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Do you want to feel more confident about your investment decisions?
In a challenging economic and stock market environment, the need to take better informed decisions is vital. This clear, common sense guide provides a comprehensive and accessible framework for understanding the valuation of a business and what drives its share price. Knowing the key numbers, ratios and techniques that professional investors use will help you to reduce your risk and invest more profitably.
'This is where I begin. This blank page draws me nearer to you, the day sweltering, my courage quickens, the curtains billowing and the punkah swaying, the punkah rattling as I sit at my writing bureau ... it is a soothing sound.' Mina, a writer, is navigating her place in the world, balancing creativity, academia, her sexuality and the expectation that a wife and mother abandons herself for others. For her, like so many women of mixed ancestry, it is too easy to be erased. But her fire and intellect refuse to bow. She discovers 'the dark, adorable' Eurasian woman Daisy Simmons, whom Peter Walsh plans to marry in Virginia Woolf's Mrs Dalloway. Daisy disappeared from Woolf's pages, her story unfinished - never given a voice in the novel, nor a footnote in any of the admiring Woolf scholarship that followed. While dealing with the remains of another life, Mina decides to write Daisy's story. Travelling from Australia to England, India and China, freelancing and researching, she has to navigate cultural and race barriers, trying hard not to look back or flinch at the personal cost. Like Woolf, her writing both sustains and overwhelms her. But in releasing Daisy from her fictional destiny, Mina finds the stubbornness and strength to also break free. 'An elegant meditation on race, class and privilege ... Daisy and Woolf not only brings us stories of brave, clever women in an eloquent way, it also leaves questions for us readers to think of our own trajectory of reading and influences' ArtsHub 'Cahill writes beautifully ... Daisy and Woolf is a novel about reclamation. Highlighting the inadvertent racism inherent in much of the classical literary canon, it reinforces the the importance of Own Voices writing, and shines a light on the lives of people of colour that cannot be understood or expressed without their input' The Age 'an impressive, ambitious postmodern novel that raises questions around race, class, feminism, Empire, the post-colonial voice and so much more ... a fascinating work, it's rare to see something of its kind in the Australian literary landscape' Readings PRAISE FOR MICHELLE CAHILL: 'Her deftness and linguistic grace masks her purpose, till she reveals a shocking glimpse of the price that art can exact' - HILARY MANTEL 'Traverses centuries, cultures and continents to deftly explore how race, gender and class have the power to shape a narrative' - MAXINE BENEBA CLARKE 'A dauntless novel of empire, and its ever-replicating costs. There are echoes of Michael Ondaatje in this novel's lush and observant prose-craft. This is fiction at its most human and humane' - BEEJAY SILCOX 'In luminous prose, she has brought an old world back to life. Her background as a poet is clear in her evocative and detailed descriptions of colonial India. Daisy's voice is perfectly tuned and her story is compelling' - MELANIE CHENG 'At once critically acute and narratively rich, Daisy and Woolf shows us that there are always new ways to read the past in order to understand the present' - PATRICK FLANERY 'Michelle Cahill deploys poetry and history in the most powerful manner possible to write back to Virginia Woolf, and expose the colonial gaze that did not (does not) acknowledge the full humanity of others. This novel will be to Mrs Dalloway what Wide Sargasso Sea was to Jane Eyre' - MEENA KANDASAMY
This book is the first English translation of a text that Michael Cahill identifies as the first formal commentary on Mark's Gospel. Thought to have been written by an early seventh-century abbot, the commentary was for almost 1000 years attributed to St. Jerome and as such exercised incalculable influence on subsequent commentary. St. Thomas Aquinas drew on it freely in his Catena Aurea, for example, as did the highly influential Counter-Reformation commentary of Cornelius a Lapide. Renaissance scholarship demoted the work to the pseudepigrapha of Jerome and it clearly lost status as a result. However, the contemporary recovery of interest in the commentary tradition ensures a welcome for the publication of this translation. Irrespective of authorship, the text is important in the history of biblical interpretation--it is the first commentary on Mark, and has had wide influence in the Latin west. It is written in the allegorical style, and attempts to provide an application of the gospel text to the practice of Christian discipleship. It is characterized by the use of other biblical texts, and through the use of bold face and italics in the translation, the reader is able to see the extent of quotation, paraphrase, and allusion. The extensive notes are designed to provide information on source material and on the author's technique. As the first Markan commentary this text holds a unique place in the history of biblical exegesis. This translation will make it available to scholars who do not read Latin, and will serve as a useful introduction to early and medieval Bible commentary, both in format and content.
This is the story of an Irish family from Cork Ireland. It documents how they survived in the 50's and 60's and will take you on a roller coaster ride of every emotion, sometimes all on the same page. Here you will read of an inspiring mother, always encouraging her six children to laugh at life, and believe in tomorrow. She did this inspiring while battling a domineering old grandmother, and an alcoholic husband, as her children drank tea from their jam jars, and read by a candle. Its a book filled with humor, drama, and dreams that come true, culminating in the author meeting his American dream. It's said the book is like, Irish Stew for the Soul. You will feel uplifted when you finish reading a book that seems to be everyone's story.
While investigating endangered languages, many researchers become interested in developing literacy for these languages. However, often their linguistic training has not provided practical guidance in this area. This book, with contributions by experienced practitioners, helps fill this gap. Both foundational theory and specific case studies are addressed in this work. Non-linguistic factors are described, particularly sociolinguistic issues that determine acceptability of orthographies. A principled approach to the level of phonological representation for orthographies is proposed, applying recent phonological theory. The thorny issues of how to determine word breaks and how to mark tone in an orthography are explored. "Overly hasty orthographies" and the benefits of allowing time for an orthography to settle are discussed. Principles of the foundational chapters are further exemplified by detailed case studies from Mexico, Peru, California, Nepal, and Southeast Asia, which vividly illustrate the variety of local conditions that must be taken into account. The combination of theoretical and practical makes this book unique. It will benefit those involved in helping establish orthographies for hitherto-unwritten languages, and provide concrete guidance through crucial issues. Michael Cahill (Ph.D. 1999, Ohio State University) developed the Konni orthography in Ghana. He was SIL's International Linguistics Coordinator for eleven years, and is on the LSA's Committee on Endangered Languages and their Preservation. Keren Rice (Ph.D. 1976, University of Toronto) helped standardize the orthography of Slavey, and has taught on orthography development at InField/CoLang. She was LSA President in 2012 and is currently University Professor at the University of Toronto.
This study combines a descriptive and theoretical presentation of K nni, a Gur language of northern Ghana. It presents an Optimality Theory analysis of the entire phonological system. The description of noun morphology includes the noun class system, the reduplicative agentive noun construction, noun-adjective complexes, and derived nouns. Verbal morphology is comprised of various aspectual suffixes. The phonological description is separate from the formal OT analysis in order to facilitate use by those with descriptive interests as well as theoretical. The book includes major sections on consonants, vowels, and tone. It also includes a brief syntax sketch, co-occurrence restrictions, phoneme frequency counts, phonetic measurements of segment durations and vowel formants, as well as seven appendices of data. Some specific notes of interest: Some phonology is limited to only certain noun classes, A pervasive 9-vowel ATR vowel system is analyzed, to which dipthongization has an integral tie, Some vowels assimilate only across consonants with the same place feature, The existence of H H] on a single TBU is documented, Tonal perturbations demand four different underlying representations for different nouns which all have a surface LH], True tonal polarity, distinct from dissimilation, is argued for, Two cases of syntax-phonology interface occur in the vowel system. Michael Cahill received his Ph.D. in Linguistics from The Ohio State University in 1999. Having worked with SIL since 1982 and worked on-site with the K nni-speaking people from 1986 to 1993. He was a member of the LSA's Committee on Endangered Languages and their Preservation from 2001-2003, chairing it in 2003. He is an adjunct faculty member of the University of Texas at Arlington and of the Graduate Institute of Applied Linguistics and is currently serving as the International Linguistics Coordinator of SIL.
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