The acres and acres of fertile soil, the two-hundred year old antebellum house, all gone. And so is the woman who gave it to him. The foster mother who saved Jack Boucher from a childhood of abandonment now rests in a hospice. Her mind eroded by dementia, the family legacy she entrusted to Jack is now owned by banks and strangers. And Jack's mind is failing too, as concussion after concussion forces him to carry around a notebook of names that separate friend from foe. In a single twisted night Jack is derailed. Losing the money that will clear his debt with the queen of Delta vice, and forcing Jack into the fighting pit one last time. The stakes - nothing less than life or death.

The Chattahoochee Trace in southeast Alabama and west Georgia is steeped in Native, African and early American tradition--stories often deeply rooted in folklore. Unusual beasts such as the Kolowa, the Wampus Cat and even Bigfoot roam the area. Crossroads magic, hoodoo and Huggin' Molly make their homes in the storied region. The Native American trickster rabbit, the Nunnehi Cherokee watchers, the tales of the Indian mounds and the saga of Brookside Drive are forever etched in Chattahoochee lore. From the Creek wars to Indian removal and Sherman's March to the Sea, the legends of "the Hooch" have left an indelible mark on Georgia and Alabama. Join author Michelle Smith as she reveals many of the strange creatures and myths that sing "the Song of the Chattahoochee."

Exploring the rupture between Wittgenstein's early and late phases, Michael Smith provides an original re-assessment of the metaphysical consistencies that exist throughout his divergent texts. Smith shows how Wittgenstein's criticism of metaphysics typically invoked the very thing he was seeking to erase. Taking an alternative approach to the inherent contradiction in his work, the 'problem of metaphysics', as Smith terms it, becomes the organizing principle of Wittgenstein's thought rather than something to overcome. This metaphysical thread enables further reflection on the poetic nature of Wittgenstein's philosophy as well as his preoccupation with ethics and aesthetics as important factors mostly absent from the secondary literature. The turn to aesthetics is crucial to a re-assessment of Wittgenstein's legacy, and is done in conjunction with an innovative analysis of Nietzsche's critique of Kantian aesthetics and Kant's 'judgments of taste'. The result is a unique discussion of the limits and possibilities of metaphysics, aesthetics, ethics and the task of the philosopher more generally.

Six tells the complete story of the service's birth and early years, including the tragic, untold tale of what happened to Britain's extensive networks in Soviet Russia between the wars. It reveals for the first time how the playwright and MI6 agent Harley Granville Barker bribed the Daily News to keep Arthur Ransome in Russia, and the real reason Paul Dukes returned there. It shows development of tradecraftA" and the great personal risk officers and their agents took, far from home and unprotected. In Salonika, for example, Lieutenant Norman Dewhurst realised it was time to leave when he opened his door to find one of his agents hanging dismembered in a sack. This first part of Six takes us up to the eve of the conflict, using hundreds of previously unreleased files and interviews with key players to show how one of the world's most secretive of secret agencies originated and developed into something like the MI6 we know today. The second part, published in Spring 2012, will tell the story from the outbreak of World War Two to the present.

This book provides a critical and updated analysis of the nature of the EU's strategic partnership diplomacy, and of the partnerships themselves, in times of power shift and contestation. It links with key aspects of the EU's Global Strategy; it brings together a strong list of experts who work within a clear framework for analysis; and it deals not only with the substance of the policy but also with the ways in which the policy as a whole has emerged, is conducted and might develop in the future. In offering an inclusive set of case studies and diverse perspectives, this book aims to advance both conceptualization and analysis of the implementation of the established EU partnerships. The book highlights the notion of strategic partnership as a foreign policy instrument to support EU external action in a context of multilevel change and crisis; its policy dimension as a gradually separated, but not separable policy within the Union's external action; the institutional component given the emergence of SPs as a sort of self-preserving institutional platform allowing for denser and deeper cooperation in various policy areas; and the implications for the EU's self-conception as an international actor with a global identity and role.

King Arthur’s Death (commonly referred to as the Alliterative Morte Arthure) is a Middle English poem that was written in Lincolnshire at the end of the fourteenth century. A source work for Malory’s later Morte d’Arthur, it is an epic tale which documents the horrors of war, the loneliness of kingship and the terrible price paid for arrogance. This magnificent poem tells of the arrival of emissaries from Imperial Rome demanding that Arthur pays his dues as a subject. It is Arthur’s refusal to accept these demands, and the premise of foreign domination, which leads him on a quest to confront his foes and challenge them for command of his lands. Yet his venture is not without cost. His decision to leave Mordred at home to watch over his realm and guard Guinevere, his queen, proves to be a costly one. Though Arthur defeats the Romans, events in Britain draw him back where he must now face Mordred for control of his kingdom – a conflict ultimately fatal to the pair of them. Combining heroic action, probing insight into human frailty and a great attention to contemporary detail, King Arthur’s Death is not only a lesson in effective kingship, it is also an astonishing mirror on our own times, highlighting the folly of letting stubborn dogma drive political decisions.

Critically acclaimed novelist Michael Farris Smith pulls Nick Carraway out of the shadows and into the spotlight in this exhilarating imagination of his life before The Great Gatsby Before Nick Carraway moved to West Egg and into Gatsby's world, he was at the centre of a very different story - one taking place along the trenches and deep within the tunnels of World War I. Floundering in the wake of the destruction he witnessed first-hand, Nick delays his return home, hoping to escape the questions he cannot answer about the horrors of war. Instead, he embarks on a transcontinental redemptive journey that takes him from a whirlwind Paris romance - doomed from the very beginning - to the dizzying frenzy of New Orleans, rife with its own flavour of debauchery and violence. An epic portrait of a truly singular era and a sweeping, romantic story of self-discovery, this rich and imaginative novel breathes new life into a character that many know only from the periphery. Charged with enough alcohol, heartbreak, and profound yearning to transfix even the heartiest of golden age scribes, Nick reveals the man behind the narrator who has captivated readers for decades.

Here's the story: a reverend and a rabbi start a blog. In 2008, Baptist minister Michael Smith and Jewish rabbi Rami M. Shapiro began a virtual conversation via blogspot.com. Called "Mount and Mountain," the blog recorded a long-running dialogue between Mike and Rami in which the pair interpreted, argued about, and interrogated two key texts drawn from the canons of their respective religions: the Ten Commandments from the Torah, and the Sermon on the Mount from the Gospel of St. Matthew. This book, focused on the Sermon on the Mount, represents the second half of Mike and Rami's dialogue. In it, Mike and Rami explore the text of Jesus' sermon cooperatively, contributing perspectives drawn from their lives and religious traditions and seeking moments of illumination. They are, like all of us, audience members, contemplating the words of Jesus together in the hope that we can discern Truth not only through revelation but also through conversation. As readers, we are a part of their conversation. We think and respond, we question and wonder, we entertain doubt and affirm faith. Reading their discussion, we are encouraged to begin our own.