This edited volume seeks to propose and examine different, though related, critical responses to modern cultures of war among other cultural practices of statecraft. Taken together, these essays present a space of creative engagement with the political and draw on a broad range of cultural contexts and genres of expressions to provoke the thinking that exceeds the conventional stories and practices of international relations. In contrast to a macropolitical focus on state policy and inter-state hostilities, the contributors to this volume treat the micropolitics of violence and dissensus that occur below [besides and against] the level and gaze that comprehends official map-making, policy-making and implementation practices. At a minimum, the counter-narratives presented in these essays disturb the functions, identities, and positions assigned by the nation-state, thereby multiplying relations between bodies, the worlds where they live, and the ways in which they are 'equipped' for fitting in them. Contributions deploy feature films, literature, photography, architecture to think the political in ways that offer glimpses of realities that are fugitive within existing perspectives. Bringing together a wide range of theorists from a host of geographical, cultural and theoretical contexts, this work explores the different ways in which an aesthetic treatment of world politics can contribute to an ethics of encounter predicated on minimal violence in encounters with people with different practices of identity. This work provides a significant contribution to the field of international theory, encouraging us to rethink politics and ethics in the world today.

This booka (TM)s chapters analyze aspects of urban politics with a combination of critical thinking (influenced by Walter Benjamin, Jacques Ranciere, Henri Lefebvre, and Achille Mbembe, among others) and readings of artistic genres (film, literature, and architecture). The coverage of cities includes, Tokyo, Paris, New York, Nairobi, Boston, Berlin and Hong Kong.

In 78 vibrant works by 62 gifted contributors, Jewish girls, young women, and nonbinary teens voice their celebrations and challenges, their anger and their eagerness in essays, poetry, and visual art. And their themes are universal, touching on childhood, spirituality, sexuality, race, family, friends, and the world around us.We are writers, editors, photographers, and artists. We are multiethnic, multiracial, and multifaceted. We are nourished by the sweet honey and harsh salt of our lives. Although we are often misunderstood, we find strength within ourselves and our communities. This book elevates our stories as we honor the past, explore the present, and look toward the future. Through poetry, fiction, essays, and art, we make our voices heard. "Within these pages is a representation of the Jewish community at its best: a diversity of voices and experiences; a rigorous commitment to challenging the status quo; creativity; humor and heartbreak; suffering and joy. That such an invigorating and affirming work was produced by the teens of jGirls Magazine is proof that they've learned a very important lesson early in life: nobody can tell your story but you." --Molly Tolsky, from the Foreword to Salt & Honey. Salt & Honey and was created by a team of writers and artists brought together as part of jGirls Magazine, including editors Elizabeth Mandel, Emanuelle Sippy, Maya Savin Miller, and Michele Lent Hirsch. Includes works by: Aliza Abusch-Magder; Lauren Alexander; Gertie Angel; Yael Beer; Alex Berman; Alyx Bernstein; Leah Bogatie; Isabella Brown; Aydia Caplan; Whitney Cohen; Emilia Cooper; Tesaneyah Dan; Denae; Alexa Druyanoff; Emily Duckworth; Elena Eisenstadt; Tali Feen; Abigail Fisher; Leah Fleischer; Lily Gardner; Abigael Good; Sequoia Hack; Madison Hahamy; Samara Haynes; Ahava Helfenbaum; Dalia Heller; Sascha Hochman; Audrey Honig; Alexa Hulse; Liel Huppert; Noa Kalfus; Alma Kastan; Rachel Kaufman; Maya Keren; Naomi Kitchen; Gavi Klein; Jamie Klinger; Emily Knopf; Aidyn Levin; Sonja Lippmann; Shoshana Maniscalco; Liora Meyer; Maya Savin Miller; Becca Norman; Juliet Norman; Dina Ocken; Zoe Oppenheimer; Lily Pazner; Annie Poole; Ofek Preis; Maya Rabinowitz; Emma Rosman; Artie Ross; Sydney Schulman; Eliana Shapere; Emanuelle Sippy; Michal Spanjer; Frankie Vega; Molly Voit; Abigail Winograd; Sarah Young; Makeda Zabot-Hall. The included Reader's Guide by teen educator and award-winning author Michelle Shapiro Abraham, RJE makes this an outstanding resource for book groups and for teen programming in a variety of contexts.

The dramatic events of 2020-the presidential election, the COVID-19 pandemic, protests for racial justice-affected every corner of American life. What did these events mean for the residents of small towns and cities that are often overlooked by national newspapers? How do local stories change when they are told by journalists with roots in these communities? And what is lost as this kind of coverage disappears? American Deadline brings together dispatches from four longtime local journalists in different parts of the United States that tell the story of 2020 anew. It shares reporting from Bowling Green, Virginia; Macon, Georgia; McKeesport, Pennsylvania; and McAllen, Texas-two towns that lost their local newspapers and two where they are barely hanging on. The authors consider what makes each town distinctive and how these local perspectives tell a part of a broader American story. This book reports on how residents of these towns grapple with and talk about issues relating to race, schooling, health, immigration, deindustrialization, as well as local and national politics amid a changing and increasingly precarious information ecosystem. A distinct and intimate look at a calamitous year, American Deadline is an important book for all readers interested in the possibilities and future of local journalism.

The dramatic events of 2020-the presidential election, the COVID-19 pandemic, protests for racial justice-affected every corner of American life. What did these events mean for the residents of small towns and cities that are often overlooked by national newspapers? How do local stories change when they are told by journalists with roots in these communities? And what is lost as this kind of coverage disappears? American Deadline brings together dispatches from four longtime local journalists in different parts of the United States that tell the story of 2020 anew. It shares reporting from Bowling Green, Virginia; Macon, Georgia; McKeesport, Pennsylvania; and McAllen, Texas-two towns that lost their local newspapers and two where they are barely hanging on. The authors consider what makes each town distinctive and how these local perspectives tell a part of a broader American story. This book reports on how residents of these towns grapple with and talk about issues relating to race, schooling, health, immigration, deindustrialization, as well as local and national politics amid a changing and increasingly precarious information ecosystem. A distinct and intimate look at a calamitous year, American Deadline is an important book for all readers interested in the possibilities and future of local journalism.

This groundbreaking and innovative text addresses the deep ontological and epistemological commitments that underpin conventional positivist methods and then demonstrates how "method" can be understood in much broader and more interesting ways. Drawing on a broad range of philosophical and methodological theory as well as a wide variety of artistic sources from fine art to cinema and from literature to the blues, leading contemporary thinker Michael Shapiro shows the reader how a more open understanding of the concept of method is rewarding and enlightening. His notion of 'writing-as-method' is enacted throughout the text and offers a stimulating alternative for students to positivist social science methods. This is essential reading for all students and faculty with an interest in post-positivist methods.

The Time of the City is a trans-disciplinary work with a focus on genre-city relationships as they articulate the micropolitics of urban life in diverse cities. Shifting the territorial emphasis of political studies from the mosaic of states to the global network of cities, the book draws on urban theory rather than traditional forms of official city politics. Deriving their methodological approaches from aspects of urban theory and philosophies of aesthetics, the chapters deploy concepts from philosophy, political theory, literary studies, cinema studies, poetics and aesthetic theory on diverse cities, among which are Berlin, Hong Kong, London, Los Angeles, New York, Philadelphia and Washington, DC.

Investigating a wide variety of urban formations, and developing a geophilosophy appropriate to urban space, this multi genre approach to urban life provides stunning insights into the micropolitics of ethnicity, identity, security, subjectivity and sovereignty.

The Time of the City is a trans-disciplinary work with a focus on genre-city relationships as they articulate the micropolitics of urban life in diverse cities. Shifting the territorial emphasis of political studies from the mosaic of states to the global network of cities, the book draws on urban theory rather than traditional forms of official city politics. Deriving their methodological approaches from aspects of urban theory and philosophies of aesthetics, the chapters deploy concepts from philosophy, political theory, literary studies, cinema studies, poetics and aesthetic theory on diverse cities, among which are Berlin, Hong Kong, London, Los Angeles, New York, Philadelphia and Washington, DC.

Investigating a wide variety of urban formations, and developing a geophilosophy appropriate to urban space, this multi genre approach to urban life provides stunning insights into the micropolitics of ethnicity, identity, security, subjectivity and sovereignty.

This work is a critical intervention into the archive of female identity; it reflects on the ways in which the Central and Eastern European female ideal was constructed, represented, and embodied in communist societies and on its transformation resulting from the political, economic, and social changes specific to the post-communist social and political transitions. During the communist period, the female ideal was constituted as a heroic mother and worker, both a revolutionary and a state bureaucrat, which were regarded as key elements in the processes of industrial development and production. She was portrayed as physically strong and with rugged rather than with feminized attributes. After the post-communist regime collapsed, the female ideal's traits changed and instead took on the feminine attributes that are familiar in the West's consumer-oriented societies. Each chapter in the volume explores different aspects of these changes and links those changes to national security, nationalism, and relations with Western societies, while focusing on a variety of genres of expression such as films, music, plays, literature, press reports, television talk shows, and ethnographic research. The topics explored in this volume open a space for discussion and reflection about how radical social change intimately affected the lives and identities of women, and their positions in society, resulting in various policy initiatives involving women's social and political roles. The book will be of interest to students and scholars of gender studies, comparative politics, Eastern European studies, and cultural studies.

This book's chapters analyze aspects of urban politics with a combination of critical thinking (influenced by Walter Benjamin, Jacques Ranciere, Henri Lefebvre, and Achille Mbembe, among others) and readings of artistic genres (film, literature, and architecture). The coverage of cities includes, Tokyo, Paris, New York, Nairobi, Boston, Berlin and Hong Kong.

This work is a critical intervention into the archive of female identity; it reflects on the ways in which the Central and Eastern European female ideal was constructed, represented, and embodied in communist societies and on its transformation resulting from the political, economic, and social changes specific to the post-communist social and political transitions. During the communist period, the female ideal was constituted as a heroic mother and worker, both a revolutionary and a state bureaucrat, which were regarded as key elements in the processes of industrial development and production. She was portrayed as physically strong and with rugged rather than with feminized attributes. After the post-communist regime collapsed, the female ideal's traits changed. As the consumer-oriented societies began displacing the state-dominated command economies of the communist period, the female ideal lost its close association with the state's authority and with the industrial production and instead took on the feminine attributes that are familiar in the West's consumer-oriented societies.As a result, the post-communist female ideal is tightly connected to various commodities (fashion products and luxury items), while the female herself has become a commodity in both marriage markets and illicit sexual exchanges associated with prostitution and sex trafficking. Each chapter in the volume explores different aspects of these changes and links those changes to national security, nationalism, and relations with Western societies, while focusing on a variety of genres of expression such as films, music, plays, literature, press reports, television talk shows and ethnographic research. The topics explored in this volume open a space for discussion and reflection about how radical social change intimately affected the lives, identities and the positions of women in society that resulted in various policy initiatives involving women's social and political roles. The book will be of interest to students and scholars of gender studies, comparative politics, Eastern European studies and cultural studies.

This book provides a new mathematical theory for the treatment of an ample series of spatial problems of electrodynamics, particle physics, quantum mechanics and elasticity theory. This technique proves to be as powerful for solving the spatial problems of mathematical physics as complex analysis is for solving planar problems.
The main analytic tool of the book, a non-harmonic version of hypercomplex analysis recently developed by the authors, is presented in detail. There are given applications of this theory to the boundary value problems of electrodynamics and elasticity theory as well as to the problem of quark confinement. A new approach to the linearization of special classes of the self-duality equation is also considered. Detailed proofs are given throughout. The book contains an extensive bibliography on closely related topics.
This book will be of particular interest to academic and professional specialists and students in mathematics and physics who are interested in integral representations for partial differential equations. The book is self-contained and could be used as a main reference for special course seminars on the subject.

It's the first night of Hanukkah, and the mouse family secretly looks on as Mr. Silman lights the first Hanukkah candle. Then they watch Rachel Silman open a gift from her family, a beautiful dollhouse with a wraparound porch and tiny lace curtains. Just the right size for us, whispers Mindy Mouse. While the Silmans are asleep, the mouse family explores the dollhouse. On each night of the holiday, they enjoy the small pieces of furniture and dishes of food that magically appear. Finally, on the eighth night of Hanukkah, a small miracle occurs, showcased nicely in Michelle Shapiro's colorful gouache illustrations.

Shakespeare's The Merchant of Venice occupies a unique place in world culture. As the fictional, albeit iconic, character of Shylock has been interpreted as exotic outsider, social pariah, melodramatic villain and tragic victim, the play, which has been performed and read in dozens of languages, has served as a lens for examining ideas and images of the Jew at various historical moments. In the last two hundred years, many of the play's stage interpreters, spectators, readers and adapters have themselves been Jews, whose responses are often embedded in literary, theatrical and musical works. This volume examines the ever-expanding body of Jewish responses to Shakespeare's most Jewishly relevant play.

This book aims to explain social variation in language, otherwise the meaning and motivation of language change in its social aspect. It is the expanded and improved 2nd edition of the author's self-published volume with the same title, based on revised and adapted posts on the author's Languagelore blog. Each vignette calls attention to points of grammar and style in contemporary American English, especially cases where language is changing due to innovative usage. In every case where an analysis contains technical or recondite vocabulary, a Glossary precedes the body of the essay, and readers can also consult the Master Glossary which contains all items glossed in the text. The unique form of the book's presentation is aimed at readers who are alert to the peculiarities of present-day American English as they pertain to pronunciation, grammar, and style, without "dumbing down" or compromising the language in which the explanations are couched. Praise for the First Edition "Michael Shapiro is one of the great thinkers in the realm of linguistics and language use, and his integrated understanding of language and speech in its semantic and pragmatic structure, grammatical and historical grounding, and colloquial to literary stylistic variants is perhaps unmatched today. This book is a treasure to be shared." Robert S. Hatten, The University of Texas at Austin "Jewel of a book...a gift to us all from Michael Shapiro. Like a Medieval Chapbook it can be a kind of companion whose vignettes on language use can be randomly and profitably consulted at any moment. Some may consider these vignettes opinionated. That would be to ignore how deeply anchored each vignette is in Shapiro's long and rare polyglot experience with language. It could well serve as a night table book, taken up each night to read and reflect upon --to ponder--both in the twilight mind and in the deeper reaches of associative somnolence. There is nothing else like it that I know of." James W. Fernandez, The University of Chicago

The purpose of this book is to develop the foundations of the theory of holomorphicity on the ring of bicomplex numbers. Accordingly, the main focus is on expressing the similarities with, and differences from, the classical theory of one complex variable. The result is an elementary yet comprehensive introduction to the algebra, geometry and analysis of bicomplex numbers. Around the middle of the nineteenth century, several mathematicians (the best known being Sir William Hamilton and Arthur Cayley) became interested in studying number systems that extended the field of complex numbers. Hamilton famously introduced the quaternions, a skew field in real-dimension four, while almost simultaneously James Cockle introduced a commutative four-dimensional real algebra, which was rediscovered in 1892 by Corrado Segre, who referred to his elements as bicomplex numbers. The advantages of commutativity were accompanied by the introduction of zero divisors, something that for a while dampened interest in this subject. In recent years, due largely to the work of G.B. Price, there has been a resurgence of interest in the study of these numbers and, more importantly, in the study of functions defined on the ring of bicomplex numbers, which mimic the behavior of holomorphic functions of a complex variable. While the algebra of bicomplex numbers is a four-dimensional real algebra, it is useful to think of it as a "complexification" of the field of complex numbers; from this perspective, the bicomplex algebra possesses the properties of a one-dimensional theory inside four real dimensions. Its rich analysis and innovative geometry provide new ideas and potential applications in relativity and quantum mechanics alike. The book will appeal to researchers in the fields of complex, hypercomplex and functional analysis, as well as undergraduate and graduate students with an interest in one- or multidimensional complex analysis.

This book provides the foundations for a rigorous theory of functional analysis with bicomplex scalars. It begins with a detailed study of bicomplex and hyperbolic numbers and then defines the notion of bicomplex modules. After introducing a number of norms and inner products on such modules (some of which appear in this volume for the first time), the authors develop the theory of linear functionals and linear operators on bicomplex modules. All of this may serve for many different developments, just like the usual functional analysis with complex scalars and in this book it serves as the foundational material for the construction and study of a bicomplex version of the well known Schur analysis.

This edited volume seeks to propose and examine different, though related, critical responses to modern cultures of war among other cultural practices of statecraft. Taken together, these essays present a space of creative engagement with the political and draw on a broad range of cultural contexts and genres of expressions to provoke the thinking that exceeds the conventional stories and practices of international relations. In contrast to a macropolitical focus on state policy and inter-state hostilities, the contributors to this volume treat the micropolitics of violence and dissensus that occur below [besides and against] the level and gaze that comprehends official map-making, policy-making and implementation practices. At a minimum, the counter-narratives presented in these essays disturb the functions, identities, and positions assigned by the nation-state, thereby multiplying relations between bodies, the worlds where they live, and the ways in which they are 'equipped' for fitting in them. Contributions deploy feature films, literature, photography, architecture to think the political in ways that offer glimpses of realities that are fugitive within existing perspectives. Bringing together a wide range of theorists from a host of geographical, cultural and theoretical contexts, this work explores the different ways in which an aesthetic treatment of world politics can contribute to an ethics of encounter predicated on minimal violence in encounters with people with different practices of identity. This work provides a significant contribution to the field of international theory, encouraging us to rethink politics and ethics in the world today.

The series is aimed specifically at publishing peer reviewed reviews and contributions presented at workshops and conferences. Each volume is associated with a particular conference, symposium or workshop. These events cover various topics within pure and applied mathematics and provide up-to-date coverage of new developments, methods and applications.

Thisseries is devoted to the publication of monographs, lecture resp. seminar notes, and other materials arising from programs of the OSU Mathemaical Research Institute. This includes proceedings of conferences or workshops held at the Institute, and other mathematical writings.

This groundbreaking and innovative text addresses the deep ontological and epistemological commitments that underpin conventional positivist methods and then demonstrates how "method" can be understood in much broader and more interesting ways. Drawing on a broad range of philosophical and methodological theory as well as a wide variety of artistic sources from fine art to cinema and from literature to the blues, leading contemporary thinker Michael Shapiro shows the reader how a more open understanding of the concept of method is rewarding and enlightening. His notion of 'writing-as-method' is enacted throughout the text and offers a stimulating alternative for students to positivist social science methods. This is essential reading for all students and faculty with an interest in post-positivist methods.

Frederick Law Olmsted relocated from New York to the Boston area in the early 1880s. With the help of his stepson and partner, John Charles Olmsted, his professional office grew to become the first of its kind: a modern landscape architecture practice with park, subdivision, campus, residential, and other landscape design projects throughout the country. During the period covered in this volume, Olmsted and his partners, apprentices, and staff designed the exceptional park system of Boston and Brookline-including the Back Bay Fens, Franklin Park, and the Muddy River Improvement. Olmsted also designed parks for New York City, Rochester, Buffalo, and Detroit and created his most significant campus plans for Stanford University and the Lawrenceville School. The grounds of the U.S. Capitol were completed with the addition of the grand marble terraces that he designed as the transition to his surrounding landscape. Many of Olmsted's most important private commissions belong to these years. He began his work at Biltmore, the vast estate of George Washington Vanderbilt, and designed Rough Point at Newport, Rhode Island, and several other estates for members of the Vanderbilt family. Olmsted wrote more frequently on the subject of landscape design during these years than in any comparable period. He would never provide a definitive treatise or textbook on landscape architecture, but the articles presented in this volume contain some of his most mature and powerful statements on the practice of landscape architecture.

Philosophers and linguists have come together for this volume to provide a glimpse of current thinking about language in a semiotic mode and of the analyses that result from applying the theory of signs of the American philosopher-scientist Charles Sanders Peirce (1839-1914) to subjects that Peirce himself did not explore in any depth. Contributors include Victor Friedman, Laura Janda, Tony Jappy, Dines Johansen, Dan Nesher, Joao Queiroz, Joelle Rethore, Michael Shapiro, and Nils Thelin.

Since the modern founding of the theory of signs by the American philosopher-scientist Charles Sanders Peirce (1839-1914), the field of semiotics has become increasingly prominent as a method of interdisciplinary research and study, bridging the humanities, the fine arts, and the natural and social sciences. It is also truly international, with faculty representation at many universities, research institutes, and scholarly societies throughout the world. These two volumes reflect the continuing appeal of Peirce's sign theory bringing together as they do a great variety of authors from all over the world whose aim is to set the stage for a productive collaboration among linguists and cognitive scientists.