to enjoy access to Seldes's unpublished papers, illuminates his immense influence as the earliest cultural critic to insist that the lively arts--vaudeville, musical revues, film, jazz, and the comics--should be taken just as seriously as grand opera, the legitimate theatre, and other manifestations of high culture.
As he traces Seldes's remarkable evolution from an acknowledged aesthete and highbrow to a cultural democrat with a passion for the popular arts, Kammen recaptures the critic's prescience, wit, and generosity for a newly expanded audience. We witness Seldes's triumphs and travails as managing editor of The Dial, the most influential literary magazine of its time, and read of New York's endlessly feuding publications and literary rivalries. Kammen offers wonderfully detailed accounts of The Dial's introduction of "The Wasteland" in its November 1922 issue; Seldes's review of Ulysses for TheNation, one of the first (if not the very first) to appear in the U.S.; and the complete story of the writing, publication, and critical reception of The Seven Lively Arts, Seldes's most influential book. And Kammen also covers Seldes's astonishingly versatile later career as a freelance writer (on every conceivable subject), historian, novelist, playwright, filmmaker, radio scriptwriter, the first program director for CBS Television, and the founding dean of the Annenberg School of Communications at the University of Pennsylvania.
One of popular culture's earliest and most eloquent champions, Seldes was nonetheless publicly worried as early as 1937 that the popularity of radio, film, and television would mean the demise of the "private art of reading." By 1957 he was warning that "with the shift of all entertainment into the area of big business, we are being engulfed into a mass-produced mediocrity." At a time when many thoughtful Americans despair of popular culture, The Lively Arts revisits the opening salvos in the ongoing debate over "democratization" versus "dumbing down" of the arts. It offers a penetrating and timely analysis of Gilbert Seldes's pioneering conviction that the popular and the great arts must not only co-exist but enrich one another if we are to realize the innovation and intensity of American culture at its best.

Despite its importance, New York has attracted very few historians of its colonial period. Michael Kammen offers a clear, comprehensive study of this previously neglected century by making skilful use of primary and secondary sources, his remarkable familiarity with the terrain on which the drama was enacted, and those physical remains that remind us of that past.

In American Culture, American Tastes, Michael Kammen leads us on an entertaining, thought-provoking tour of America's changing tastes, uses of leisure, and the shifting perceptions that have accompanied them throughout our nation's history. Starting at the point in time that late-nineteenth-century popular culture began to evolve into post-WWII mass culture, Kammen charts the influence of advertising and opinion polling; the development of standardized products, shopping centers, and mass marketing; the separation of youth and adult culture; the relationship between "high" and "low" art; the commercialization of organized entertainment; and the ways in which television has shaped mass culture and consumerism has reconfigured it. In doing so, he draws from sources as varied and rich as the work of esteemed cultural theorists, "The Simpsons," jigsaw puzzles, Walter Winchell's gossip columns, Whitman's poetry, Warhol's art, "Sesame Street," and the Book-of-the-Month Club.With wit and ingenuity Kammen traces the emergence of American mass culture and the contested meanings of leisure, taste, consumer culture, and social divisions that it has spawned.

From the beginning, what has given our culture its distinctivetexture, pattern, and thrust, according to Michael Kammen, is the dynamic interaction of the imported and the indigenous. He shows how, during the years of colonization, some ideas and institutions were transferred virtually intact from Britain, while, simultaneously, others were being transformed in the New World. As he unravels the tangled origins of our culture, he makes us see that unresolved contradictions in the American experience have created our national style. Puritanical and hedonistic, idealistic and materialistic, peace-loving and war-mongering: these opposing strands go back to the genesis of our history.

England's Glorious Revolution of 1688 created a major crisis among the British colonies in America. Following news of the English Revolution, a series of rebellions and insurrections erupted in colonial America from Massachusetts to Carolina. Although the upheavals of 1689 were sparked by local grievances, there were also general causes for the repudiation of Stuart authority.
Originally published in 1964.
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Liberty, one of the most consequential words in our language, is one of the most treasured concepts in American thought--and one of the most intensely debated. Its meaning is constantly shifting, changing not only from one culture to another but also, over time, within the same culture. No two definitions of liberty seem alike.

In this subtle and illuminating work Michael Kammen traces the evolving concept of liberty throughout American history and provides a solid framework for understanding the meaning of the term today. He shows that by the early seventeenth century a tension between liberty and authority was well recognized. Throughout the eighteenth century and especially during the American Revolution a bond between liberty and property was asserted. By the end of the eighteenth century this concept of liberty was so well established that it remained dominant throughout the nineteenth. By the early twentieth century, as the notion of social justice gained prominence, liberty and justice were paired frequently, and by midcentury the two had become allied to general American values. Since the 1960s the union of liberty and equality has been the prevailing notion, and achieving them has proved a major objective.

In a lively and learned manner Kammen also shows that Americans have subscribed to different definitions of liberty concurrently. Above all, there has been a steady expansion of what is embraced by the concept of liberty. This expansion has created difficulties in public discourse, causing groups to misunderstand one another. On the other hand, interpretations of liberty have broadened to include such concepts as constraints on authority, a right to privacy, and the protection of personal freedoms.

In a new preface for this Banner Books edition Kammen responds to evaluations of earlier editions and places his views within the context of more recent studies.

Michael Kammen, a professor of American history and culture at Cornell University, is the author of "American Culture, American Tastes: Social Change and the 20th Century" and "In the Past Lane: Historical Perspectives on American Culture."