This formalist-narratological study of T.F. Powys' and V.S.
Pritchett's short fiction reestablishes both authors as important
contributors to the history of the short story form. It also
discusses how writers, who did not belong to the modernist
avant-garde innovation, address the problems of the short story
form in the twentieth century. The study takes a close look at the
uses of the ordinary and analyses character, setting, and event
presentation, narrators, audiences, narrativity, eventfulness,
causality, and narrative rhetoric. It presents two kinds of short
fiction and two kinds of the ordinary: the ecstatic one, focused on
violations of norm, and the static kind that reassures its
patterns.
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