In the aftermath of a devastating tornado that rips through the town of Tupelo, Mississippi, at the height of the Great Depression, two women worlds apart--one black, one white; one a great-grandmother, the other a teenager--fight for their families' survival in this lyrical and powerful novel "Gwin's gift shines in the complexity of her characters and their fraught relationships with each other, their capacity for courage and hope, coupled with their passion for justice." -- Jonis Agee, bestselling author of The River Wife A few minutes after 9 p.m. on Palm Sunday, April 5, 1936, a massive funnel cloud flashing a giant fireball and roaring like a runaway train careened into the thriving cotton-mill town of Tupelo, Mississippi, killing more than 200 people, not counting an unknown number of black citizens, one-third of Tupelo's population, who were not included in the official casualty figures. When the tornado hits, Dovey, a local laundress, is flung by the terrifying winds into a nearby lake. Bruised and nearly drowned, she makes her way across Tupelo to find her small family--her hardworking husband, Virgil, her clever sixteen-year-old granddaughter, Dreama, and Promise, Dreama's beautiful light-skinned three-month-old son. Slowly navigating the broken streets of Tupelo, Dovey stops at the house of the despised McNabb family. Inside, she discovers that the tornado has spared no one, including Jo, the McNabbs' dutiful teenage daughter, who has suffered a terrible head wound. When Jo later discovers a baby in the wreckage, she is certain that she's found her baby brother, Tommy, and vows to protect him. During the harrowing hours and days of the chaos that follows, Jo and Dovey will struggle to navigate a landscape of disaster and to battle both the demons and the history that link and haunt them. Drawing on historical events, Minrose Gwin beautifully imagines natural and human destruction in the deep South of the 1930s through the experiences of two remarkable women whose lives are indelibly connected by forces beyond their control. A story of loss, hope, despair, grit, courage, and race, Promise reminds us of the transformative power and promise that come from confronting our most troubled relations with one another.

"I need you to understand how ordinary it all was. . . ."

In the turbulent southern summer of 1963, Millwood's white population steers clear of "Shake Rag," the black section of town. Young Florence Forrest is one of the few who crosses the line. The daughter of a burial insurance salesman with dark secrets and the town's "cake lady," whose backcountry bootleg runs lead further and further away from a brutal marriage, Florence attaches herself to her grandparents' longtime maid, Zenie Johnson. Named for Zenobia, Queen of Palmyra, Zenie treats the unwanted girl as just another chore, while telling her stories of the legendary queen's courage and cunning.

The more time Florence spends in Shake Rag, the more she recognizes how completely race divides her town, and her story, far from ordinary, bears witness to the truth and brutality of her times--a truth brought to a shattering conclusion when Zenie's vibrant college-student niece, Eva Greene, arrives that fateful Mississippi summer.

Minrose Gwin's The Queen of Palmyra is an unforgettable evocation of a time and a place in America--a nuanced, gripping story of race and identity.

Following the death of their mother from a botched backwoods abortion, the McAlister daughters have to cope with the ripple effect of this tragedy as they come of age in 1950s Mississippi and then grow up to face their own impossible choices--an unforgettable, beautiful novel that is threaded throughout with the stories of mothers and daughters in pre-Roe versus Wade America. Life heads down back alleys, takes sharp left turns. Then, one fine day it jumps the track and crashes." In the fall of 1957, Olivia McAlister is living in Opelika, Mississippi, caring for her two girls, June and Grace, and her husband, Holly. She dreams of living a much larger life--seeing the world and returning to her wartime job at a landing boat factory in New Orleans. As she watches over the birds in her yard, Olivia feels like an "accidental"--a migratory bird blown off course. When Olivia becomes pregnant again, she makes a fateful decision, compelling Grace, June, and Holly to cope in different ways. While their father digs up the backyard to build a bomb shelter, desperate to protect his family, Olivia's spinster sister tries to take them all under her wing. But the impact of Olivia's decision reverberates throughout Grace's and June's lives. Grace, caught up in an unconventional love affair, becomes one of the "girls who went away" to have a baby in secret. June, guilt-ridden for her part in exposing Grace's pregnancy, eventually makes an unhappy marriage. Meanwhile Ed Mae Johnson, an African-American care worker in a New Orleans orphanage, is drastically impacted by Grace's choices. As the years go by, their lives intersect in ways that reflect the unpredictable nature of bird flight that lands in accidental locations--and the consolations of imperfect return. Filled with tragedy, humor, joy, and the indomitable strength of women facing the constricted spaces of the 1950s and 60s, The Accidentals is a poignant, timely novel that reminds us of the hope and consolation that can be found in unexpected landings.

As the first NAACP field secretary for Mississippi, Medgar Wiley Evers put his life on the line to investigate racial crimes (including Emmett Till's murder) and to organize boycotts and voter registration drives. On June 12, 1963, he was shot in the back by white supremacist Byron De La Beckwith as the civil rights leader unloaded a stack of "Jim Crow Must Go" T-shirts in his own driveway. His was the first assassination of a high-ranking public figure in the civil rights movement.
While Evers's death ushered in a decade of political assassinations and ignited a powder keg of racial unrest nationwide, his life of service and courage has largely been consigned to the periphery of U.S. and civil rights history. In her compelling study of collective memory and artistic production, "Remembering Medgar Evers," Minrose Gwin engages the powerful body of work that has emerged in response to Evers's life and death--fiction, poetry, memoir, drama, and songs from James Baldwin, Margaret Walker, Eudora Welty, Lucille Clifton, Bob Dylan, and Willie Morris, among others. Gwin examines local news accounts about Evers, 1960s gospel and protest music as well as contemporary hip-hop, the haunting poems of Frank X Walker, and contemporary fiction such as "The Help" and Gwin's own novel, "The Queen of Palmyra." In this study, Evers springs to life as a leader of "plural singularity," who modeled for southern African Americans a new form of cultural identity that both drew from the past and broke from it; to quote Gwendolyn Brooks, "He leaned across tomorrow."
Fifty years after his untimely death, Evers still casts a long shadow. In her examination of the body of work he has inspired, Gwin probes wide-ranging questions about collective memory and art as instruments of social justice. "Remembered, Evers's life's legacy pivots to the future," she writes, "linking us to other human rights struggles, both local and global."
A Sarah Mills Hodge Fund Publication.

As the first NAACP field secretary for Mississippi, Medgar Wiley Evers put his life on the line to investigate racial crimes (including Emmett Till's murder) and to organise boycotts and voter registration drives. On June 12, 1963, he was shot in the back by white supremacist Byron De La Beckwith as the civil rights leader unloaded a stack of "Jim Crow Must Go" T-shirts in his own driveway. His was the first assassination of a high-ranking public figure in the civil rights movement. While Evers's death ushered in a decade of political assassinations and ignited a powder keg of racial unrest nationwide, his life of service and courage has largely been consigned to the periphery of U.S. and civil rights history. In her compelling study of collective memory and artistic production, Remembering Medgar Evers, Minrose Gwin engages the powerful body of work that has emerged in response to Evers's life and death-fiction, poetry, memoir, drama, and songs from James Baldwin, Margaret Walker, Eudora Welty, Lucille Clifton, Bob Dylan, and Willie Morris, among others. Gwin examines local news accounts about Evers, 1960s gospel and protest music as well as contemporary hip-hop, the haunting poems of Frank X Walker, and contemporary fiction such as The Help and Gwin's own novel, The Queen of Palmyra. In this study, Evers springs to life as a leader of "plural singularity," who modeled for southern African Americans a new form of cultural identity that both drew from the past and broke from it; to quote Gwendolyn Brooks, "He leaned across tomorrow." Fifty years after his untimely death, Evers still casts a long shadow. In her examination of the body of work he has inspired, Gwin probes wide-ranging questions about collective memory and art as instruments of social justice. "Remembered, Evers's life's legacy pivots to the future," she writes, "linking us to other human rights struggles, both local and global." A Sarah Mills Hodge Fund Publication.

A daughter's brave and beautiful tribute to a remarkable damaged soul . . .

For novelist Minrose Gwin, growing up was a time of chaos and uncertainty, the result of? being raised by a parent with a serious mental illness. Life with poet Erin Taylor was unpredictable at best and painful at the worst times, as she spiraled ever deeper into psychosis until her eventual death from cancer. But reading her mother's childhood diary as an adult, Minrose encountered a very different Erin Taylor Clayton Pitner. Her late mother's words, written in the 1930s, revealed a cheerful, perceptive young girl growing up in rural Mississippi who wished for snow that "usually didn't come"--a girl with a bright view of the future as she progressed from college student to young mother to published poet, only to have an unbearable darkness close in around her, cruelly suffocating her hopes and dreams.

In her poignant and extraordinary memoir Wishing for Snow, Minrose Gwin sets out to rediscover her mother in the poems, letters, newspaper clippings, and quixotic lists that Erin left behind after her death. The result is an unforgettable true story of a Southern family and the tragic figure at its center--and a loving daughter's determination to find the mother she never knew.

"If I had the pen of a ready writer," Clayton wrote, "enabling me to give a pen-picture of the appearance of the virgin forests in these olden times, covered with the upstretching trees, with occasional vines entwining them from top to bottom, loaded with wild grapes or luscious muscadines, and the plains and hillsides waving with beautiful wild flowers, it would read like a fairy tale." Olden times take on a nostalgic glow in these "pen pictures" of early days in Northeast Mississippi. The chivalry, the tall tales, the Indian lore, the social customs, and the local characters portrayed here provide intimate descriptions of how people lived in Lee and Itawamba counties during antebellum times and during Reconstruction.

Washington Lafayette Clayton reflected over such scenes of his life and wrote these pen pictures nearly a century ago as reminiscences of better times. In sixty-five articles originally published in the Tupelo "Journal" in 1905 and 1906, he recorded the life of the Southern frontier of 1840 to the 1860s. These records, preserved here in one volume, are valuable resources for historians, for descendants of Mississippi pioneers, and for those who wish to perceive the nature of simpler times.

Following the death of their mother from a botched backwoods abortion, the McAlister daughters have to cope with the ripple effect of this tragedy as they come of age in 1950s Mississippi and then grow up to face their own impossible choices--an unforgettable, beautiful novel that is threaded throughout with the stories of mothers and daughters in pre-Roe versus Wade America. Life heads down back alleys, takes sharp left turns. Then, one fine day it jumps the track and crashes." In the fall of 1957, Olivia McAlister is living in Opelika, Mississippi, caring for her two girls, June and Grace, and her husband, Holly. She dreams of living a much larger life--seeing the world and returning to her wartime job at a landing boat factory in New Orleans. As she watches over the birds in her yard, Olivia feels like an "accidental"--a migratory bird blown off course. When Olivia becomes pregnant again, she makes a fateful decision, compelling Grace, June, and Holly to cope in different ways. While their father digs up the backyard to build a bomb shelter, desperate to protect his family, Olivia's spinster sister tries to take them all under her wing. But the impact of Olivia's decision reverberates throughout Grace's and June's lives. Grace, caught up in an unconventional love affair, becomes one of the "girls who went away" to have a baby in secret. June, guilt-ridden for her part in exposing Grace's pregnancy, eventually makes an unhappy marriage. Meanwhile Ed Mae Johnson, an African-American care worker in a New Orleans orphanage, is drastically impacted by Grace's choices. As the years go by, their lives intersect in ways that reflect the unpredictable nature of bird flight that lands in accidental locations--and the consolations of imperfect return. Filled with tragedy, humor, joy, and the indomitable strength of women facing the constricted spaces of the 1950s and 60s, The Accidentals is a poignant, timely novel that reminds us of the hope and consolation that can be found in unexpected landings.