Interpretation, Relativism, and Identity: Essays on the Philosophy of Michael Krausz addresses three major philosophical themes: interpretation, relativism, and identity. It does so by focusing on Krausz's distinctive exploration of the relationship between interpretation and ontology, the varieties of relativism, and the interpretive dimension of identity construction. Throughout the years, Krausz has participated in exchanges between people who embrace opposing views about reality, human selves, and the attachments or detachments between them. In these exchanges, life orientations are at stake as much as conceptual distinctions. These exchanges are reflected in a discussion among renowned scholars in philosophy and literary studies not only on Krausz's work but also on the significant philosophical implications of key issues for how we understand the human condition, our commitments and values, the meaning of religious and artistic texts, and the way we make sense of our lives and ourselves. The contributors to this volume engage with all of these concerns in their dialogue with Krausz and with one another. The range and versatility of Krausz's conceptual apparatus can benefit students and scholars with interests in interpretative endeavors, different ontological commitments, and various conceptual priorities and preferences.

What is truth, goodness, or beauty? Can we really define these concepts without the idea of a frame of reference? In the newest addition to the New Dialogues in Philosophy series, Michael Krausz presents fictional dialogues between four former classmates who hold significantly different views about these questions. As they travel in India, a place with unfamiliar concepts and customs, these four friends debate the rightness of relativism and absolutism. Are these concepts irreconcilable? Might there be a better view that goes beyond both of them? These lively discussions provide students with an accessible introduction to one of the most enduring and far-reaching philosophical problems of our age.

This volume looks at the symbiotic relationship between the philosophical inquiry into the presuppositions of musical interpretation and the interpretation of particular musical works by musicians. Characteristically, interpreters of music entertain philosophical views about musical interpretation. For example, an interpreter's decision whether to play one or another version of a piece, whether to use one instrument or another, whether to emphasize certain elements, depends in part upon certain convictions of a philosophical nature. An interpreter's resolution of such questions will involve views about what a musical work is--for example, whether it is fully embodied in a score, how strictly all markings should be respected, what pertinence historical research has for interpretations, and how decisive the known or reconstructed intentions of a composer may be. These nineteen previously unpublished essays address a cluster of interrelated questions about the definition, grounds, and nature of musical interpretation. The contributors investigate the aesthetic, cultural, and historical aspects of interpretation as well as fundamental distinctions such as those between a work and its interpretation, musical and non-musical phenomena, and musical meaning and linguistic meaning.

The thirty-three essays in "Relativism: A Contemporary Anthology" grapple with one of the most intriguing, enduring, and far-reaching philosophical problems of our age. Relativism comes in many varieties. It is often defined as the belief that truth, goodness, or beauty is relative to some context or reference frame, and that no absolute standards can adjudicate between competing reference frames.

Michael Krausz's anthology captures the significance and range of relativistic doctrines, rehearsing their virtues and vices and reflecting on a spectrum of attitudes. Invoking diverse philosophical orientations, these doctrines concern conceptions of relativism in relation to facts and conceptual schemes, realism and objectivity, universalism and foundationalism, solidarity and rationality, pluralism and moral relativism, and feminism and poststructuralism. Featuring nine original essays, the volume also includes many classic articles, making it a standard resource for students, scholars, and researchers.

In 33 Einzelbeitragen behandeln fuhrende Wissenschaftler aus der Psychiatrie des In- und Auslandes zentrale Fragestellungen der Psychiatrie: - Das Menschenbild in der Psychiatrie, Moglichkeiten und Grenzen psychiatrischen Denkens und Handelns, Fragen des Krankheitsbegriffs, Sexualitat und psychische Erkrankung, Psychotherapie und Zeitgeist, anthropologische Aspekte psychiatrischer Alterserkrankungen - Extremsituationen, Psychiatrie der Verfolgten, KZ-Haft und psychische Traumatisierung, sowie vollig neue Ergebnisse uber die Rolle der Universitatspsychiatrie Hamburgs im Kontext der NS-Psychiatrie - zur Psychiatriereform, den Grundrechten in der Psychiatrie, dem Konzept "sexueller Gesundheit" der WHO - zur Erforschung der therapeutischen Beziehung in der Psychiatrie, zu Ubertragung und Gegenubertragung und zu deren Einfluss und Auswirkung auf Theoriebildung einzelner Krankheitsbilder und Behandlungsergebnisse.

This book presents a fictional dialogue among four former college friends about Oneness and self-realization. News of the sudden death of a relative occasions their discussion. One friend, a devotee of the Advaita or non-duality school of Hindu philosophy, seeks to short-circuit the pain and suffering characteristically associated with anxieties about human mortality. According to her, to be is to be the ultimate ineffable undifferentiated Being, the birthless and the deathless-the One. The other friends, whose philosophical attitudes are broadly pragmatist, relativist, and realist, inquire into her views. While the pragmatist looks to the advaitist for guidance about meditative practices, she does not renounce human existence. She welcomes the joys and satisfactions as well as the burdens and pains of human existence. In turn, the relativist is skeptical about theories that aim to reach beyond one's historical, cultural or personal frame of reference. On his view, to be is to be in relationship, especially with other human beings. Finally, the realist seeks objective, frame-independent truth. In addition, he holds that the world is comprised of individual objects and their properties. Accordingly, he finds the idea of Oneness to be incomprehensible.

What is truth, goodness, or beauty? Can we really define these concepts without the idea of a frame of reference? In the newest addition to the New Dialogues in Philosophy series, Michael Krausz presents fictional dialogues between four former classmates who hold significantly different views about these questions. As they travel in India, a place with unfamiliar concepts and customs, these four friends debate the rightness of relativism and absolutism. Are these concepts irreconcilable? Might there be a better view that goes beyond both of them? These lively discussions provide students with an accessible introduction to one of the most enduring and far-reaching philosophical problems of our age.

The thirty-three essays in "Relativism: A Contemporary Anthology" grapple with one of the most intriguing, enduring, and far-reaching philosophical problems of our age. Relativism comes in many varieties. It is often defined as the belief that truth, goodness, or beauty is relative to some context or reference frame, and that no absolute standards can adjudicate between competing reference frames.

Michael Krausz's anthology captures the significance and range of relativistic doctrines, rehearsing their virtues and vices and reflecting on a spectrum of attitudes. Invoking diverse philosophical orientations, these doctrines concern conceptions of relativism in relation to facts and conceptual schemes, realism and objectivity, universalism and foundationalism, solidarity and rationality, pluralism and moral relativism, and feminism and poststructuralism. Featuring nine original essays, the volume also includes many classic articles, making it a standard resource for students, scholars, and researchers.

Diplomarbeit aus dem Jahr 1999 im Fachbereich BWL - Marketing, Unternehmenskommunikation, CRM, Marktforschung, Social Media, Note: 1,3, Universitat des Saarlandes (Unbekannt, Konsum- und Verhaltensforschung, Universitat des Saarlandes), Sprache: Deutsch, Abstract: Inhaltsangabe: Zusammenfassung: Wie die Zahl der Internet-Nutzer, so nimmt auch die Menge an Informationen, die uns uber das Internet angeboten werden, taglich zu, wodurch die Informationsuberlastung fur den Nutzer immer grosser wird. Eine gezielte Informationssuche wird durch virtuelle Communities ermoglicht, die ein bevorzugter Treffpunkt fur Leute mit gleichen Interessen geworden sind. Ermutigt durch den Community-Ansatz streben immer mehr Unternehmen an, eine Internet-Community aufzubauen. Ziel dieser Arbeit ist es, die Bedeutung von Virtual Communities fur das Marketing, insbesondere fur das Electronic Shopping, herauszustellen, da diese Form des Internet-Marketing immer mehr an Gehalt gewinnt. Neben der Geschichte und den theoretischen Grundlagen wie Arten und Merkmalen virtueller Gemeinschaften, wird auch auf die technischen Rahmenbedingungen und Kommunikationsformen eingegangen. Weiterhin erfolgt nahere Betrachtung der Moglichkeiten des Einsatzes von Marketingstrategien innerhalb virtueller Communities und der Mittel zu deren Umsetzung. Schlagworte sind hier vor allem Kundenbindung und One-to-One-Marketing. Auch wird auch naher auf die Erlebnisvermittlung innerhalb der virtuellen Gemeinschaften eingegangen und es werden Moglichkeiten aufgezeigt, mit denen man Community-Mitglieder enger an die Gemeinschaft binden kann. Im letzten Kapitel erfolgt neben einer zusammenfassenden Bewertung auch ein Ausblick auf mogliche zukunftige Entwicklungen. Inhaltsverzeichnis: Inhaltsverzeichnis: 1.Einleitung1 2.Begriffliche Grundlagen2 2.1Virtual Communities2 2.2Electronic Commerce und Electronic Shopping2 3.Theoretische Grundlagen virtueller Gemeinschaften3 3.1Geschichte3 3.2Nicht-kommerzielle Communities5 3.3Komm

By way of dialogues, Michael Krausz offers philosophical reflections about his life as philosopher, artist, and musician. He also rehearses his views about relativism, interpretation, creativity, and self-realization. Much of Krausz's work has been inspired by conversations with thinkers such as Karl Popper, Thomas Kuhn, Isaiah Berlin, the Dalai Lama, and musicians such as Josef Gingold, Frederik Prausnitz, and Luis Biava. While the death of his grandparents in Auschwitz continues to disquiet his consciousness, Krausz's critiques of versions of Advaitic Hinduism and Tibetan Buddhism led him to a distinctive humanism. This thought-provoking book includes personal and professional accounts about particular philosophers, artists, and musicians. It will edify anyone who, like Krausz, has confronted issues of self-identity and human existence.