In recent years the twin themes of travel and translation have come to be regarded as particularly significant to the study of early modern culture and literature. Traditional notions of 'The Renaissance' have always emphasised the importance of the influence of continental, as well as classical, literature on English writers of the period; and over the past twenty years or so this emphasis has been deepened by the use of more complicated and sophisticated theories of literary and cultural intertextuality, as well as broadened to cover areas such as religious and political relations, trade and traffic, and the larger formations of colonialism and imperialism. The essays collected here address the full range of traditional and contemporary issues, providing new light on canonical authors from More to Shakespeare, and also directing critical attention to many unfamiliar texts which need to be better known for our fuller understanding of sixteenth-century English literature. This volume makes a very particular contribution to current thinking on Anglo-continental literary relations in the sixteenth century. Maintaining a breadth and balance of concerns and approaches, Travels and Translations in the Sixteenth Century represents the academic throughout Europe: essays are contributed by scholars working in Hungary, Greece, Italy, and France, as well as in the UK. Arthur Kinney's introduction to the collection provides an North American overview of what is perhaps a uniquely comprehensive index to contemporary European criticism and scholarship in the area of early modern travel and translation.

This title was first published in 2001. Is there such a thing as "Tudor literature"? The question is the theme that binds the essays in this collection. Scholars from around the world address the question of whether there is a sense of continuity in the literature of the Tudor century. The volume begins by looking at early Tudor writers, such as Thomas More, and then moves on to look at Elizabethan poetry and prose, ending by covering the late Tudor dramas, and Shakespeare.

In recent years the twin themes of travel and translation have come to be regarded as particularly significant to the study of early modern culture and literature. Traditional notions of 'The Renaissance' have always emphasised the importance of the influence of continental, as well as classical, literature on English writers of the period; and over the past twenty years or so this emphasis has been deepened by the use of more complicated and sophisticated theories of literary and cultural intertextuality, as well as broadened to cover areas such as religious and political relations, trade and traffic, and the larger formations of colonialism and imperialism. The essays collected here address the full range of traditional and contemporary issues, providing new light on canonical authors from More to Shakespeare, and also directing critical attention to many unfamiliar texts which need to be better known for our fuller understanding of sixteenth-century English literature. This volume makes a very particular contribution to current thinking on Anglo-continental literary relations in the sixteenth century. Maintaining a breadth and balance of concerns and approaches, Travels and Translations in the Sixteenth Century represents the academic throughout Europe: essays are contributed by scholars working in Hungary, Greece, Italy, and France, as well as in the UK. Arthur Kinney's introduction to the collection provides an North American overview of what is perhaps a uniquely comprehensive index to contemporary European criticism and scholarship in the area of early modern travel and translation.

This title was first published in 2001. Is there such a thing as "Tudor literature"? The question is the theme that binds the essays in this collection. Scholars from around the world address the question of whether there is a sense of continuity in the literature of the Tudor century. The volume begins by looking at early Tudor writers, such as Thomas More, and then moves on to look at Elizabethan poetry and prose, ending by covering the late Tudor dramas, and Shakespeare.

This is the first major collection of essays to look at the literature of the entire Tudor period, from the reign of Henry VII to the death of Elizabeth I. It pays particular attention to the years before 1580. Those decades saw, amongst other things, the establishment of print culture and growth of a reading public; the various phases of the English Reformation and process of political centralization that enabled and accompanied them; the increasing emulation of Continental and classical literatures under the influence of humanism; the self-conscious emergence of English as a literary language and determined creation of a native literary canon; the beginnings of English empire and the consolidation of a sense of nationhood. However, study of Tudor literature prior to 1580 is not only of worth as a context, or foundation, for an Elizabethan 'golden age'. As this much-needed volume will show, it is also of artistic, intellectual, and cultural merit in its own right. Written by experts from Europe, North America, and the United Kingdom, the forty-five chapters in The Oxford Handbook of Tudor Literature recover some of the distinctive voices of sixteenth-century writing, its energy, variety, and inventiveness. As well as essays on well-known writers, such as Philip Sidney or Thomas Wyatt, the volume contains the first extensive treatment in print of some of the Tudor era's most original voices.

This is the first major collection of essays to look at the literature of the entire Tudor period, from the reign of Henry VII to death of Elizabeth I. It pays particularly attention to the years before 1580. Those decades saw, amongst other things, the establishment of print culture and growth of a reading public; the various phases of the English Reformation and process of political centralization that enabled and accompanied them; the increasing emulation of Continental and classical literatures under the influence of humanism; the self-conscious emergence of English as a literary language and determined creation of a native literary canon; the beginnings of English empire and the consolidation of a sense of nationhood. However, study of Tudor literature prior to 1580 is not only of worth as a context, or foundation, for an Elizabethan 'golden age'. As this much-needed volume will show, it is also of artistic, intellectual, and cultural merit in its own right. Written by experts from Europe, North America, and the United Kingdom, the forty-five chapters in The Oxford Handbook to Tudor Literature recover some of the distinctive voices of sixteenth-century writing, its energy, variety, and inventiveness. As well as essays on well-known writers, such as Philip Sidney or Thomas Wyatt, the volume contains the first extensive treatment in print of some of the Tudor era's most original voices.