The rapid development of the TV series in the twenty-first century has resulted in an emergence of new aesthetic, cultural, and social trends. The development has influenced both the mainstream of popular culture and reception practices of audiences across nations and platforms. This book observes how the means employed in key contemporary TV series texts and a specific thematic variety have promoted new reception styles and redefined conventional interpretive practices. The authors analyze a variety of series released since 2000 to discuss historical (dis)continuities of genres and conventions, and observe how interpretive competences promoted by the rhetoric of contemporary TV series result from, and are polemical with, the conventions of visual and verbal cultures of preceding decades.

Written in Paris in the early 1950s, this book created instant controversy in its analysis of modern society that had allowed itself to be hypnotized by socio-political doctrines, and to accept totalitarian terror on the strength of a hypothetical future.

The Art of the Creative Commons is a book about peer-to-peer production, providing a unique model of commons from the creative industries. The book expands the knowledge about the role in which an alternative framework of copyright protection (Creative Commons) regulates and establishes norms and conventions within the commons. The book gives insight into a vibrant community that fosters creative projects and a variety of works, from elementary school plays to exhibitions in the Smithsonian or multimillion-dollar Hollywood films. Taking up the perspective of the creative workforce involved in production and collaboration allows us to understand the rules of production that follow an alternative model of production. By analyzing issues of media production, this book engages with current scholarship on critical management, political economy and cultural studies.

Im Buch werden interlinguale Lakunen in Diskursen thematisiert. Lakunen als lexikalische Einheiten, die in einer Kultur vorkommen, wobei sie in einer anderen fehlen, verfugen uber keine zielsprachige Entsprechung. Das Hauptziel der Arbeit war die Rekonstruktion und die Erklarung von aktuellen Bedeutungen der interlingualen Lakunen aufgrund der Kontexte, in denen sie in den Diskursfragmenten vorkommen. Die Diskursanalyse ermoeglicht namlich, den Gebrauch der Lakune in einem soziokulturellen Kontext zu analysieren. Zu diesem Zweck wurde ein Rekonstruierungsmodell der aktuellen Bedeutung von Lakunen entwickelt. Die vorliegende Arbeit hat einen innovativen Charakter, weil die Diskursanalyse fur die Lakunen-Analyse angewendet wurde.

With a critical afterword by Nobel Laureate Czeslaw Milosz and National Book Award nominee Leonard Nathan.

This formalist-narratological study of T.F. Powys' and V.S. Pritchett's short fiction reestablishes both authors as important contributors to the history of the short story form. It also discusses how writers, who did not belong to the modernist avant-garde innovation, address the problems of the short story form in the twentieth century. The study takes a close look at the uses of the ordinary and analyses character, setting, and event presentation, narrators, audiences, narrativity, eventfulness, causality, and narrative rhetoric. It presents two kinds of short fiction and two kinds of the ordinary: the ecstatic one, focused on violations of norm, and the static kind that reassures its patterns.

For A Book of Luminous Things Nobel laureate poet Czeslaw Milosz has selected 300 of the world's greatest poems written throughout the ages, poems memorable for how they render the realities of the world palpable and immediate. They are organized under eleven headings - including "Epiphany, " "Nature, " "The Secret of a Thing, " "Travel, " "Places, " and "The Moment." In addition to his introduction, Milosz contributes brief, penetrating commentary on each poet. Among the poets included are Elizabeth Bishop William Blake, Joseph Brodsky, Constantinos Cavafy, Emily Dickinson, Robert Frost, Allen Ginsberg, Linda Gregg, Seamus Heaney, Zbigniew Herbert, Jane Hirshfield, Robinson Jeffers, D. H. Lawrence, Denise Levertov, Philip Levine, Li Po, Antonio Machado, Thomas Merton, W. S. Merwin, Sharon Olds, Mary Oliver, Po Chu-I, Rainer Maria Rilke, Theodore Roethke, Charles Simic, Gary Snyder, Wallace Stevens, May Swenson, Anna Swir, Wislawa Szymborska, Tu Fu, Wang Wei, Walt Whitman, and William Carlos Williams.

Responding to the development of a lively hip hop culture in Central and Eastern European countries, this interdisciplinary study demonstrates how a universal model of hip hop serves as a contextually situated platform of cultural exchange and becomes locally inflected. After the Soviet Union fell, hip hop became popular in urban environments in the region, but it has often been stigmatized as inauthentic, due to an apparent lack of connection to African American historical roots and black identity. Originally strongly influenced by aesthetics from the US, hip hop in Central and Eastern Europe has gradually developed unique, local trajectories, a number of which are showcased in this volume. On the one hand, hip hop functions as a marker of Western cosmopolitanism and democratic ideology, but as the contributors show, it is also a malleable genre that has been infused with so much local identity that it has lost most of its previous associations with "the West" in the experiences of local musicians, audiences, and producers. Contextualizing hip hop through the prism of local experiences and regional musical expressions, these valuable case studies reveal the broad spectrum of its impact on popular culture and youth identity in the post-Soviet world.

About "Exiles," Cornell Capa once wrote, "Koudelka's unsentimental, stark, brooding, intensely human imagery reflects his own spirit, the very essence of an exile who is at home wherever his wandering body finds haven in the night. " In this newly revised and expanded edition of the 1988 classic, which includes ten new images and a new commentary with Robert Delpire, Koudelka's work once more forms a powerful document of the spiritual and physical state of exile. The sense of private mystery that fills these photographs--mostly taken during Koudelka's many years of wandering through Europe and Great Britain since leaving his native Czechoslovakia in 1968--speaks of passion and reserve, of his rage to see. Solitary, moving, deeply felt and strangely disturbing, the images in "Exiles" suggest alienation, disconnection and love. "Exiles" evokes some of the most compelling and troubling themes of the twentieth century, while resonating with equal force in this current moment of profound migrations and transience.
Josef Koudelka (born 1938) has published ten books of photographs, many of which focus on the relationship between man and the landscape, including "Gypsies" (1975; revised and enlarged edition in 2011), "Exiles" (1988), "Black Triangle" (1994), "Invasion 68: Prague" (2008) and "Wall" (2013). Significant exhibitions of his work have been held at The Museum of Modern Art and the International Center of Photography, both in New York; Hayward Gallery, London; and Palais de Tokyo, Paris. Koudelka is the recipient of the Medal of Merit awarded by the Czech Republic (2002) and numerous other awards. In 2012, he was named Commandeur de l'Ordre des Arts et des Lettres by the French Ministry of Culture. He is based in Paris and Prague.

New and Collected Poems: 1931–2001 celebrates seven decades of Czeslaw Milosz's exceptional career. Widely regarded as one of the greatest poets of our time, Milosz is a master of probing inquiry and graceful expression. His poetry is infused with a tireless spirit and penetrating insight into fundamental human dilemmas and the staggering yet simple truth that "to exist on the earth is beyond any power to name."

Czeslaw Milosz worked with the Polish Resistance movement in Warsaw during World War II and defected to France in 1951. His work brings to bear the political awareness of an exile -- most notably in A Treatise on Poetry, a forty-page exploration of the world wars that rocked the first half of the twentieth century. His later poems also reflect the sharp political focus through which this Nobel laureate never fails to bear witness to the events that stir the world.

Digging among the rubble of the past, Milosz forges a vision that encompasses pain as well as joy. His work, wrote Edward Hirsch in the New York Times Book Review, is "one of the monumental splendors of poetry in our age." With more than fifty new poems, this is an essential collection from one of the most important voices in contemporary poetry.

The autobiography of the Nobel laureate

Before he emigrated to the United States, Czeslaw Milosz lived through many of the social upheavals that defined the first half of the twentieth century. Here, in this compelling account of his early life, the author sketches his moral and intellectual history from childhood to the early fifties, providing the reader with a glimpse into a way of life that was radically different from anything an American or even a Western European could know.

Using the events of his life as a starting point, Native Realm sets out to explore the consciousness of a writer and a man, examining the possibility of finding glimmers of meaning in the midst of chaos while remaining true to oneself.

In this beautifully written and elegantly translated work, Milosz is at his very best.

A comprehensive selection of essays--some never before translated into English--by the Nobel Laureate.

To Begin Where I Am brings together a rich sampling of poet Czeslaw Milosz's prose writings. Spanning more than a half century, from an impassioned essay on human nature, wartime atrocities, and their challenge to ethical beliefs, written in 1942 in the form of a letter to his friend Jerzy Andrzejewski, to brief biographical sketches and poetic prose pieces from the late 1990s, this volume presents Milosz the prose writer in all his multiple, beguiling guises. The incisive, sardonic analyst of the seductive power of communism is also the author of tender, elegiac portraits of friends famous and obscure; the witty commentator on Polish complexes writes lyrically of the California landscape. Two great themes predominate in these essays, several of which have never appeared before in English: Milosz's personal struggle to sustain his religious faith, and his unswerving allegiance to a poetry that is "on the side of man."

The long-awaited paperback edition of Selected Poems, revised and updated with more than forty new poems never before published in English

2011 marks the centenary year of one of the twentieth century's most important poets, Nobel laureate Czeslaw Milosz. To mark the occasion, Anthony Milosz has translated into English the last poems his father wrote, granting readers new insight into the work of an unparalleled master of the form.

Life opened for Czeslaw Milosz with the clash of civilizations in northeastern Europe. What unfolded around him was a century of catastrophe and madness: two world wars, revolutions, invasions, and the murders of tens of millions of people. In the thick of this upheaval, wide awake and in awe of living, Milosz tried to understand both history and the moment, with humble respect for the suffering of each individual. He wrote masterful poetry infused with a tireless spirit and a penetrating insight into fundamental human dilemmas and the staggering yet simple truth that "to exist on the earth is beyond any power to name."

Responding to the development of a lively hip hop culture in Central and Eastern European countries, this interdisciplinary study demonstrates how a universal model of hip hop serves as a contextually situated platform of cultural exchange and becomes locally inflected. After the Soviet Union fell, hip hop became popular in urban environments in the region, but it has often been stigmatized as inauthentic, due to an apparent lack of connection to African American historical roots and black identity. Originally strongly influenced by aesthetics from the US, hip hop in Central and Eastern Europe has gradually developed unique, local trajectories, a number of which are showcased in this volume. On the one hand, hip hop functions as a marker of Western cosmopolitanism and democratic ideology, but as the contributors show, it is also a malleable genre that has been infused with so much local identity that it has lost most of its previous associations with "the West" in the experiences of local musicians, audiences, and producers. Contextualizing hip hop through the prism of local experiences and regional musical expressions, these valuable case studies reveal the broad spectrum of its impact on popular culture and youth identity in the post-Soviet world.

"Legends of Modernity," now available in English for the first time, brings together some of Czeslaw Milosz's early essays and letters, composed in German-occupied Warsaw during the winter of 1942-43.
"Why did the European spirit succumb to such a devastating fiasco?" the young Milosz asks. Half a century later, when "Legends of Modernity" saw its first publication in Poland, Milosz said: "If everything inside you is agitation, hatred, and despair, write measured, perfectly calm sentences..." While the essays here reflect a "perfect calm," the accompanying contemporaneous exchange of letters between Milosz and Jerzy Andrzejewski express the raw emotions of "agitation, hatred and despair" experienced by these two close friends struggling to understand the proximate causes of this debacle of western civilization, and the relevance, if any, of the teachings of the Catholic church.
Passionate, poignant, and compelling, "Legends of Modernity" is a deeply moving insight into the mind and emotions of one of the greatest writers of our time.

Nobel laureate Czeslaw Milosz's most recent collection Second Space marks a new stage in one of the great poetic pilgrimages of our time. Few poets have inhabited the land of old age as long or energetically as Milosz, for whom this territory holds both openings and closings, affirmations as well as losses. "Not soon, as late as the approach of my ninetieth year, / I felt a door opening in me and I entered / the clarity of early morning," he writes in "Late Ripeness." Elsewhere he laments the loss of his voracious vision -- "My wondrously quick eyes, you saw many things, / Lands and cities, islands and oceans" -- only to discover a new light that defies the limits of physical sight: "Without eyes, my gaze is fixed on one bright point, / That grows large and takes me in."Second Space is typically capacious in the range of voices, forms, and subjects it embraces. It moves seamlessly from dramatic monologues to theological treatises, from philosophy and history to epigrams, elegies, and metaphysical meditations. It is unified by Milosz's ongoing quest to find the bond linking the things of this world with the order of a "second space," shaped not by necessity, but grace. Second Space invites us to accompany a self-proclaimed "apprentice" on this extraordinary quest. In "Treatise on Theology," Milosz calls himself "a one day's master." He is, of course, far more than this. Second Space reveals an artist peerless both in his capacity to confront the world's suffering and in his eagerness to embrace its joys: "Sun. And sky. And in the sky white clouds. / Only now everything cried to him: Eurydice! / How will I live without you, my consoling one! / But there was a fragrant scent of herbs, the low humming of bees, / And he fell asleep with his cheek on the sun-warmed earth."

This is the most beautiful and powerful of Milosz's poems from across his writing life. This selection brings together the most beautiful and powerful of Czeslaw Milosz's poems, spanning his writing life. In verses such as 'Cafe' he considers the upheaval, revolutions and two world wars that he had witnessed, while 'My Faithful Mother Tongue' reflects the loyalty he felt to his native Polish language. He also remembers his schooldays in 'The World', and in 'Bypassing Rue Descartes' recalls the Paris streets of his student years, displaying both tenderness and tough-minded fury towards those who shaped his experiences. Writing not about abstract emotions, but about the horrors and beauty that he directly observed, Milosz opens our eyes to the joy-bringing potential of the poetry to which he gave his life. Winner of the Nobel Prize for Literature Czeslaw Milosz (1911-2004) won the Nobel Prize for Literature in 1980. Born in Lithuania while it was still part of the Russian Empire, he lived much of his life in Poland or exiled in California. He was the author of one of the definitive books on totalitarianism, The Captive Mind, but also wrote with extraordinary vividness and moral authority on his childhood, his experiences under Nazism and on the tragedy of Central Europe.

After The Second World War, Czeslaw Milosz was exiled for many years from his home country of Poland. In Native Realm, he evokes that homeland and his years away from it; how it nurtured him and how its divisions and destruction shaped a generation. Exploring such diverse memories as a Soviet officer drinking tea with his little finger sticking out, or two Chinese girls passing, laughing, by a New York subway station, Milosz uses these to both 'bring Europe closer to the Europeans' and to capture the formative moments in his life, from his Catholic education to his time in Paris, all with his distinctive honesty, elegance and self-awareness. It is the winner of the Nobel Prize for Literature.

This expanded edition of "Postwar Polish Poetry" (which was originally published in 1965) presents 125 poems by 25 poets, including Czeslaw Milosz and other Polish poets living outside Poland. The stress of the anthology is on poetry written after 1956, the year when the lifting of censorship and the berakdown of doctrines provoked and explosion of new schools and talents. The victory of Solidarity in August 1980 once again opened new vistas for a short time; the coup of December closed that chapter. It is too early yet to predict the impact these events will have on the future of Polish poetry.

The Dialectical Meaning of Offshored Work analyzes how offshoring investments function as a platform for intercultural encounters among corporate actors and local populations of hosting communities. The book synthesizes ethnographic research, media reviews, and policy analysis to examine how localized forms of offshoring production occur in social, political and economic processes to highlight dilemmas connected to mobility of capital, modernization, social equality and capitalist expansion. The book delineates the complex interplay between Western neoliberalism and a transforming post-socialist Europe, to show the complex ways in which offshoring production infiltrates local communities. Analyzing issues of labor, work and employment, this book engages with current scholarship on critical management, sociology, anthropology, and East European studies.

This book is a survey of Polish letters and culture from its beginnings to modern times. Czeslaw Milosz updated this edition in 1983 and added an epilogue to bring the discussion up to date.

This book is devoted to emotional and narrative immersion in the experience of gameplay. The focus of our research is the complex interplay between the story and mechanics in digital games. Our goal is to demonstrate how the narrative and the ludic elements together can form unique player experiences. The volume is a collection of case studies involving close reading of selected independent titles, with focus placed on the themes, motifs and experimental approaches to gameplay present therein.