Mikhail Bulgakov's devilish salute to artistic freedom, now in a beautiful clothbound edition 'Bulgakov is one of the greatest Russian writers, perhaps the greatest' Independent Written in secret during the darkest days of Stalin's reign, The Master and Margarita became an overnight literary phenomenon when it was finally published it, signalling artistic freedom for Russians everywhere. Bulgakov's carnivalesque satire of Soviet life describes how the Devil, trailing fire and chaos in his wake, weaves himself out of the shadows and into Moscow one Spring afternoon. Brimming with magic and incident, it is full of imaginary, historical, terrifying and wonderful characters, from witches, poets and Biblical tyrants to the beautiful, courageous Margarita, who will do anything to save the imprisoned writer she loves. Translated by Richard Pevear and Larissa Volokhonsky with an Introduction by Richard Pevear

Russia's literary world is shaken to its foundations when a mysterious gentleman - a professor of black magic - arrives in Moscow, accompanied by a bizarre retinue of servants. It soon becomes clear that he is the Devil himself, come to wreak havoc among the cultural elite of a disbelieving capital. But the Devil's mission quickly becomes entangled with the fate of the Master - a man who has turned his back on his former life and taken refuge in a lunatic asylum - and his past lover, Margarita. Both a satirical romp and a daring analysis of the nature of good and evil, innocence and guilt, The Master and Margarita is the crowning achievement of one of the greatest Russian writers of the twentieth century.

A literary sensation from its first publication, The Master and Margarita is considered a masterpiece of twentieth-century Russian literature.

Part of the Macmillan Collector’s Library, a series of stunning, clothbound, pocket-sized classics with gold-foiled edges and ribbon markers. These beautiful books make perfect gifts or a treat for any book lover. This edition is translated by Diana Burgin and Katherine Tiernan O’Connor, and features an introduction by Orlando Figes.

In Mikhail Bulgakov's imaginative extravaganza, Satan, disguised as a magician, descends upon Moscow in the 1930s with his riotous band, which includes a talking cat and an expert assassin. This visit has several aims, one of which concerns the fate of the Master, an author who has written a novel about Pontius Pilate and is now in a mental hospital. By turns satiric, fantastic and ironically philosophical, The Master and Margarita constantly surprises and entertains as the action switches back and forth between twentieth-century Moscow and first-century Jerusalem.

The acclaimed, bestselling translation of Mikhail Bulgakov's masterwork, an undisputed classic of Russian and world literature An audacious revision of the stories of Faust and Pontius Pilate, The Master and Margarita is recognized as one of the essential classics of modern Russian literature. The novel's vision of Soviet life in the 1930s is so ferociously accurate that it could not be published during its author's lifetime and appeared only in a censored edition in the 1960s. Its truths are so enduring that its language has become part of the common Russian speech. Now The Overlook Press is reissuing this acclaimed translation in an all-new package. One hot spring, the devil arrives in Moscow, accompanied by a retinue that includes a beautiful naked witch and an immense talking black cat with a fondness for chess and vodka. The visitors quickly wreak havoc in a city that refuses to believe in either God or Satan. But they also bring peace to two unhappy Muscovites: one is the Master, a writer pilloried for daring to write a novel about Christ and Pontius Pilate; the other is Margarita, who loves the Master so deeply that she is willing to literally go to hell for him. What ensues is a novel of inexhaustible energy, humor, and philosophical depth, a work whose nuances splendidly emerge in Diana Burgin's and Katherine Tiernan O'Connor's superb English translation, with an afterword and extensive commentary by Ellendea Proffer.

With an introduction by the writer and critic Viv Groskop.

In this imaginative extravaganza the devil, disguised as a magician, descends upon Moscow, along with a talking cat and an expert assassin. This riotous band succeed in fooling an entire population of people who persistently deny the devil’s existence, even as they are confronted with the diabolic results of a magic act gone wrong. The devil’s project soon becomes involved with The Master, a man who has turned his back on his former life and sought sanctuary in a lunatic asylum, and his former lover, Margarita.

A literary sensation from its first publication, The Master and Margarita has been translated into more than twenty

languages. Mikhail Bulgakov’s novel is now considered one of the seminal works of twentieth-century Russian literature. By turns acidly satiric, fantastic and ironically philosophical, this story constantly surprises and entertains.

See? All we need is... a map and... some kind of plan. This overcoat is neutral darling, neither Bolshevik nor Menshevik. Just essence of Prole. In Kiev during the Russian Civil War, the Turbin household is sanctuary to a ragtag, close-knit crowd presided over by the beautiful Lena. As her brothers prepare to fight for the White Guard, friends charge in from the riotous streets amidst an atmosphere of heady chaos, quaffing vodka, keeling over, declaiming, taking baths, playing guitar and falling in love. But the new regime is poised and in its brutal triumph lies destruction for the Turbins and their world. And those are the real enemies we face, deep in the shadows. This modern man with no name, no past, no love. This desperate hate-filled man born of loneliness and frustration. This man with nothing to be proud of, nothing he is part of... Andrew Upton's version of Mikhail Bulgakov's The White Guard premiered at the National Theatre, London, in March 2010.

Bulgakov paints an excellent picture of Stalin's regime in this allegorical masterpiece. WITH AN INTRODUCTION BY WILL SELF The devil makes a personal appearance in Moscow accompanied by various demons, including a naked girl and a huge black cat. When he leaves, the asylums are full and the forces of law and order are in disarray. Only the Master, a man devoted to truth, and Margarita, the woman he loves, can resist the devil's onslaught.

'Bulgakov is one of the greatest Russian writers, perhaps the greatest' Independent Written in secret during the darkest days of Stalin's reign, The Master and Margarita became an overnight literary phenomenon when it was finally published it, signalling artistic freedom for Russians everywhere. Bulgakov's carnivalesque satire of Soviet life describes how the Devil, trailing fire and chaos in his wake, weaves himself out of the shadows and into Moscow one Spring afternoon. Brimming with magic and incident, it is full of imaginary, historical, terrifying and wonderful characters, from witches, poets and Biblical tyrants to the beautiful, courageous Margarita, who will do anything to save the imprisoned writer she loves. Translated by Richard Pevear and Larissa Volokhonsky with an Introduction by Richard Pevear

Professor Persikov, an eccentric zoologist, stumbles upon a new light ray that accelerates growth and reproduction rates in living organisms. In the wake of a plague that has decimated the country's poultry stocks, Persikov's discovery is exploited as a means to correct the problem. As foreign agents, the state and the Soviet media all seize upon the red ray, matters get out of hand... Set in 1928 but written four years earlier, during Stalin's rise to power, The Fatal Eggs is both an early piece of science fiction reminiscent of H.G. Wells and a biting, brilliant satire on the consequences of the abuse of power and knowledge.

Banned for 27 years and initially published in a heavily censored edition, The Master and Margarita is probably the most important Russian novel of the 20th century. Written as a satire of Stalin's suffocating bureaucracy, the book has inspired Salman Rushdie's The Satanic Verses, The Rolling Stones' song Sympathy for the Devil and the work of many other international artists, writers and musicians.

A masterpiece - a classic of twentieth-century fiction' New York Times Bulgakov paints a powerful picture of Stalin's regime in this allegorical classic. The devil makes a personal appearance in Moscow accompanied by various demons, including a naked girl and a huge black cat. When he leaves, the asylums are full and the forces of law and order are in disarray. Only the Master, a man devoted to truth, and Margarita, the woman he loves, can resist the devil's onslaught. VINTAGE CLASSICS RUSSIAN SERIES - sumptuous editions of the greatest books to come out of Russia during the most tumultuous period in its history.

"There is absolutely no necessity to learn how to read; meat smells a mile off, anyway. Nevertheless, if you live in Moscow and have a brain in your head, you'll pick up reading willy-nilly, and without attending any courses. Out of the forty thousand or so Moscow dogs, only a total idiot won't know how to read the word 'sausage'." When a stray dog dying on the streets of Moscow is taken in by a wealthy professor, he is subjected to medical experiments in which he receives various transplants of human organs. As he begins to transform into a rowdy, unkempt human by the name of Poligraf Poligrafovich Sharikov, his actions distress the professor and those surrounding him, although he finds himself accepted into the ranks of the Soviet state. A parodic reworking of the Frankenstein myth and a vicious satire of the Communist revolution and the concept of the New Soviet man, A Dog's Heart was banned by the censors in 1925 and circulated only in samizdat form. Nowadays this hugely entertaining tale has become very popular in Russia, and has inspired many adaptations across the world.

In Bulgakov's 'Diaboliad', the modest and unassuming office clerk Korotkov is summarily sacked for a trifling error from his job at the Main Central Depot of Match Materials, and tries to seek out his newly assigned superior, responsible for his dismissal. His quest through the labyrinth of Soviet bureaucracy takes on the increasingly surreal dimensions of a nightmare. This early satirical story, reminiscent of Gogol and Dostoevsky, was first published in 1924 and incurred the wrath of pro-Soviet critics. Along with the three other stories in this volume, which also explore the themes of the absurd and bizarre, it provides a fascinating glimpse into the artistic development of the author of The Master and Margarita.

After being saved from a suicide attempt by the appearance of a literary editor, the journalist and failed novelist Sergei Maxudov has a book suddenly accepted for stage adaptation at a prestigious venue and finds himself propelled into Moscow's theatrical world. In a cut-throat environment tainted by Soviet politics, censorship and egomania - epitomized by the arrogant and tyrannical director Ivan Vasilyevich - mayhem gradually gives way to absurdity. Unpublished in Bulgakov's own lifetime, Black Snow is peppered with darkly comic set pieces and draws on its author's own bitter experience as a playwright with the Moscow Arts Theatre, showcasing his inimitable gift for shrewd observation and razor-sharp satire.

Nothing in the whole of literature compares with The Master and Margarita. Full of pungency and wit, this luminous work is Bulgakov's crowning achievement, skilfully blending magical and realistic elements, grotesque situations and major ethical concerns. Written during the darkest period of Stalin's repressive reign and a devastating satire of Soviet life, it combines two distinct yet interwoven parts, one set in contemporary Moscow, the other in ancient Jerusalem, each brimming with incident and with historical, imaginary, frightful and wonderful characters. Although completed in 1940, The Master and Margarita was not published until 1966 when the first section appeared in the monthly magazine Moskva. Russians everywhere responded enthusiastically to the novel's artistic and spiritual freedom and it was an immediate and enduring success. This new translation has been made from the complete and unabridged Russian text.

Introduction by Simon Franklin; Translation by Michael Glenny

Set in the Ukrainian capital of Kiev during the chaotic winter of 1918-19, The White Guard, Bulgakov's first full-length novel, tells the story of a Russian-speaking family trapped in circumstances that threaten to destroy them. As in Tolstoy's War and Peace, the narrative centres on the stark contrast between the cosy domesticity of family life on the one hand, and wide-ranging and destructive historical events on the other. The result is a disturbing, often shocking story, illuminated, however, by shafts of light that testify to people's resilience, humanity and ability to love in even the most adverse circumstances.

Brilliant stories that show the growth of a novelist's mind, and the raw material that fed the wild surrealism of Bulgakov's later fiction.
With the ink still wet on his diploma, the twenty-five-year-old Dr. Mikhail Bulgakov was flung into the depths of rural Russia which, in 1916-17, was still largely unaffected by such novelties as the motor car, the telephone or electric light. How his alter-ego copes (or fails to cope) with the new and often appalling responsibilities of a lone doctor in a vast country practice -- on the eve of Revolution -- is described in Bulgakov's delightful blend of candid realism and imaginative exuberance.

Discover Mikhail Bugakov's classic literary love letter to the city of Kyiv. Drawing closely on Bulgakov's personal experiences of the horrors of civil war as a young doctor, The White Guard takes place in Kyiv, 1918, a time of turmoil and suffocating uncertainty as the Bolsheviks, Socialists and Germans fight for control of the city. It tells the story of the Turbins, a once-wealthy Russian family, as they are forced to come to terms with revolution and a new regime. Bulgakov's first novel, The White Guard is one of the greatest works of twentieth century Russian literature. As epic a chronicle of life and death in the Russian Empire as War and Peace. 'The tumultuous atmosphere of the Ukrainian revolution and civil war is brilliantly evoked' Daily Telegraph

WITH AN INTRODUCTION BY TERRY GILLIAM When Maxudov's bid to take his own life fails, he dramatises the novel whose failure provoked the suicide attempt. To the resentment of literary Moscow, his play is accepted by the legendary Independent Theatre and Maxudov plunges into a vortex of inflated egos. With each rehearsal more sparks fly and the chances of the play being ready to perform recede. Black Snow is the ultimate back-stage novel and a brilliant satire by the author of The Master and Margarita on his ten-year love-hate relationship with Stanislavsky, Method-acting and the Moscow Arts Theatre.