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Performing arts in most parts of Maritime Southeast Asia are seen
as an entity, where music and dance, sound and movement, acoustic
and tactile elements intermingle and complement each other.
Although this fact is widely known and referenced, most scholarly
works in the performing arts so far have either focused on "music"
or "dance" rather than treating the two in combination. The authors
in this book look at both aspects in performance, moreover, they
focus explicitly on the interrelation between the two, on both
descriptive-analytical and metaphorical levels. The book includes
diverse examples of regional performing art genres from Indonesia,
Malaysia and the Philippines. All case studies are composed from
the perspective of the relatively new approach and field of
ethno-choreomusicology. This particular compilation gives an
exemplary overview of various phenomena in movement-sound
relations, and offers for the first time a thorough study of the
phenomenon that is considered essential for the performing arts in
Maritime Southeast Asia - the inseparability of movement and sound.
Performing arts in most parts of Maritime Southeast Asia are seen
as an entity, where music and dance, sound and movement, acoustic
and tactile elements intermingle and complement each other.
Although this fact is widely known and referenced, most scholarly
works in the performing arts so far have either focused on "music"
or "dance" rather than treating the two in combination. The authors
in this book look at both aspects in performance, moreover, they
focus explicitly on the interrelation between the two, on both
descriptive-analytical and metaphorical levels. The book includes
diverse examples of regional performing art genres from Indonesia,
Malaysia and the Philippines. All case studies are composed from
the perspective of the relatively new approach and field of
ethno-choreomusicology. This particular compilation gives an
exemplary overview of various phenomena in movement-sound
relations, and offers for the first time a thorough study of the
phenomenon that is considered essential for the performing arts in
Maritime Southeast Asia - the inseparability of movement and sound.
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