As the first NAACP field secretary for Mississippi, Medgar Wiley
Evers put his life on the line to investigate racial crimes
(including Emmett Till's murder) and to organize boycotts and voter
registration drives. On June 12, 1963, he was shot in the back by
white supremacist Byron De La Beckwith as the civil rights leader
unloaded a stack of "Jim Crow Must Go" T-shirts in his own
driveway. His was the first assassination of a high-ranking public
figure in the civil rights movement.
While Evers's death ushered in a decade of political assassinations
and ignited a powder keg of racial unrest nationwide, his life of
service and courage has largely been consigned to the periphery of
U.S. and civil rights history. In her compelling study of
collective memory and artistic production, "Remembering Medgar
Evers," Minrose Gwin engages the powerful body of work that has
emerged in response to Evers's life and death--fiction, poetry,
memoir, drama, and songs from James Baldwin, Margaret Walker,
Eudora Welty, Lucille Clifton, Bob Dylan, and Willie Morris, among
others. Gwin examines local news accounts about Evers, 1960s gospel
and protest music as well as contemporary hip-hop, the haunting
poems of Frank X Walker, and contemporary fiction such as "The
Help" and Gwin's own novel, "The Queen of Palmyra." In this study,
Evers springs to life as a leader of "plural singularity," who
modeled for southern African Americans a new form of cultural
identity that both drew from the past and broke from it; to quote
Gwendolyn Brooks, "He leaned across tomorrow."
Fifty years after his untimely death, Evers still casts a long
shadow. In her examination of the body of work he has inspired,
Gwin probes wide-ranging questions about collective memory and art
as instruments of social justice. "Remembered, Evers's life's
legacy pivots to the future," she writes, "linking us to other
human rights struggles, both local and global."
A Sarah Mills Hodge Fund Publication.
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