The issue of land rights is an ongoing and complex topic of debate for South Africans. Rights to Land comes at a time when land redistribution by government is underway. This book seeks to understand the issues around land rights and distribution of land in South Africa and proposes that new policies and processes should be developed and adopted. It further provides an analysis of what went so wrong, and warns that a new phase of restitution may ignite conflicting ethnic claims and facilitate elite capture of land and rural resources.

While there are no quick fixes, the first phase of restitution should be completed and the policy then curtailed. The book argues that land ownership and administration is important to rural democracy and that this should not be placed under the control of traditionalist intermediaries. Land restitution, initiated in 1994, was an important response to the injustices of the apartheid era. But it was intended as a limited and short-term process – initially to be completed in five years.

It may continue for decades, creating uncertainty and undermining investment into agriculture.

A significant, masterfully executed contribution to the debate surrounding the "New Historicism."

In no other society in the world have urbanisation and industrialization been as comprehensively based on migrant labour as in South Africa. Rather than focusing on the well-documented narrative of displacement and oppression, A Long Way Home captures the humanity, agency and creative modes of self-expression of the millions of workers who helped to build and shape modern South Africa. The book spans a three-hundred-year history beginning with the exportation of slave labour from Mozambique in the eighteenth century and ending with the strikes and tensions on the platinum belt in recent years. It shows not only the age-old mobility of African migrants across the continent but also, with the growing demand for labour in the mining industry, the importation of Chinese indentured migrant workers. Contributions include 18 essays and over 90 artworks and photographs that traverse homesteads, chiefdoms and mining hostels, taking readers into the materiality of migrant life and its customs and traditions, including the rituals practiced by migrants in an effort to preserve connections to "home" and create a sense of "belonging". The essays and visual materials provide multiple perspectives on the lived experience of migrant labourers and celebrate their extraordinary journeys. A Long Way Home was conceived during the planning of an art exhibition entitled 'Ngezinyawo: Migrant Journeys' at Wits Art Museum. The interdisciplinary nature of the contributions and the extraordinary collection of images selected to complement and expand on the text make this a unique collection.

No one wants to hear the little boy play his ukelele anymore...Clink, clunk, clonk. And no one wants to watch his father make things disappear...Zoop! Zoop!

Until the day the fearsome giant Abiyoyo suddenly appears in town, and all the townspeople run for their lives and the lives of their children! Nothing can stop the terrible giant Abiyoyo, nothing, that is, except the enchanting sound of the ukelele and the mysterious power of the magic wand.

Inscriptions: Architecture Before Speech presents a theory of contemporary architecture that spans the work of 112 practices in 750 images. Against the popular characterization of contemporary architecture as a centerless field where anything goes and everything is possible, this book argues that much recent work belongs to a collective undertaking. Underneath the impression of kaleidoscopic difference produced by the rapid circulation of design images is a shared mechanism, an agreement about how architectural objects emerge from the procedures of design. This mechanism, which we call inscription, manages to both offer fundamentally intelligible form to architecture's audiences and advance the field toward novel outcomes. The ensuing work is nothing less than democratically optimistic in its wide appeal and challenging in its cuts against convention. Featuring essays by Catherine Ingraham, Lucia Allais, Stan Allen, Phillip Denny, Edward Eigen, Sylvia Lavin, Antoine Picon, and Marrikka Trotter, Inscriptions offers a broad array of critical perspectives on work that defines architecture's second decade of the twenty-first century.

The death of a working class girl on the grounds of an English Manor House in 1935 sets the local law enforcement officers on the hunt for who might have committed such a terrible crime. The aristocratic family who own the manor house are an oddly suspicious bunch of characters but, then again, so are several other persons connected to the girl from her work place, a public house in London. Miss Edna Winwood, the personal secretary to Sir Clifford Minnington, cannot seem to keep from mulling the events and the characters over in her mind as she tries to solve the riddle of the death of the beautiful young girl. A vital clue will be discovered during an elaborate dinner party at the manor house and will lead to the arrest of a suspect. But that is not the end of "Salmon Surprise." The last chapter has a surprise twist that even (almost) eluded Miss Winwood.

This scarce antiquarian book is a selection from Kessinger Publishing's Legacy Reprint Series. Due to its age, it may contain imperfections such as marks, notations, marginalia and flawed pages. Because we believe this work is culturally important, we have made it available as part of our commitment to protecting, preserving, and promoting the world's literature. Kessinger Publishing is the place to find hundreds of thousands of rare and hard-to-find books with something of interest for everyone