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C# programmers: no more translating data structures from C++ or
Java to use in your programs! Mike McMillan provides a tutorial on
how to use data structures and algorithms plus the first
comprehensive reference for C# implementation of data structures
and algorithms found in the .NET Framework library, as well as
those developed by the programmer. The approach is very practical,
using timing tests rather than Big O notation to analyze the
efficiency of an approach. Coverage includes arrays and array
lists, linked lists, hash tables, dictionaries, trees, graphs, and
sorting and searching algorithms, as well as more advanced
algorithms such as probabilistic algorithms and dynamic
programming. This is the perfect resource for C# professionals and
students alike.
As an experienced JavaScript developer moving to server-side
programming, you need to implement classic data structures and
algorithms associated with conventional object-oriented languages
like C# and Java. This practical guide shows you how to work
hands-on with a variety of storage mechanisms--including linked
lists, stacks, queues, and graphs--within the constraints of the
JavaScript environment.
Determine which data structures and algorithms are most
appropriate for the problems you're trying to solve, and understand
the tradeoffs when using them in a JavaScript program. An overview
of the JavaScript features used throughout the book is also
included.
This book covers: Arrays and lists: the most common data
structuresStacks and queues: more complex list-like data
structuresLinked lists: how they overcome the shortcomings of
arraysDictionaries: storing data as key-value pairsHashing: good
for quick insertion and retrievalSets: useful for storing unique
elements that appear only onceBinary Trees: storing data in a
hierarchical mannerGraphs and graph algorithms: ideal for modeling
networksAlgorithms: including those that help you sort or search
dataAdvanced algorithms: dynamic programming and greedy
algorithms
The Front Room: Diaspora Migrant Aesthetics in the Home, originally
published in 2009, has become a beloved and much-praised source,
providing fascinating revelations into the post-war British
experience of immigrants, the decoration of their living spaces and
their position in society in relation to decolonisation. The 'front
room' (emanating from the Victorian parlour) provides an outlet to
respond to the feelings of displacement, exile and alienation and
the rebuilding of a home in a strange land. Primarily concerned
with Caribbean homes, The Front Room also looks at Moroccan,
Surinamese, Antillean and Indonesian migrant groups in
Holland-encompassing, through texts, archival documents and
artistic photographs, the important cultural markers that are
expressed through the domestic interiors of migrants. The author
examines how this intimate space within the home raises issues of
class, race, migration, aspiration, religion, family, gender,
identity and alienation. He also looks at the transition from the
colonial post-colonial modernity by placing the book in the context
of his own family's migrant experience. While this revised edition
includes updates of the original essays from leading social
commentators Stuart Hall, Denise Noble, Carol Tulloch and Dave
Lewis, as well as poems by Khadijah Ibrahiim and Dorothea Smartt,
and paintings by Sonia Boyce, Kimathi Donkor and Njideka Akunyili
Crosby. It also examines the iteration of the 'front room' in post
apartheid South Africa and discusses how sound system culture
emerged from the front room, as well as adding to the rich oral
histories from different generations reflecting on their personal
experiences of the front room and discussing the artefacts and
objects found in them in terms of their cultural significance. The
Front Room documents how the 'Windrush' generation's settlement in
Britain contributed to the making of multicultural society, and
raises questions about our lived experience and notions of the
'home', as many more people globally look for a roof over their
heads in the 21st century. The book is richly illustrated with
intriguing photographs of installations based on front rooms of the
time and the contemporary living room and their associated objects.
A play collection with an introduction by Afia Nkrumah and
bibliography by Susan Croft Featuring five works by prominent Black
and Asian playwrights. Harvest by Manjula Padmanabhan | Under their
Influence by Wayne Buchanan | Calcutta Kosher by Shelley Silas |
Made in England by Parv Bancil | Brother to Brother by Michael
McMillan These five plays in this collection each give us a glimpse
of a different world - from the poverty of a Bombay tenement in
Harvest by Manjula Padmanabhan to the world of rock and pop in Made
in England by Parv Bancil, from the fading grandeur of former
wealth in Calcutta Kosher by Shelley Silas to the inside of a
mental institution in Under their Influence by Wayne Buchanan and
many voices collide in the tales from the city in Brother to
Brother by Michael McMillan. Some of these plays have been
commended by critics and won awards, going on tour nationally. A
few have been broadcast or adapted for film. By publishing these
texts, we aim to inspire further productions, perhaps in venues
where little or no work by black and Asian writers has previously
been performed. In addition, the book includes a unique list of
published plays by black and Asian writers, compiled by Susan
Croft, so that those looking for plays to study or perform can
access the considerable body of work that now exists in libraries,
bookshops and archives.
This scarce antiquarian book is included in our special Legacy
Reprint Series. In the interest of creating a more extensive
selection of rare historical book reprints, we have chosen to
reproduce this title even though it may possibly have occasional
imperfections such as missing and blurred pages, missing text, poor
pictures, markings, dark backgrounds and other reproduction issues
beyond our control. Because this work is culturally important, we
have made it available as a part of our commitment to protecting,
preserving and promoting the world's literature.
This scarce antiquarian book is a selection from Kessinger
PublishingA AcentsAcentsa A-Acentsa Acentss Legacy Reprint Series.
Due to its age, it may contain imperfections such as marks,
notations, marginalia and flawed pages. Because we believe this
work is culturally important, we have made it available as part of
our commitment to protecting, preserving, and promoting the world's
literature. Kessinger Publishing is the place to find hundreds of
thousands of rare and hard-to-find books with something of intere
This scarce antiquarian book is a selection from Kessinger
Publishing's Legacy Reprint Series. Due to its age, it may contain
imperfections such as marks, notations, marginalia and flawed
pages. Because we believe this work is culturally important, we
have made it available as part of our commitment to protecting,
preserving, and promoting the world's literature. Kessinger
Publishing is the place to find hundreds of thousands of rare and
hard-to-find books with something of interest for everyone
This scarce antiquarian book is a facsimile reprint of the
original. Due to its age, it may contain imperfections such as
marks, notations, marginalia and flawed pages. Because we believe
this work is culturally important, we have made it available as
part of our commitment for protecting, preserving, and promoting
the world's literature in affordable, high quality, modern editions
that are true to the original work.
This scarce antiquarian book is a selection from Kessinger
PublishingA AcentsAcentsa A-Acentsa Acentss Legacy Reprint Series.
Due to its age, it may contain imperfections such as marks,
notations, marginalia and flawed pages. Because we believe this
work is culturally important, we have made it available as part of
our commitment to protecting, preserving, and promoting the world's
literature. Kessinger Publishing is the place to find hundreds of
thousands of rare and hard-to-find books with something of intere
General Books publication date: 2009 Original publication date:
1907 Original Publisher: Blackie Notes: This is a black and white
OCR reprint of the original. It has no illustrations and there may
be typos or missing text. When you buy the General Books edition of
this book you get free trial access to Million-Books.com where you
can select from more than a million books for free. Excerpt:
CHAPTER III ON THE WHITE TAP OF CULREOCH BEFORE sunrise I was up
and dressed, determined to conquer by hard physical exercise the
mental trouble that oppressed me. My new role of disappointed
lover, in spite of a certain amount of pain and grief, was not
without its attractions. Was I not thereby raised to the level of
Petrarch, Shakespeare, and a host of other poets, who had turned
their disappointments into melodious strains of lyric poetry Old
Susan, who, for the practical purpose of waking up the maids, was
up as early as I was, met me on the stairs, and urged me to take a
bite of food before starting out so early in the morning. But, not
to be behind the lovers of romance whose conduct I was emulating, I
replied in tragic tones that I could not eat, and, to her great
distress, hurried out of the house without taking anything to stay
my stomach till my return. It would have suited my romantic mood if
I could have mounted my coal-black or milk- white steed and
galloped him in furious guise along the road to Gatehouse.
Unfortunately the horse that I usually rode, which happened to be
of a dull nondescript colour, such as is never celebrated in
poetry, was required to do some hard work on the home farm that
day, so I had to leave him in the stable and go out on foot.
Without definite intention I turned my steps towards the moorland.
I did not much care where I went, as long as I could emulate the
example of Bellerophon, who, when he thought himself hated by all
the gods, went wandering along the Aleian plain, eating his soul
and avoiding the path of men. Presently befor...
This scarce antiquarian book is a selection from Kessinger
Publishing's Legacy Reprint Series. Due to its age, it may contain
imperfections such as marks, notations, marginalia and flawed
pages. Because we believe this work is culturally important, we
have made it available as part of our commitment to protecting,
preserving, and promoting the world's literature. Kessinger
Publishing is the place to find hundreds of thousands of rare and
hard-to-find books with something of interest for everyone!
This is a pre-1923 historical reproduction that was curated for
quality. Quality assurance was conducted on each of these books in
an attempt to remove books with imperfections introduced by the
digitization process. Though we have made best efforts - the books
may have occasional errors that do not impede the reading
experience. We believe this work is culturally important and have
elected to bring the book back into print as part of our continuing
commitment to the preservation of printed works worldwide.
This scarce antiquarian book is a selection from Kessinger
Publishing's Legacy Reprint Series. Due to its age, it may contain
imperfections such as marks, notations, marginalia and flawed
pages. Because we believe this work is culturally important, we
have made it available as part of our commitment to protecting,
preserving, and promoting the world's literature. Kessinger
Publishing is the place to find hundreds of thousands of rare and
hard-to-find books with something of interest for everyone!
This is a reproduction of a book published before 1923. This book
may have occasional imperfections such as missing or blurred pages,
poor pictures, errant marks, etc. that were either part of the
original artifact, or were introduced by the scanning process. We
believe this work is culturally important, and despite the
imperfections, have elected to bring it back into print as part of
our continuing commitment to the preservation of printed works
worldwide. We appreciate your understanding of the imperfections in
the preservation process, and hope you enjoy this valuable book.
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