Jonathan Harvey (1939-2012) was one of Britain's leading composers: his music is frequently performed throughout Europe, the United States (where he lived and worked) and Japan. He is particularly renowned for his electro-acoustic music, an aspect on which most previous writing on his work has focused. The present volume is the first detailed study of music from Harvey's considerable body of work for conventional forces. It focuses on two pieces that span one of the most fertile periods in Harvey's output: Song Offerings (1985; awarded the prestigious Britten Award), and White as Jasmine (1999). The book explores the links between the two works - both set texts by Hindu writers, employ a solo soprano, and adumbrate a spiritual journey - as well as showing how Harvey's musical language has evolved in the period between them. It examines Harvey's techniques of writing for the voice, for small ensemble (Song Offerings), and for large orchestra, subtly and characteristically enhanced with electronic sound (White as Jasmine). It shows how Harvey's music is informed by his profound understanding of Eastern religion, as well as offering a clear and accessible account of his distinctive musical language. Both works use musical processes to dramatic and clearly audible effect, as the book demonstrates with close reference to the accompanying downloadable resources. The book draws on interviews with the composer, and benefits from the author's exclusive access to sketches of the two works. It contextualises the works, showing how they are the product of a diverse series of musical influences and an engagement with ideas from both Eastern and Western religions. It also explores how Harvey continued to develop the musical and spiritual preoccupations revealed in these pieces in his later work, up to and including his third opera, Wagner Dream (2007).

From the time he was old enough to remember, Jim Hock was told stories of his dad's glory days playing football in LA. A member of the 1950s LA Rams, John Hock, Jim's dad, was a member of Hollywood's Team, a football team that redefined what a sports team looked like, sounded like, and acted like, all while revolutionizing the sport of football. But Jim didn't know John the football star, he just knew the sweet, funny guy he called Dad. In a warm and aching memoir of childhood, good dad's, and what it is to realize that your parents had a life and successes before you came along.

Recently widowed, unhappily stuck on a pricey whiplash tour of Italy, Elizabeth Berman comes face to face with the first documented painting of a teardrop in human history, and in the presence of that tearful mother, and the arresting company of the renowned and anonymous women painted by Giotto in the Arena Chapel, she wakes up to the possibility that she is not lost.Mitchell left me everything, just as he promised.  Everything," he liked to say during his last month on the sofa,  everything will be yours," as if it wasn't yet. I was left with that and two adult children who could not tolerate my sitting in my home by myself admittedly, rather too often in a capacious pink flannel nightgown and the green cardigan Mitchell was wearing on the afternoon he died. That's how Elizabeth winds up on a tour better suited to her late-husband, a Dante scholar. Mitchell masterminded the itinerary as a surprise for their thirty-fifth wedding anniversary.Itching to leave as soon as she arrives in Padua, Elizabeth's efforts to book a ticket home are stymied by her aggressively supportive children, the ministrations of an incomprehensibly Italian hotel staff, and the prospect of forfeiting the sizable chunk of cash she shelled out for the trip. But there are consolations arugula pizza and ancient arcades and Aperol spritzes in the piazza with her odd lot of fellow castaways.Instead of deconstructing their disappointing former lives, they are drawn together by their longing to understand how something beautiful is made. They dive headlong into the Arena Chapel, trying to untangle Giotto himself, whose frescoes in Padua secured his reputation as the world's greatest painter. Michael Downing has devised a divine romantic comedy. Tracking the hopes and heartaches and hangovers of a woman with a history of disappearing,The Chapel shows us that happiness is as fragile as a fresco by Giotto.

Many DoD often reasonably conclude that the Air Force's distributed ISR architecture of Predator and Global Hawk Remotely Piloted Aircraft (RPA) and Distributed Common Ground System (DCGS) intelligence centers seamlessly operate as a collective team, perhaps akin to a crew on an E-3 Airborne Warning and Control System (AWACS) or E-8C Joint Surveillance Attack Radar System (JSTARS). Unfortunately, this is not the case. What is seldom understood is that crew members of RPA front and DCGS back-end components do not operate as an integrated crew. They do not plan, debrief or discuss the mission together. In fact, the members rarely know one another. Though a cyber network links these nodes, a framework to optimize their employment does not exist. Framework limitations include a comprehensive Air Force-level direction to integrate operations, a lack of mechanisms to build a virtual crew between the elements, a dearth of operational doctrine and procedures, and the absence of inter-nodal training. Developing an AF-level Program Action Directive to improve MAJCOM-level coordination in acquisition, procedures, training and funding will improve coordination between all distributed ISR nodes as well as overall mission effectiveness.

The youngest of nine children, Michael Downing was three when his father died, suddenly and inexplicably. No autopsy was performed. The family diagnosis was God's will. As a boy, Downing rigorously trained as a spiritual athlete, preparing to vault into heaven. But eventually he escaped the religious dogma and the family arena--until one of his brothers died in 2003, suddenly and inexplicably. No autopsy was performed. Alarmed, Downing pursued a diagnosis. Drawn into a world of researchers, clinicians, and manufacturers with their own arcane ethics and faith, Downing discovered he had inherited a mutant protein from his father, and that the first symptom would be his sudden death. To save his life, a defibrillator was hardwired to his heart. Within weeks, he needed emergency surgery to remove the device and the life-threatening infection he got with it. Two months later, he was reimplanted--only to read in his morning newspaper that the new wires anchored to his heart were prone to failure. His device might be powerless, or it might deliver a series of unwarranted, possibly fatal, shocks. From a bedeviled boyhood in the Berkshires to a grim comedy of errors in one of Boston's best hospitals, Life with Sudden Death is a tale of medical misadventure.

This scarce antiquarian book is a selection from Kessinger Publishing's Legacy Reprint Series. Due to its age, it may contain imperfections such as marks, notations, marginalia and flawed pages. Because we believe this work is culturally important, we have made it available as part of our commitment to protecting, preserving, and promoting the world's literature. Kessinger Publishing is the place to find hundreds of thousands of rare and hard-to-find books with something of interest for everyone

Mark Sternum, a professor who teaches spelling and grammar at Boston's McClintock College, is full of droll observations about the rules that govern our language, but he leads a diligent if somewhat detached life. Friends and family try to coax him into deeper involvement, yet he keeps even his lover at arm's length. He screens all incoming calls, including his eccentric sister's "word pictures" about the waning days of their comatose mother. One day, an African-American single mother who has failed the college's basic skills test for the last time accuses Mark of "prejudgism," and Mark is fired. Blown off course, he monitors the ensuing academic skirmish from a distance as his case makes national headlines, and turns his attention instead to the graceful rhythms of a small Shaker community. As the scrambled pieces of Mark's life and the simple ways of the Shakers begin to merge, Mark finds new beauty in his own maddening, blissful dependency on the people in his life. Funny and generous, Downing's seemingly effortless prose juxtaposes cunning portraits of academic functionaries weathering the age of political correctness with the people and values of the last Shaker families in America.

"Shoes Outside the Door is a not only a fine history of the San Francisco Zen Center and Zen in the United States, it is a cautionary tale, valuable to anyone embarked on a spiritual practice." --San Jose Mercury News. Eastern tradition collides with Western individualism in this provocative and compulsively readable investigation of Buddhism, American-style. A genuine spiritual movement becomes strangely entangled with elitist aesthetics, the culture of celebrity, multi-million-dollar investment portfolios, sex scandals, and an unsolved crime.Told Rashomon-fashion by a singular mix of hippies, millionaires, intellectuals, and lost souls whose lives are almost unbelievably intertwined, Shoes Outside the Door is the first book to examine the inner workings of the profoundly influential San Francisco Zen Center. In exploring the history of the most important institution in American Buddhism, author Michael Downing provocatively captures the profound ambivalence of people who earnestly seek both inner peace and worldly satisfaction.