"Before the West Was West" examines the extent to which scholars have engaged in-depth with pre-1800 "western" texts and asks what we mean by "western" American literature in the first place and "when" that designation originated.

Calling into question the implicit temporal boundaries of the "American West" in literature, a literature often viewed as having commenced only at the beginning of the 1800s, "Before the West Was West" explores the concrete, meaningful connections between different texts as well as the development of national ideologies and mythologies. Examining pre-nineteenth-century writings that do not fit conceptions of the Wild West or of cowboys, cattle ranching, and the Pony Express, these thirteen essays demonstrate that no single, unified idea or geography defines the American West.

Contributors investigate texts ranging from the Norse Vinland Sagas and Mary Rowlandson's famous captivity narrative to early Spanish and French exploration narratives, an eighteenth-century English novel, and a play by Aphra Behn. Through its examination of the disparate and multifaceted body of literature that arises from a broad array of cultural backgrounds and influences, "Before the West Was West "apprehends the literary West in temporal as well as spatial and cultural terms and poses new questions about "westernness" and its literary representation.

The never-before-told story of the horned rabbit—the myths, the hoaxes, the very real scientific breakthrough it inspired—and how it became a cultural touchstone of the American West. Just what is a jackalope? Purported to be part jackrabbit and part antelope, the jackalope began as a local joke concocted by two young brothers in a small Wyoming town during the Great Depression. Their creation quickly spread around the U.S., where it now regularly appears as innumerable forms of kitsch—wall mounts, postcards, keychains, coffee mugs, shot glasses, and so on. A vast body of folk narratives has carried the jackalope’s fame around the world to inspire art, music, film, even erotica! Although the jackalope is an invention of the imagination, it is nevertheless connected to actual horned rabbits, which exist in nature and have for centuries been collected and studied by naturalists. Around the time the two young boys were creating the first jackalope in Wyoming, Dr. Richard Shope was making his first breakthrough about the cause of the horns: a virus. When the virus that causes rabbits to grow “horns� (a keratinous carcinoma) was first genetically sequenced in 1984, oncologists were able to use that genetic information to make remarkable, field-changing advances in the development of anti-viral cancer therapies. The most important of these is the human papillomavirus (HPV) vaccine, which protects against cervical and other cancers. Today, jackalopes are literally helping us cure cancer. For fans of David Quammen’s The Song of the Dodo, Jon Mooallem’s Wild Ones, or Jeff Meldrum's Sasquatch, Michael P. Branch's remarkable On the Trail of the Jackalope is an entertaining and enlightening road trip through the heart of America.

Ralph Waldo Emerson is one of the most important figures in American nature writing, yet until now readers have had no book devoted to this central theme in his work. The Best Read Naturalist fills this lacuna, placing several of Emerson's lesser-known pieces of nature writing in conversation with his canonical essays. Organized chronologically, the thirteen selections-made up of sermons, lectures, addresses, and essays-reveal an engagement with natural history that spanned Emerson's career. As we watch him grapple with what he called the "book of nature," a more environmentally connected thinker emerges-a "green" Emerson deeply concerned with the physical world and fascinated with the ability of science to reveal a correspondence between the order of nature and that of the mind. The Best Read Naturalist illuminates the vital influence that the study of natural history had on the development of Emerson's mature philosophy.

"Before the West Was West" examines the extent to which scholars have engaged in-depth with pre-1800 "western" texts and asks what we mean by "western" American literature in the first place and "when" that designation originated.

Calling into question the implicit temporal boundaries of the "American West" in literature, a literature often viewed as having commenced only at the beginning of the 1800s, "Before the West Was West" explores the concrete, meaningful connections between different texts as well as the development of national ideologies and mythologies. Examining pre-nineteenth-century writings that do not fit conceptions of the Wild West or of cowboys, cattle ranching, and the Pony Express, these thirteen essays demonstrate that no single, unified idea or geography defines the American West.

Contributors investigate texts ranging from the Norse Vinland Sagas and Mary Rowlandson's famous captivity narrative to early Spanish and French exploration narratives, an eighteenth-century English novel, and a play by Aphra Behn. Through its examination of the disparate and multifaceted body of literature that arises from a broad array of cultural backgrounds and influences, "Before the West Was West "apprehends the literary West in temporal as well as spatial and cultural terms and poses new questions about "westernness" and its literary representation.

Reading the Roots is an unprecedented anthology of outstanding early writings about American nature--a rich, influential, yet critically underappreciated body of work. Rather than begin with Henry David Thoreau, who is often identified as the progenitor of American nature writing, editor Michael P. Branch instead surveys the long tradition that prefigures and anticipates Thoreau and his literary descendants. The selections in Reading the Roots describe a diversity of landscapes, wildlife, and natural phenomena, and their authors represent many different nationalities, cultural affiliations, religious views, and ideological perspectives. The writings gathered here also range widely in terms of subject, rhetorical form, and disciplinary approach--from promotional tracts and European narratives of contact with Native Americans to examples of scientific theology and romantic nature writing. The volume also includes a critical introduction discussing the cultural, scientific, and literary value of early American nature writing; headnotes that contextualize all authors and selections; and a substantial bibliography of primary and secondary sources in the field. Reading the Roots at last makes early American landscapes--and a range of literary responses to them--accessible to scholars, students, and general readers.

This is an anthology of nearly four centuries of nature writing about one of America's premier regions--the Blue Ridge Mountains and Shenandoah Valley of Virginia. Beginning with Captain John Smith's eager gaze westward in search of gold and ending with contemporary essayist John Daniel's transformative gaze inward in search of wilderness, The Height of our Mountains features the work of seventy of the nation's finest writers on nature, from 1607 to 1997.

Responding to Thomas Jefferson's claim in Notes on the State of Virginia that "the height of our mountains has not yet been estimated with any degree of exactness," Branch and Philippon have gathered a diverse collection of written perspectives on the region in an effort to "measure" the remarkable richness of this landscape through a variety of literary forms and styles.

The result is a wide-ranging survey that includes the colonial narratives of William Byrd and George Washington, as well as the natural histories of John Bartram and John James Audubon; the travel narratives of King Louis Philippe of France and the diaries and memoirs of Cornelia Peake McDonald, Walt Whitman, and John Burroughs; works of fiction by Edgar Allen Poe and Willa Cather; speeches by James Madison, Herbert Hover, and Franklin Roosevelt; and contemporary writings by Donald Culcross Peattie, Edwin Way Teale, Roger Tory Peterson, Annie Dillard, Donald McCaig, Peter Svenson, and Jake Page.

The book contains a lengthy and detailed introduction on the character and form of nature writing, the concepts of place and bioregionalism, and the literary natural history of the Blue Ridge country itself. Ample notes, beautiful illustrations and amps, and a lengthy bibliography make this book a lasting treasure.