Introducing the explosive first book in the Torch Trilogy - the hottest release of the decade!

They are hunting those who shine . . .

Don't be deceived by Northaven's prettiness, by its white-wash houses and sea views. Many of its townsfolk are ruthless hunters. They revile those who have developed songlight, the ability to connect telepathically with others. Friends, neighbours, family will turn on each other in an instant . . .

Lark has lived in grave danger ever since her own songlight emerged. Then she encounters a young woman in peril, from a city far away. An extraordinary bond is forged. But when power is everything, how will they survive?

An extraordinary new trilogy from an award-winning, internationally acclaimed screenwriter, Songlight promises to set the world alight!

This place is about to blow. A violent storm sweeps the coast. Diana Stuckley and her daughter are struggling to keep the roof on their run-down manor house, when neighbours and strangers begin to appear on their doorstep, seeking shelter from the floods. One of these unexpected arrivals is Ted Farrier, the charismatic leader of a right-wing organisation: he could be Diana's saviour - or could pull the fragile household to pieces. Stranded together, this explosive mix of people must survive the weather, and each other. Manor by Moira Buffini premiered at the National Theatre, London, in November 2021.

Aly is struggling with all the pressures of being a teenager: family, school, friends and her own insecurities. Then she discovers wonder.land - a mysterious online world where, perhaps, she can create a whole new life. The web becomes her looking-glass - but will Aly see who she really is? A new musical inspired by Lewis Carroll's iconic story, Moira Buffini's wonder.land was created with Damon Albarn and Rufus Norris and premiered at the Manchester International Festival in July 2015 in a co-production with the National Theatre, London, where it transferred in November of the same year.

Set in a city named Thebes, somewhere in the 20th century, the play is introduced by a militia sergeant named Miletus and two child soldiers under his command, Scud and Megeara. They discover the body of Polynices, a warlord in the recently-ended civil war and brother of Antigone and Ismene. Meanwhile, Ismene and the new female president of Thebes, Eurydice, widow of Creon get ready for the arrival of Theseus, fi rst citizen of the powerful democratic state of Athens, to discuss rebuilding Thebes after the civil war.10 women, 10 men

Two young women arrive in a nameless British small-town. Their names are not their own. They don't declare their ages. Their relationship with each other is not clear. Are they sisters, as their assumed identities declare? Or are they mother and daughter?Large flexible cast

Together ten chronologically-organised scenes offer a vision of love and sex in England across two millennia, from classical times to the present day via the Renaissance and the Swinging Sixties.3 women, 3 men

A collection of wide-ranging and ambitious short plays reflecting the complexities of women and political power in the United Kingdom. The four plays published here look back to the moments in history when women possessed - or achieved - power, and what they did with it. The Milliner and the Weaver by Marie Jones, about the Suffragette movement in Ireland, as the question of Home Rule divides the nation. The Lioness by Rebecca Lenkiewicz is about Queen Elizabeth I, the myth and the reality. Handbagged by Moira Buffini, about the working relationship between Mrs Thatcher and the Queen. Bloody Wimmin by Lucy Kirkwood, about the protests at Greenham Common, a political landmark in the fight for nuclear disarmament. The plays were first performed at the Tricycle Theatre, London, as part of the Women, Power and Politics season in June 2010. The other plays presented in the season are available in the companion volume, Women, Power and Politics: Now.

I've spent a lifetime in the ebb and flow of power It brings its gifts But then it's an intoxicant One must beware lest one consumes too much The monarch. Her most powerful subject. Two women meet once a week for eleven years. One believes there is no such thing as society. The other has vowed to serve it. Moira Buffini's wickedly funny hit comedy imagines what the world's most powerful women, Margaret Thatcher and Queen Elizabeth II, talked about behind closed palace doors. Winner of the 2014 Olivier Award for Outstanding Achievement in an Affiliate Theatre, Handbagged was first performed in September 2013 and returned to Kiln Theatre, London, in September 2022. 'A phenomenon.' Sunday Telegraph 'Perfectly pitched between the comic and the serious.' Guardian

Hallway-dwelling Semyon is unemployed and disheartened with life. When his last hope at turning his life around disappears he decides to commit suicide, only to find that a number of people would like him to die on their behalf. On the night of the deed, a party grows towards a glorious climax. Moira Buffini has freely adapted Nikolai Erdman's The Suicide, which was banned by Stalin before a single performance, to create Dying For It. Dying For It premiered at the Almeida Theatre, London, in March 2007.

Dinner 'A cracking black comedy that has you laughing uproariously one moment and jumping with shock the next . . . For those with strong stomachs, Dinner offers a delicious feast of comedy and the macabre.' Daily Telegraph Dying for It 'A subversive Russian classic: one that addresses the ultimate question of "why live?"' Guardian 'The play, freely adapted by Moira Buffini, presents a glorious gallery of comic types.' Independent Welcome to Thebes 'It's thrilling. Moira Buffini's strange and daring play is moving, wise, funny, horrifying . . . Full of resonances you weren't expecting, jokes you didn't see coming . . . It raises huge questions with wit.' The Times Handbagged Winner of the 2014 Olivier Award for Outstanding Achievement in an Affiliate Theatre 'A phenomenon.' Sunday Telegraph 'Perfectly pitched between the comic and the serious.' Guardian

Adaptation of the classic novel by Charlotte Bronte in which a young governess falls in love with her master. Jane Eyre (Mia Wasikowska) emerges from a troubled childhood to take on the position of governess at Thornfield Hall. Thornfield is owned by the passionate and impulsive Rochester (Michael Fassbender), who pays Jane unusual attention for someone below his station. The pair quickly fall in love and set their heart on marriage, but a dark secret from Rochester's past threatens to destroy their happiness. Directed by Cary Fukunaga and also starring Judi Dench as the housekeeper, Mrs Fairfax, this latest re-telling of Bronte's popular story makes use of modern cinematic techniques while remaining true to the novel's intent.

Stephen Frears directs this big-screen adaptation of the comic strip by Posy Simmonds. Gemma Arterton stars as Tamara Drewe, a former ugly duckling turned glamourpuss who makes a triumphant return to the sleepy Dorset village of Ewedown. Having spent a few years in London reinventing herself as a music journalist and sex kitten, Tamara now makes an indelible mark on the village and its clutch of middle-class, sex-obsessed residents including philandering novelist Nicholas Hardiment (Roger Allam), narcissistic pop star Ben Sergeant (Dominic Cooper), teenage tearaways Jody and Casey (Jessica Barden and Charlotte Christie), and Tamara's lovestruck former boyfriend, shy hunk Andy (Luke Evans).

Set amongst the vibrant, intense cacophony of North West London, NW Trilogy is a collection of three vivid stories, told over one performance, that remember and celebrate people who changed the course of history. The personal is political in these soulful explorations of what it means to be part of one of the most dynamic communities in the world. First, we reel to a dance hall in 'County Kilburn' in Moira Buffini's Dance Floor where the Guinness flows, the music never stops and for homesick Aoife, there's far more at stake than a dance. In Roy Williams' bittersweet Life of Riley, Paulette is on a journey to connect with her estranged father Riley, a reggae musician once part of the influential Trojan Records scene, who can't seem to let go of the past. And, Suhayla El-Bushra's Waking/Walking introduces us to Anjali, a wife, mother and newly arrived migrant following Idi Amin's expulsion of the Asian minority from Uganda, who is torn between not making a fuss and seizing her moment to take a stand as the Grunwick dispute unfolds. NW Trilogy is powerful, funny and epic and shows us how we can change the world from our doorstep. This edition was published to coincide with the world premiere as NW Trilogy at Kiln Theatre, London, in August 2021.

Gabriel: 'A richly themed, enthralling new play.' The Times Silence (winner of the Susan Smith Blackburn award): 'Silence is a beaut. Buffini is deliciously skilled at crafting lines.' Financial Times Loveplay: 'Delightfully quirky, funny and touching. A hit if ever I saw one. Buffini has an appetite for history, and the most beguiling of dramatic voices.' Daily Telegraph Dinner: 'A cracking black comedy that has you laughing uproariously one moment and jumping with shock the next . . . Dinner offers a delicious feast of comedy at its most heartless and macabre.' Daily Telegraph Blavatsky's Tower: 'A refreshingly dizzying perspective on that cornerstone of dysfunction - the family.' Time Out 'A truly remarkable play. Buffini is a startingly original voice and an outstanding talent.' What's On

In director Neil Jordan's vampire thriller a mother and daughter struggle to hide their bloody secret from their adopted community. Having survived for over 200 years, itinerant single mother Clara (Gemma Arterton) and her daughter Eleanor (Saoirse Ronan) are offered shelter at the down-at-heel Byzantium guest house when they arrive at a rundown seaside resort. Whilst her cold-hearted mother plies her trade as a prostitute to keep their heads above water and indulges her bloodletting at any opportunity, Eleanor wrestles with keeping her secret from her latest love, Frank (Caleb Landry Jones). But when the truth finally spreads its way through the local population, the arrival of two strangers belonging to an all-male vampire sect known as 'The Brotherhood' heralds a reckoning neither woman is prepared for.