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Miles Kington wrote a column a day for more than 30 years. In that time he delighted, amused and gently poked fun at a large proportion of the UK population. This book is a selection of some of his best pieces.
In one of his Independent pieces Miles Kington once referred to a volume of Edward Lear's limericks translated into French. Not an easy task, you might think, and in translating Alphonse Allais into English, Miles Kington set himself a similar challenge. He carried it off with panache. As Max Harrison said in The Times, '... has done a difficult job well, even preserving some of Allais's puns'. Alphonse Allais has been described as the greatest humorous writer ever. In the words of Lisa Appignanesi, 'Allais was a consummate absurdist. From an ordinary phenomenon, simple sentiment or situation, he would logically deduce the looniest, most macabre and most unexpected result ... His humour kept all Paris, high and low, waiting breathlessly for the paper which would carry his next tale ...' On first publication, in 1976, Clive James in the Observer said 'Allais has been dead 70 years but his mocking tone ensures him a permanently relevant after-life'. And John Sturrock in the New Statesman, 'Allais stands, along with Jarry, at the head of the most dazzling and highly educated tradition of French humour, as witty as it is whimsical'. Faber Finds offers this rare book as a tribute not only to Alphonse Allais but also Miles Kington, two great humorists in tandem.
A journalist, columnist, humorist and musician, Miles Kington began his writing career at Punch, where he created Franglais, a hugely popular fictional language, before going on to write a daily column for The Times, followed by the Independent. He wrote over thirty thousand newspaper columns in his lifetime, as well as contributing to countless magazines and other publications. When he died in 2008, he left behind an enormous archive of correspondence. Effortlessly funny and entertaining, this collection is full of Kington's inimitable style. He had kept copies of every letter he had sent or received for the best part of fifty years, letters to and from the great and the good of the arts - Terry Jones, Melvyn Bragg, Joanna Lumley, John Cleese, Andre Previn, Philip Larkin, Alan Coren, Kenneth Williams, and many more. My Mother, The Bearded Lady is a selection of these captivating letters, chosen and edited by his wife, Caroline Kington.
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