Identity politics has been a smear for decades. The right use it to lament the loss of free speech, while many on the left bemoan it as the end of class politics. It has been used to dismiss movements such as Black Lives Matter and brought seemingly progressive people into the path of fascism. It has emboldened the march of the transphobes. In Fractured, the authors move away from the ahistorical temper of the identity politics debate. Instead of crudely categorising race, gender and sexuality as fixed and immutable identities, or forcing them under the banner of 'diversity', they argue that these categories are inseparable from the history of class struggle under British and US capitalism. Through an appraisal of pivotal historical moments in Britain and the US, including Black feminist and anticolonial traditions on both sides of the Atlantic, the authors question the assumptions of the culture war, offering a refreshing and reasoned way to understand how historical class struggles were formed and continue to determine the possibilities for new forms of solidarity in an increasingly dangerous world.

Identity politics has been a smear for decades. The right use it to lament the loss of free speech, while many on the left bemoan it as the end of class politics. It has been used to dismiss movements such as Black Lives Matter and brought seemingly progressive people into the path of fascism. It has emboldened the march of the transphobes. In Fractured, the authors move away from the ahistorical temper of the identity politics debate. Instead of crudely categorising race, gender and sexuality as fixed and immutable identities, or forcing them under the banner of 'diversity', they argue that these categories are inseparable from the history of class struggle under British and US capitalism. Through an appraisal of pivotal historical moments in Britain and the US, including Black feminist and anticolonial traditions on both sides of the Atlantic, the authors question the assumptions of the culture war, offering a refreshing and reasoned way to understand how historical class struggles were formed and continue to determine the possibilities for new forms of solidarity in an increasingly dangerous world.

Description

Sisyphusa is an allegory of depression and the mental health system as seen through the eyes of its main character and first person narrator, Odis Winston. Odis is abducted from a comfortable existence at university and taken to an institution called 'Sisyphusa'. He is told when he arrives that he is 'Weird' and that he cannot leave until he has been 'Normalised'. He has been fitted with an Earpiece which has a poisonous and malign voice, similar to his own, and which begins to torment his every waking moment. Encountering characters and situations loosely based on Homer's Odyssey and in a dystopian style influenced by Orwell and Kafka, we follow Odis's transformation from helpless captive to active rebel and leader. The book is imbued with dark humour and compassion for its characters and their struggles. It manages to be a satirical polemic of our own times while creating an entirely new world of "Aspirati," "Hysteria-Dominated Television (HDTV)," "I-Spy's," and "Climbing Pills." It explores Mental Health themes surrounding institutionalisation, dehumanisation, self-harm, stigma, suicide and media (mis)representation.

About the Author

Michael was born in London in 1986. He had a happy childhood, growing up in a loving home with his parents and older brother. He always liked school but was equally occupied with enjoying life with his friends and family and continuing his lifelong romance with Arsenal Football Club. After A-Levels, Michael travelled around India, Southeast Asia and Australasia for 6 months before attending the University of Sussex. He felt in his element being at university and living in Brighton. He was growing, working hard and making wonderful friendships.

However, halfway through his second year of university, in February 2007, he had a very sudden and unexpected onset of what was later diagnosed as Anxiety and Clinical Depression and later still with a form of OCD. Within the space of a week he went from being a very confident and successful student to being unable to leave the house that he was living in with friends in Brighton. Michael had to move back home to hisparents' house in London where he has remained ever since.

He has had various talking therapies and medications over the four years he has been unwell, some of which have been very helpful, others distinctly unhelpful. He began to read avidly after the first year of almost catatonic depression. He has also tried to learn Spanish and Portuguese and has taken up the piano. He wrote Sisyphusa over the course of around eighteen months initially inspired by a strange dream and by the anger he felt after attending a psychiatric day hospital for six months.

Michael has felt a stark rupture in the way in which he has experienced life before and after his breakdown. He is no longer as housebound as he was in the first couple of years, thanks in large part to his Cocker Spaniel puppy Milo who demands constant walks and attention. He has fewer crises, and with the help of his family and caregivers he has learned more effective ways of managing his symptoms. Nevertheless, his situation remains very limited as hefeels unable to work or to resume his formal studies, nor does he feel able to be in contact with former friends from school and university or most of his wider family.But he's pleased to be able to share his work with a wider audience and to add his voice to the many thousands fighting against the stigma surrounding mental illness.

All her life Ellie Enderlin had been known as Lila's sister--until the day Lila, a top math student at Stanford, was murdered, and the shape of their family changed forever. Twenty years later, Ellie is a professional coffee buyer who has never put down roots. When, in a chance meeting, she comes into possession of the notebook that Lila carried everywhere, Ellie returns home to finally discover the truth about her sister's death--a search that will lead her to Lila's secret lover, to the motives and fate of a man who profited from their family's grief, and ultimately to the deepest secrets even sisters keep from each other. From the bestselling author of The Year of Fog" "("Highly recommended [for fans of] authors like Jodi Picoult and Jacquelyn Mitchard."--"Library Journal" [starred review]), this is a riveting family drama about loss, love, and the way hope redefines our lives--a novel at once heartbreaking, provocative, and impossible to put down.

Her sister was murdered. The killer was never found. Until now... All her childhood Ellie Enderlin had lived in her sister's shadow. But then Lily was murdered and their family changed forever. Now, decades later, Ellie comes into possession of Lila's lost notebook and has a chance to finally discover the truth about her sister's death. But her search for justice will lead her to uncover her sister's darkest secrets... From the Sunday Times bestselling author of THE MARRIAGE PACT, a Richard and Judy Book Club Selection.

An original, gripping and fast-paced thriller for anyone who loved The Couple Next Door, The Girl Before and Behind Closed Doors Joining The Pact promises a lifelong happy marriage. Until you break the rules . . . Because The Pact is for life. And its members will do anything to make sure no one leaves. 'Till death us do part' is starting to have a whole new meaning . . . _________ THE RICHARD & JUDY BOOK CLUB THRILLER AND SUNDAY TIMES BESTSELLER 'A pacey page-turner of a novel' Richard & Judy Book Club 'A brilliant premise . . . tautly plotted and deftly written' J P Delaney 'Ranks with Gone Girl' Joseph Finder 'Beware. This will keep you up all night' Lisa Gardner

This book fills a deep need in the packaging industry - a methodical guide to managing packaging that also demonstrates how packaging, considered in a total context, benefits all phases of a business and its customers. Starting from the premise that packaging is implicated in a network of material, social, economic and psychological factors, the book offers a comprehensive strategy highlighting packaging's value-adding roles in creating successful products and enhancing the experience of customers - B2B as well as consumers. But the book's practical applications are deeper. By illuminating the multiple relationships of packaging to organizations and cultural trends and linking them to one another and to business drivers, the book offers a useful new way to think about packaging, one that includes and goes beyond cost analysis to demonstrate how packaging is a corporate asset needed to innovate and increase profits. Methods in the book are shown to apply to a wide range of choices managers must make.The book covers all the standard operating procedures of packaging development, which, along with numerous flow charts, formulas and graphics, are designed to improve operations, planning, and sales.

Winner of the fC2 Catherine doctorow innovative fiction Prize. A new collection of stories by bestselling author Michelle Richmond, Hum presents a cautionary political fable, a celebration of the complexities of marriage, and a meditation on modern-day alienation. Thirteen years after the publication of her first story collection, The Girl in the Fall-Away Dress, New York Times bestselling author Michelle Richmond returns with Hum, a collection of ten stories that examine love, lust, and loyalty from surprising angles. In "Hum," a young couple that is paid to live in a house filled with surveillance equipment becomes "quietly lost to each other," as the wife's infatuation with the subject of their surveillance turns to obsession. In "Medicine," a woman grieving over the death of her sister finds her calling as a manual medical caregiver. In "Boulevard," a couple who has been trying to have a child for seven years finds themselves in an unnamed country at the height of a revolution, summoned there by the enigmatic H. "Scales," the story of a woman who falls in love with a man whose body is covered with scales, parses the intersection of pain and pleasure. The narrator of "Lake" must choose whether to walk in the foot- steps of her famous grandfather, The Great Amphibian, who disappeared while performing a feat of daring in Lake Michigan. What does it mean to be heroic? How much should one sacrifice in the name of love? These questions and more are explored with tenderness, wit, and unerring precision in Hum.