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The Front Room - Diaspora Migrant Aesthetics in the Home (Paperback, Revised edition)
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The Front Room - Diaspora Migrant Aesthetics in the Home (Paperback, Revised edition)
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The Front Room: Diaspora Migrant Aesthetics in the Home, originally
published in 2009, has become a beloved and much-praised source,
providing fascinating revelations into the post-war British
experience of immigrants, the decoration of their living spaces and
their position in society in relation to decolonisation. The 'front
room' (emanating from the Victorian parlour) provides an outlet to
respond to the feelings of displacement, exile and alienation and
the rebuilding of a home in a strange land. Primarily concerned
with Caribbean homes, The Front Room also looks at Moroccan,
Surinamese, Antillean and Indonesian migrant groups in
Holland-encompassing, through texts, archival documents and
artistic photographs, the important cultural markers that are
expressed through the domestic interiors of migrants. The author
examines how this intimate space within the home raises issues of
class, race, migration, aspiration, religion, family, gender,
identity and alienation. He also looks at the transition from the
colonial post-colonial modernity by placing the book in the context
of his own family's migrant experience. While this revised edition
includes updates of the original essays from leading social
commentators Stuart Hall, Denise Noble, Carol Tulloch and Dave
Lewis, as well as poems by Khadijah Ibrahiim and Dorothea Smartt,
and paintings by Sonia Boyce, Kimathi Donkor and Njideka Akunyili
Crosby. It also examines the iteration of the 'front room' in post
apartheid South Africa and discusses how sound system culture
emerged from the front room, as well as adding to the rich oral
histories from different generations reflecting on their personal
experiences of the front room and discussing the artefacts and
objects found in them in terms of their cultural significance. The
Front Room documents how the 'Windrush' generation's settlement in
Britain contributed to the making of multicultural society, and
raises questions about our lived experience and notions of the
'home', as many more people globally look for a roof over their
heads in the 21st century. The book is richly illustrated with
intriguing photographs of installations based on front rooms of the
time and the contemporary living room and their associated objects.
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