"Do this in remembrance of Me." From the very beginning, the Lord's Supper has stood at the heart of Christian worship. But over the years we've trivialized it, squeezing it in between "real" worship. If Jesus lives in us, and the Holy Spirit is poured out on us, why do we need to eat bread and drink grape juice or wine? Does it really matter? It does matter--and it's life-changing, says leading Pentecostal theologian Jonathan Black. With warmth and depth, he explores not only how the table is still a powerful place of transformation and encounter with Jesus, but also how we can experience Christ's promise of presence, glory, healing, forgiveness, victory, and intimacy when we answer His call to come to the table. Whether you're feeling the lack of His presence, are ashamed of sin in your life, or have never felt anything during Communion, Christ's invitation to partake in His feast is your invitation to taste and see that the Lord is good.

In See Justice Done: The Problem of Law in the African American Literary Tradition, author Christopher Brown argues that African American literature has profound and deliberate legal roots. Tracing this throughline from the eighteenth century to the present, Brown demonstrates that engaging with legal culture in its many forms—including its conventions, paradoxes, and contradictions—is paramount to understanding Black writing. Brown begins by examining petitions submitted by free and enslaved Blacks to colonial and early republic legislatures. A virtually unexplored archive, these petitions aimed to demonstrate the autonomy and competence of their authors. Brown also examines early slave autobiographies such as Equiano’s Interesting Narrative and Mary Prince’s History, which were both written in the form of legal petitions. These works invoke scenes of black competence and of black madness, repeatedly and simultaneously. Early Black writings reflect how a Black Atlantic world, organized by slavery, refused to acknowledge Black competence. By including scenes of black madness, these narratives critique the violence of the law and predict the failure of future legal counterparts, such as Plessy v. Ferguson, to remedy injustice. Later chapters examine the works of more contemporary writers, such as Sutton E. Griggs, George Schuyler, Toni Morrison, and Edward P. Jones, and explore varied topics from American exceptionalism to the legal trope of "colorblindness." In chronicling these interactions with jurisprudential logics, See Justice Done reveals the tensions between US law and Black experiences of both its possibilities and its perils.

America is the most punitive nation in the world, incarcerating more than 2.3 million people--or one in 136 of its residents. Against the backdrop of this unprecedented mass imprisonment, punishment permeates everyday life, carrying with it complex cultural meanings. In The Culture of Punishment, Michelle Brown goes beyond prison gates and into the routine and popular engagements of everyday life, showing that those of us most distanced from the practice of punishment tend to be particularly harsh in our judgments.

The Culture of Punishment takes readers on a tour of the sites where culture and punishment meet--television shows, movies, prison tourism, and post 9/11 new war prisons--demonstrating that because incarceration affects people along distinct race and class lines, it is only a privileged group of citizens who are removed from the experience of incarceration. These penal spectators, who often sanction the infliction of pain from a distance, risk overlooking the reasons for democratic oversight of the project of punishment and, more broadly, justifications for the prohibition of pain.

Santa Mouse searches for his true Christmas talent in Santa's workshop in this magical 8x8 storybook about finding your own special way to celebrate the holiday. Life at the North Pole is exciting and different for Santa Mouse, who has become Santa's littlest helper. Santa Mouse is full of Christmas joy, so he can't wait to find out the best way to help the others at Santa's workshop. First, he tries his paws at toy making with the elves, but it's not quite right. Then he joins the present wrapping station, but it's still not a good fit. Can Santa Mouse find his true calling?

This collection represents new and selected poems spanning the thirty year career of this notable poet. Included are poems from all of his previous books. His writing style is unparrelled and speaks in his unique voice. The romantic poems are most certainly some of the best poetry you will find anywhere. The Marriage Proposal is a truly inspired example.

What did war look like in the cultural imagination of 1914? Why did men in Scotland sign up to fight in unprecedented numbers? What were the martial myths shaping Scottish identity from the aftermath of Bannockburn to the close of the nineteenth century, and what did the Scottish soldiers of the First World War think they were fighting for? Scotland and the First World War: Myth, Memory and the Legacy of Bannockburn is a collection of new interdisciplinary essays interrogating the trans-historical myths of nation, belonging and martial identity that shaped Scotland's encounter with the First World War. In a series of thematically linked essays, experts from the fields of literature, history and cultural studies examine how Scotland remembers war, and how remembering war has shaped Scotland.

Investigating cinema under the magnifying glass From a look at classics like Psycho and Double Indemnity to recent films like Traffic and Thelma & Louise, Nicole Rafter and Michelle Brown show that criminological theory is produced not only in the academy, through scholarly research, but also in popular culture, through film. Criminology Goes to the Movies connects with ways in which students are already thinking criminologically through engagements with popular culture, encouraging them to use the everyday world as a vehicle for theorizing and understanding both crime and perceptions of criminality. The first work to bring a systematic and sophisticated criminological perspective to bear on crime films, Rafter and Brown's book provides a fresh way of looking at cinema, using the concepts and analytical tools of criminology to uncover previously unnoticed meanings in film, ultimately making the study of criminological theory more engaging and effective for students while simultaneously demonstrating how theories of crime circulate in our mass-mediated worlds. The result is an illuminating new way of seeing movies and a delightful way of learning about criminology.

The terrorist attacks on September 11th were unique and unprecedented in many ways, but the day will stand in our memories particularly because of our ability to watch the spectacle unfold. The blazing towers crumbling into dust, black smoke rising from the Pentagon, the unrecognizable remains of a fourth airplane in a quiet Pennsylvania field--these images, while disturbing and surreal, provide an important vehicle for interdisciplinary dialogue within media studies, showing us how horrific national disasters are depicted in various media. Each contributor to this volume offers a fresh, engaging perspective on how the media transformed the 9/11 crisis into an ideological tour de force, examining why certain readings of these events were preferred, and discussing the significance of those preferred meanings. Yet the contributors do not limit themselves to such standard news mediums such as newspapers and television. This anthology also covers comic books, songs, advertising, Web sites, and other non-traditional media outlets. Using a wide range of interdisciplinary approaches, contributors explore such topics as the amount of time dedicated to coverage, how the attacks were presented in the United States and abroad, how conflicting viewpoints were addressed, and how various artistic outlets dealt with the tragedy. Offering a unique approach to a topic of enduring interest and importance, this volume casts a new light on considerations of that day.

Now available as a Classic Board Book, little ones will love this heartfelt, joyous story of how a kindhearted mouse becomes Santa's littlest helper in this true Christmas classic. Sometimes giving is the best gift of all. In this charming holiday story, meet a tiny mouse with no name who is nevertheless blessed with a large imagination and a generous spirit. He lives a very lonely life in a very big house. He dearly loves Christmas and one Christmas Eve he surprises Santa Claus with a most unusual present. How does this small mouse with a big heart become Santa's special helper? Written by Michael Brown and illustrated in a timeless style by Elfrieda De Witt, Santa Mouse is a Christmas family favorite that parents and grandparents are sure to share with their little ones.

Dynamically written and richly illustrated, the Routledge International Handbook of Visual Criminology offers the first foundational primer on visual criminology. Spanning a variety of media and visual modes, this volume assembles established researchers whose work is essential to understanding the role of the visual in criminology and emergent thinkers whose work is taking visual criminology in new directions. This book is divided into five parts that each highlight a key aspect of visual criminology, exploring the diversity of methods, techniques and theoretical approaches currently shaping the field: * Part I introduces formative positions in the developments of visual criminology and explores the different disciplines that have contributed to analysing images. * Part II explores visual representations of crime across film, graphic art, documentary, police photography, press coverage and graffiti and urban aesthetics. * Part III discusses the relationship of visual criminology to criminal justice institutions like policing, punishment and law. * Part IV focuses on the distinctive ethical problems posed by the image, reflecting on the historical development, theoretical disputes and methodological issues involved. * Part V identifies new frameworks and emergent perspectives and reflects upon the distinctive challenges and limits that can be seen in this emerging field. This book includes a vibrant colour plate section and over a hundred black and white images, breaking down the barriers between original photography and artwork, historic paintings and illustrations and modern comics and films. This interdisciplinary book will be of interest to criminologists, sociologists, visual ethnographers, art historians and those engaged with media studies.

African-Atlantic Cultures and the South Carolina Lowcountry examines perceptions of the natural world revealed by the religious ideas and practices of African-descended communities in South Carolina from the colonial period into the twentieth century. Focusing on Kongo nature spirits known as the simbi, Ras Michael Brown describes the essential role religion played in key historical processes, such as establishing new communities and incorporating American forms of Christianity into an African-based spirituality. This book illuminates how people of African descent engaged the spiritual landscape of the Lowcountry through their subsistence practices, religious experiences, and political discourse.

This collection explores the role of martial masculinities in shaping nineteenth-century British culture and society in a period framed by two of the greatest wars the world had ever known. It offers a fresh, interdisciplinary perspective on an emerging field of study and draws on historical, literary, visual and musical sources to demonstrate the centrality of the military and its masculine dimensions in the shaping of Victorian and Edwardian personal and national identities. Focusing on both the experience of military service and its imaginative forms, it examines such topics as bodies and habits, families and domesticity, heroism and chivalry, religion and militarism, and youth and fantasy. Martial masculinities will be required reading for anyone interested in the cultures of war and masculinity in the long nineteenth century. -- .

Over the course of the past two decades, horror cinema around the globe has become increasingly preoccupied with the concept of loss. Grief in Contemporary Horror Cinema: Screening Loss examines the theme of grief as it represented both indie and mainstream films, including works such as Jennifer Kent's watershed film The Babadook, Juan Antonio Bayona's award-sweeping El orfanato, Ari Aster's genre-straddling Midsommar, and Lars von Trier's visually stunning Melancholia. Analyzing depictions of grief ranging from the intimate grief of a small family to the collective grief of an entire nation, the essays illustrate how these works serve to provide unity, catharsis, and-sometimes-healing.

In the last decades of the thirteenth century the British Isles appeared to be on the point of unified rule, dominated by the lordship, law and language of the English. However by 1400 Britain and Ireland were divided between the warring kings of England and Scotland, and peoples still starkly defined by race and nation. Why did the apparent trends towards a single royal ruler, a single elite and a common Anglicised world stop so abruptly after 1300? And what did the resulting pattern of distinct nations and extensive borderlands contribute to the longer-term history of the British Isles? In this innovative analysis of a critical period in the history of the British Isles, Michael Brown addresses these fundamental questions and shows how the national identities underlying the British state today are a continuous legacy of these years. Using a chronological structure to guide the reader through the key periods of the era, this book also identifies and analyses the following dominant themes throughout: - the changing nature of kingship and sovereignty and their links to wars of conquest - developing ideas of community and identity - key shifts in the nature of aristocratic societies across the isles - the European context, particularly the roots and course of the Hundred Years War This is essential reading for undergraduates studying the history of late Medieval Britain or Europe, but will also be of great interest for anyone who wishes to understand the continuing legacy of the late medieval period in Britain.

A Rapid Load Test (RLT), developed to determine the initial stiffness and bearing capacity, is an economical and practical alternative to a Static Load Test (SLT). The broad application of RLT, however, was hampered by uncertainty about the interpretation of the test results. This book offers clear guidance on the available analysis techniques and their reliability. The guidelines were related to an international standard that is drawn up by CEN and can be used in two ways: Straightforward interpretation of test results, chapters 1-3 Interpretation with additional background information about the possibilities and limitations, chapters 4-8 The guidelines were drawn up by the Dutch CUR-committee on rapid load testing on piles. Chapters 1 and 2 deal with the practical execution of the test and the presentation of the results. Chapter 3 gives a general overview of existing interpretation methods and refers to step-by-step descriptions of the two advised interpretation methods. The aspects that are important for the interpretation are discussed in chapter 4, also showing that the inertia of the pile should be taken into account. In clay soil the rate effect (the dependency of strength and stiffness on loading rate) is also of importance, whereas in sand and silt the generation of pore water pressures during an RLT plays a role. The velocity of the RLT is such that the reaction of sand and silt might be considered as partially drained. These guidelines indicate how these effects can be compensated to obtain the static resistance in the final results. Chapter 5 presents two interpretation methods (a method for piles in sand, gravel, silt and piles on rock and a method for piles in clay). For practical use, the methods are described in a step-by-step scheme in an appendix.

Examinations of the use of diagrams, symbols etc. found as commentary in medieval texts. In our electronic age, we are accustomed to the use of icons, symbols, graphs, charts, diagrams and visualisations as part of the vocabulary of communication. But this rich ecosystem is far from a modern phenomenon. Early medievalmanuscripts demonstrate that their makers and readers achieved very sophisticated levels of "graphicacy". When considered from this perspective, many elements familiar to students of manuscript decoration - embellished charactersin scripts, decorated initials, monograms, graphic symbols, assembly marks, diagrammatic structures, frames, symbolic ornaments, musical notation - are revealed to be not minor, incidental marks but crucial elements within the larger sign systems of manuscripts. This interdisciplinary volume is the first to discuss the conflation of text and image with a specific focus on the appearance of various graphic devices in manuscript culture. By looking attheir many forms as they appear from the fourth century to their full maturity in the long ninth century, its contributors demonstrate the importance of these symbols to understanding medieval culture. Michelle P. Brown FSA is Professor Emerita of Medieval Book History at the School of Advanced Study, University of London and was formerly the Curator of Illuminated Manuscripts at the British Library; Ildar Garipzanov is Professor of Early Medieval History at the Department of Archaeology, Conservation and History at the University of Oslo; Benjamin C. Tilghman is Assistant Professor of Art History at Washington College. Contributors: Tina Bawden, Michelle P.Brown, Leslie Brubaker, David Ganz, Ildar H. Garipzanov, Cynthia Hahn, Catherine E. Karkov, Herbert L. Kessler, Beatrice Kitzinger, Kallirroe Linardou, Lawrence Nees, Eric Palazzo, Benjamin C. Tilghman.