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Dis 'n roman oor die aftakeling wat vrou- en ma-wees op gees en lyf kerf. Daar is 'n ongewone, ontgogelde blik op swangerskap, ontdaan van blosende skoonheid, vreedsame afwagting en innige vervulling; eerder gekenmerk deur vrees, angstigheid en ongemak. Die bloedige slagveld van geboorte word ontstellend verwoord en daarna die allesoorheersende liefde vir die babas. Maar ook die onmoontlike gyselaarsituasie van 'n ongelukkige huwelik: “Om 'n ma te wees is onmenslik moeilik as jou gees gevlug het uit jou lyf.” Dis ook die verhaal van die mooi vriendskap tussen 'n ma en stiefma. Kylie en Katrin word mekaar se weemoed.
Toe Marié vier jaar oud is, verhuis haar ouers van Suid-Afrika na ’n
sendingstasie in die destydse Rhodesië waar haar pa vir die plaaslike
drukpers werk. In hierdie oënskynlike paradys beleef Marié die wêreld
om haar met verwondering, humor, nuuskierigheid en, namate sy ouer
word, met groeiende ontnugtering.
One of the greatest novelists of the 20th century, John Steinbeck continues to be read and studied at all levels. This encyclopedia extensively overviews his life and writings. Included are roughly 1200 alphabetically arranged entries by more than 40 expert contributors. Entries cover his works, major characters, family members and contemporaries, influences, and various special topics related to his literary career. Many of the entries cite works for further reading, and the encyclopedia closes with a selected, general bibliography. Known for his searing social criticism, John Steinbeck is one of the most popular and influential American writers of the 20th century. His works are read and studied at all levels and have been made into films. And though critics and scholars initially found fault with his enormously popular works, he is now widely recognizes as a master of his craft. This encyclopedia provides an extensive overview of his life and career and is accessible to high school students, undergraduates, and general readers. Presented are roughly 1200 alphabetically arranged entries by more than 40 expert contributors. These entries cover his works, major characters, family members and contemporaries, influences, and a range of special topics.
From the introduction by Waid Water When they asked me to write the intro to this book, it didn't seem too dangerous, so I considered it. We're stuck out here orbiting Zebulon. I don't know if we'll ever get home. My friend Owen Crunch is the hero. They probably want me to put in some of the exciting stuff we run into. There are the flying lizards that almost bite my head off, and caustic blobs. They almost dissolve my face. They get Owen in the other end. The blue moose is huge. The stinging frogs are small, but they do quite a number on me. Worst of all is the flower. Don't go near any uncooked vegetables. This book is educational. Kids who read it will undoubtedly pick up important tips for living in zero G and using the space toilet. I think a lot of astronauts are going to get their start right here. Remember, the best way to survive space is to stay home. Read this book instead. Waid Water Still here. Recommended for readers 10 and up.
This book focuses on a selection of analytical methods enabling the investigation of solution complexation equilibria, providing information on the speciation (stoichiometry and in some instances structure of the formed species) but also allowing the measurement of thermodynamic parameters (equilibrium constants, reaction enthalpy and entropy). The seven chapters, authored by eminent practitioners in their field, cover both the theoretical and the practical aspects with helpful experimental guidelines. The latest technical and computational advances are described in a way that unambiguously show the major contributions of the authors at the top of their field. Hence, this book is intended to be a valuable introduction to newcomers, while being at the same time a helpful companion to more experienced users of each instrumental techniques. It provides an up-to-date overview with useful tips and hints on the application of selected cutting-edge analytical methods that allow unravelling and modelling intricate complex formation equilibria. So far there has been no such book focussing specifically on the measurement of thermodynamic parameters, while covering such a wide panel of techniques. This book will be of interest to a broad readership, including analytical, coordination, supramolecular, environmental, instrumental, and physical chemists, radiochemists, electrochemists, and biochemists among others.
by the question in its being an answer, if only in a circumstantial (i. e. inessential) manner. One indeed must question oneself in order to remember, says Plato, but the dialectic, which would be scientific, must be something else even if it remains a play of question and answer. This contradiction did not escape Aristotle: he split the scientific from the dialectic and logic from argumentation whose respective theories he was led to conceive in order to clearly define their boundaries and specificities. As for Plato, he found in the famous theory of Ideas what he sought in order to justify knowledge as that which is supposed to hold its truth only from itself. What do Ideas mean within the framework of our approach? In what consists the passage from rhetoric to ontology which leads to the denaturation of argumentation? When Socrates asked, for example, "What is virtue?," he thought one could not answer such a question because the answer refers to a single proposition, a single truth, whereas the formulation of the question itself does not indicate this unicity. For any answer, another can be given and thus continuously, if necessary, until eventually one will come across an incompatibility. Now, to a question as to what X, Y, or Z is, one can answer in many ways and nothing in the question itself prohibits multiplicity. Virtue is courage, is justice, and so on.
Miss Julie (1888), written in a fortnight, was regarded by Strindberg as his masterpiece, 'the first naturalistic tragedy of the Swedish drama'. Shocking in subject-matter, revolutionary in technique, it was fiercely attacked on publication for immorality. On Midsummer Eve, Miss Julie, the daughter of a count, sleeps with her father's valet, Jean. The subsequent conflict between sexual passion and social position, which leads to her suicide, is presented with startling modernity. The play's premiere at Strindberg's experimental theatre in Denmark in 1889 was banned by the censor and its first public production three years later in Berlin aroused such protests that it was withdrawn after one performance. Miss Julie has since become one of Strindberg's most popular and frequently performed plays. Commentary and notes by David Thomas and Jo Taylor.
"It Can't Happen Here" is the only one of Sinclair Lewis's later
novels to match the power of "Main Street, ""Babbitt," and
"Arrowsmith." A cautionary tale about the fragility of democracy,
it is an alarming, eerily timeless look at how fascism could take
hold in America. Written during the Great Depression, when the
country was largely oblivious to Hitler's aggression, it juxtaposes
sharp political satire with the chillingly realistic rise of a
president who becomes a dictator to save the nation from welfare
cheats, sex, crime, and a liberal press. Called "a message to
thinking Americans" by the" Springfield Republican" when it was
published in 1935, "It Can't Happen Here "is a shockingly prescient
novel that remains as fresh and contemporary as today's news.
Focuses on leader standard work and standard work Demonstrates the use of Lean tools including visual controls, Gemba walks, kanban, 5S and more Discusses why a Lean philosophy is so important in conjunction with using Lean tools Outlines the need for whiteboards vs. computers Includes real-life implementaitons and results
Focuses on leader standard work and standard work Demonstrates the use of Lean tools including visual controls, Gemba walks, kanban, 5S and more Discusses why a Lean philosophy is so important in conjunction with using Lean tools Outlines the need for whiteboards vs. computers Includes real-life implementaitons and results
In the case studies that make up the bulk of this book, middle and high school history teachers describe the decisions and plans and the problems and possibilities they encountered as they ratcheted up their instruction through the use of big ideas. Framing a teaching unit around a question such as "Why don't we know anything about Africa?" offers both teacher and students opportunities to explore historical actors, ideas, and events in ways both rich and engaging. Such an approach exemplifies the construct of ambitious teaching, whereby teachers demonstrate their ability to marry their deep knowledge of subject matter, students, and the school context in ways that fundamentally challenge the claim that history is "boring."
The prolonged boom in the US and European stock markets has led to increased interest in the mathematics of security markets, most notably in the theory of stochastic integration. This text gives a rigorous development of the theory of stochastic integration as it applies to the valuation of derivative securities. It includes all the tools necessary for readers to understand how the stochastic integral is constructed with respect to a general continuous martingale. The author develops the stochastic calculus from first principles, but at a relaxed pace that includes proofs that are detailed, but streamlined to applications to finance. The treatment requires minimal prerequisites-a basic knowledge of measure theoretic probability and Hilbert space theory-and devotes an entire chapter to application in finances, including the Black Scholes market, pricing contingent claims, the general market model, pricing of random payoffs, and interest rate derivatives. Continuous Stochastic Calculus with Application to Finance is your first opportunity to explore stochastic integration at a reasonable and practical mathematical level. It offers a treatment well balanced between aesthetic appeal, degree of generality, depth, and ease of reading.
This title was first published in 2001. Derrida's work testifies to the problematic state of contemporary thought. Questioning Derrida offers new explorations into Derrida's contribution to philosophy. Presenting contributions from prominent philosophers worldwide, this book explores many aspects of Derrida's philosophical perspective. With contributors commenting on a particular topic or defending alternative viewpoints, this book examines the work of Plato, Hegel, Aristotle, Heidegger and also the philosophy of science. Focusing on 'problematology' - a conception of philosophy as questioning - the contributors explore this new way of 'doing' philosophy. Including a concluding chapter from Derrida himself, this book presents Derrida in question and Derrida and his answers and opens new debate for readers across the fields of philosophy and literature, particularly those exploring the work of Derrida, issues in continental philosophy, and the theory of questioning. Michel Meyer is Director of the Revue Internationale de Philosophie journal and based at Universite Libre de Bruxelles, Belgium. He is also the series editor of Ashgate's Philosophy in Question series which is published in association with Revue Internationale de Philosophie from which the volumes in the series evolve.
This saga brings alive the world of the 10th century AD when the Vikings raided the coasts of England. Acclaimed as one of the best historical novels ever written, this engaging saga of Viking adventure in 10th century northern Europe has a very appealing young hero, Orm Tostesson, whose story we follow from inexperienced youth to adventurous old age, through slavery and adventure to a royal marriage and the search for great treasure. Viking expeditions take him to lands as far apart as England, Moorish Spain, Gaardarike (the country that was to become Russia), and the long road to Miklagard. The salt-sea spray, the swaying deck awash in slippery blood are the backdrop to fascinating stories of King Harald Blue Tooth, the Jomsvikings, attempts to convert the Northmen to Christianity, and much else. Like H. Rider Haggard, Bengtsson is a master of the epic form.
This revised Student Edition of Ibsen's popular play contains introductory commentary and notes by Sophie Duncan, which offer a contemporary lens on the play's gender politics and consider seminal productions and adaptations of the play into the 21st century. As well as the complete text of the play itself, this new Methuen Drama Student Edition includes a: * Chronology of the play and Ibsen's life and work * Discussion of the social, political, cultural and economic context in which the play was originally conceived and created * Overview of the creation processes followed and performance history of the play, including recent performances such as a 2012 short film adaptation and a stage adaptation set in colonial Calcutta. * Analysis of some of the major themes and specific issues addressed by the play, such as whether it's a feminist play and its author a feminist * Bibliography of suggested primary and secondary materials for further study Ibsen's 1879 play shocked its first audiences with its radical insights into the social roles of husband and wife. His portrayal of the caged 'songbird' in his flawed heroine Nora remains one of the most striking dramatic depictions of the late 19th century woman.
Contemporary or postmodern thought is based on the lack of foundation. The impossibility of having a principle for philosophy has become a position of principle. As a result, rhetoric has taken over. Content has given way to the priority of form. Michel Meyer's book aims at showing that philosophy as foundational is possible and necessary, and that rhetoric can flourish alongside, but the conception of reason must be changed. Questioning rather than answering must be considered as the guiding principle. What the author calls "problematology" is not only the study of questioning but also the analysis of the reasons why it has been repressed throughout the history of philosophy. Since Socrates, philosophers and scientists have reasoned by asking questions and by trying to solve them. Questioning has been the unthematized foundation of philosophy and thought at large. Philosophers, however, have preferred another norm, granting privilege to the answers and thereby repressing the questions into the realm of the preliminary and unessential. They have not considered their discursive practice as being based upon some question-answer (or problem-solution) complex, but exclusively on the results they call propositions. Meyer argues that propositions ensue from corresponding questions, and not the other way around. Anthropology, ontology, reasoning, and language thus receive a new interpretation in the problematological conception of philosophy, a conception in which questions and problems are thematized afresh. The theory of language in everyday use, in argumentation, or in literary analysis receives a full and decisive treatment here, making Meyer's question-view one of the leading theories in contemporary thought, alongside his rhetoric for which he is already well known.
This title was first published in 2001. Derrida's work testifies to the problematic state of contemporary thought. Questioning Derrida offers new explorations into Derrida's contribution to philosophy. Presenting contributions from prominent philosophers worldwide, this book explores many aspects of Derrida's philosophical perspective. With contributors commenting on a particular topic or defending alternative viewpoints, this book examines the work of Plato, Hegel, Aristotle, Heidegger and also the philosophy of science. Focusing on 'problematology' - a conception of philosophy as questioning - the contributors explore this new way of 'doing' philosophy. Including a concluding chapter from Derrida himself, this book presents Derrida in question and Derrida and his answers and opens new debate for readers across the fields of philosophy and literature, particularly those exploring the work of Derrida, issues in continental philosophy, and the theory of questioning. Michel Meyer is Director of the Revue Internationale de Philosophie journal and based at Universite Libre de Bruxelles, Belgium. He is also the series editor of Ashgate's Philosophy in Question series which is published in association with Revue Internationale de Philosophie from which the volumes in the series evolve.
The subject of the passions has always haunted Western philosophy and, more often than not, aroused harsh judgments. For the passions represent a force of excess and lawlessness in humanity that produces troubling, confusing paradoxes.In this book, noted European philosopher Michel Meyer offers a wide-ranging exegesis, the first of its kind, that systematically retraces the history of philosophic conceptions of the passions in the work of such thinkers as Plato, Aristotle, Augustine, Spinoza, Descartes, Hobbes, Rousseau, Kant, and Freud. The great ruptures that led to passion's condemnation as sin, and to romantic exultation as the truth of existence, are meticulously registered and the logic governing them astutely explicated.Meyer thus provides new insight into an age-old dilemma: Does passion torture people because it blinds them, or, on the contrary, does it permit them to apprehend who and what we really are?
Rhetoric was fundamental to education and to cultural aspiration in the Greek and Roman worlds. It was one of the key aspects of antiquity that slipped under the line between the ancient world and Christianity erected by the early Church in late antiquity. Ancient rhetorical theory is obsessed with examples and discussions drawn from visual material. This book mines this rich seam of theoretical analysis from within Roman culture to present an internalist model for some aspects of how the Romans understood, made and appreciated their art. The understanding of public monuments like the Arch of Titus or Trajan's Column or of imperial statuary, domestic wall painting, funerary altars and sarcophagi, as well as of intimate items like children's dolls, is greatly enriched by being placed in relevant rhetorical contexts created by the Roman world. |
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