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Jonathan Harvey (1939-2012) was one of Britain's leading composers:
his music is frequently performed throughout Europe, the United
States (where he lived and worked) and Japan. He is particularly
renowned for his electro-acoustic music, an aspect on which most
previous writing on his work has focused. The present volume is the
first detailed study of music from Harvey's considerable body of
work for conventional forces. It focuses on two pieces that span
one of the most fertile periods in Harvey's output: Song Offerings
(1985; awarded the prestigious Britten Award), and White as Jasmine
(1999). The book explores the links between the two works - both
set texts by Hindu writers, employ a solo soprano, and adumbrate a
spiritual journey - as well as showing how Harvey's musical
language has evolved in the period between them. It examines
Harvey's techniques of writing for the voice, for small ensemble
(Song Offerings), and for large orchestra, subtly and
characteristically enhanced with electronic sound (White as
Jasmine). It shows how Harvey's music is informed by his profound
understanding of Eastern religion, as well as offering a clear and
accessible account of his distinctive musical language. Both works
use musical processes to dramatic and clearly audible effect, as
the book demonstrates with close reference to the accompanying
downloadable resources. The book draws on interviews with the
composer, and benefits from the author's exclusive access to
sketches of the two works. It contextualises the works, showing how
they are the product of a diverse series of musical influences and
an engagement with ideas from both Eastern and Western religions.
It also explores how Harvey continued to develop the musical and
spiritual preoccupations revealed in these pieces in his later
work, up to and including his third opera, Wagner Dream (2007).
From the time he was old enough to remember, Jim Hock was told
stories of his dad's glory days playing football in LA. A member of
the 1950s LA Rams, John Hock, Jim's dad, was a member of
Hollywood's Team, a football team that redefined what a sports team
looked like, sounded like, and acted like, all while
revolutionizing the sport of football. But Jim didn't know John the
football star, he just knew the sweet, funny guy he called Dad. In
a warm and aching memoir of childhood, good dad's, and what it is
to realize that your parents had a life and successes before you
came along.
Recently widowed, unhappily stuck on a pricey whiplash tour of
Italy, Elizabeth Berman comes face to face with the first
documented painting of a teardrop in human history, and in the
presence of that tearful mother, and the arresting company of the
renowned and anonymous women painted by Giotto in the Arena Chapel,
she wakes up to the possibility that she is not lost.Mitchell left
me everything, just as he promised. Â Everything," he liked to say
during his last month on the sofa, Â everything will be yours," as
if it wasn't yet. I was left with that and two adult children who
could not tolerate my sitting in my home by myself admittedly,
rather too often in a capacious pink flannel nightgown and the
green cardigan Mitchell was wearing on the afternoon he died.
That's how Elizabeth winds up on a tour better suited to her
late-husband, a Dante scholar. Mitchell masterminded the itinerary
as a surprise for their thirty-fifth wedding anniversary.Itching to
leave as soon as she arrives in Padua, Elizabeth's efforts to book
a ticket home are stymied by her aggressively supportive children,
the ministrations of an incomprehensibly Italian hotel staff, and
the prospect of forfeiting the sizable chunk of cash she shelled
out for the trip. But there are consolations arugula pizza and
ancient arcades and Aperol spritzes in the piazza with her odd lot
of fellow castaways.Instead of deconstructing their disappointing
former lives, they are drawn together by their longing to
understand how something beautiful is made. They dive headlong into
the Arena Chapel, trying to untangle Giotto himself, whose frescoes
in Padua secured his reputation as the world's greatest painter.
Michael Downing has devised a divine romantic comedy. Tracking the
hopes and heartaches and hangovers of a woman with a history of
disappearing,The Chapel shows us that happiness is as fragile as a
fresco by Giotto.
Many DoD often reasonably conclude that the Air Force's distributed
ISR architecture of Predator and Global Hawk Remotely Piloted
Aircraft (RPA) and Distributed Common Ground System (DCGS)
intelligence centers seamlessly operate as a collective team,
perhaps akin to a crew on an E-3 Airborne Warning and Control
System (AWACS) or E-8C Joint Surveillance Attack Radar System
(JSTARS). Unfortunately, this is not the case. What is seldom
understood is that crew members of RPA front and DCGS back-end
components do not operate as an integrated crew. They do not plan,
debrief or discuss the mission together. In fact, the members
rarely know one another. Though a cyber network links these nodes,
a framework to optimize their employment does not exist. Framework
limitations include a comprehensive Air Force-level direction to
integrate operations, a lack of mechanisms to build a virtual crew
between the elements, a dearth of operational doctrine and
procedures, and the absence of inter-nodal training. Developing an
AF-level Program Action Directive to improve MAJCOM-level
coordination in acquisition, procedures, training and funding will
improve coordination between all distributed ISR nodes as well as
overall mission effectiveness.
Fire sweeps along the wall of a circus tent while inside
thousands of people enjoy a Ringling Brothers and Barnum and Bailey
matinee. Within minutes, flames consume the canvas and vast
sections collapse, killing 168 people and injuring hundreds
more.
Inspired by the 1944 Hartford Circus Fire, the interconnected
stories in Michael Downs's The Greatest Show explore the aftermath
of a disaster in a world of clowns, elephants, and childhood
fantasies.
In the opening story, Ania Liszak, a young Polish housemaid,
steals circus tickets from her employer to take her three-year-old
son, Teddy, to the matinee. The fire nearly kills both and leaves
them scarred in different ways: Teddy's mother enjoys the beautiful
strangeness of the scar on her face, but the patches across Teddy's
body inspire cruel schoolmates to call him "Lizard Liszak." Over
time, his mother transforms her pain into drama, while Teddy,
having no memory of that day, seeks ways to return to it.
These and other captivating characters appear throughout the
book, creating a portrait of an American city and its people over
five decades, raising questions about wounds and healing, memory
and forgetting, and about the human capacity for kindness -- with
all its futility and power -- in the midst of great loss.
The youngest of nine children, Michael Downing was three when his
father died, suddenly and inexplicably. No autopsy was performed.
The family diagnosis was God's will. As a boy, Downing rigorously
trained as a spiritual athlete, preparing to vault into heaven. But
eventually he escaped the religious dogma and the family
arena--until one of his brothers died in 2003, suddenly and
inexplicably. No autopsy was performed. Alarmed, Downing pursued a
diagnosis. Drawn into a world of researchers, clinicians, and
manufacturers with their own arcane ethics and faith, Downing
discovered he had inherited a mutant protein from his father, and
that the first symptom would be his sudden death. To save his life,
a defibrillator was hardwired to his heart. Within weeks, he needed
emergency surgery to remove the device and the life-threatening
infection he got with it. Two months later, he was
reimplanted--only to read in his morning newspaper that the new
wires anchored to his heart were prone to failure. His device might
be powerless, or it might deliver a series of unwarranted, possibly
fatal, shocks. From a bedeviled boyhood in the Berkshires to a grim
comedy of errors in one of Boston's best hospitals, Life with
Sudden Death is a tale of medical misadventure.
This scarce antiquarian book is a selection from Kessinger
Publishing's Legacy Reprint Series. Due to its age, it may contain
imperfections such as marks, notations, marginalia and flawed
pages. Because we believe this work is culturally important, we
have made it available as part of our commitment to protecting,
preserving, and promoting the world's literature. Kessinger
Publishing is the place to find hundreds of thousands of rare and
hard-to-find books with something of interest for everyone
Mark Sternum, a professor who teaches spelling and grammar at
Boston's McClintock College, is full of droll observations about
the rules that govern our language, but he leads a diligent if
somewhat detached life. Friends and family try to coax him into
deeper involvement, yet he keeps even his lover at arm's length. He
screens all incoming calls, including his eccentric sister's "word
pictures" about the waning days of their comatose mother. One day,
an African-American single mother who has failed the college's
basic skills test for the last time accuses Mark of "prejudgism,"
and Mark is fired. Blown off course, he monitors the ensuing
academic skirmish from a distance as his case makes national
headlines, and turns his attention instead to the graceful rhythms
of a small Shaker community. As the scrambled pieces of Mark's life
and the simple ways of the Shakers begin to merge, Mark finds new
beauty in his own maddening, blissful dependency on the people in
his life. Funny and generous, Downing's seemingly effortless prose
juxtaposes cunning portraits of academic functionaries weathering
the age of political correctness with the people and values of the
last Shaker families in America.
"Shoes Outside the Door is a not only a fine history of the San
Francisco Zen Center and Zen in the United States, it is a
cautionary tale, valuable to anyone embarked on a spiritual
practice." --San Jose Mercury News. Eastern tradition collides with
Western individualism in this provocative and compulsively readable
investigation of Buddhism, American-style. A genuine spiritual
movement becomes strangely entangled with elitist aesthetics, the
culture of celebrity, multi-million-dollar investment portfolios,
sex scandals, and an unsolved crime.Told Rashomon-fashion by a
singular mix of hippies, millionaires, intellectuals, and lost
souls whose lives are almost unbelievably intertwined, Shoes
Outside the Door is the first book to examine the inner workings of
the profoundly influential San Francisco Zen Center. In exploring
the history of the most important institution in American Buddhism,
author Michael Downing provocatively captures the profound
ambivalence of people who earnestly seek both inner peace and
worldly satisfaction.
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