In this comparative approach to the works of two major contemporary Egyptian writers, Mona Mikhail identifies existentialism as a major force in their work. Her close examination of the images and metaphors that recur in the short fiction of those two writers shows strong affinities with the works of Ernest Hemingway and Albert Camus, concentrating on a central preoccupation with the theme of death as a constant in he works of all four writers. Mikhail shows how Mafouz and Idris not only successfully incorporate myth and folklore but also draw upon the rich heritage of classical Arabic Literature as a source for their work.

Daisy Al-Amir is one of the more visible figures in women's fiction in the Arab world today. This collection of stories, originally published in Lebanon as Ala La'ihat al-Intizar, is the most recent of her five publications. Her stories intimately reflect women's experiences in the chaotic worlds of the Lebanese civil war and the rise of Saadam Hussain as Iraq's leader. Set in Iraq, Cyprus, and Lebanon, the stories shed light on an unusual Middle East refugee experience--that of a cultural refugee, a divorced woman who is educated, affluent, and alone.

Al-Amir is also a poet and novelist, whose sensual prose grows out of a long tradition of Iraqi poetry. But one also finds existential themes in her works, as Al-Amir tries to balance what seems fated and what seems arbitrary in the turbulent world she inhabits. She deals with time and space in a minimalist, surreal style, while studying the disappointments of life through the subjective lens of memory. Honestly facing the absence of family and the instability of place, Al-Amir gives lifelike qualities to the inanimate objects of her rapidly changing world.

In addition to the stories, two examples of the author's experimental poems are included. In her introduction, Mona Mikhail places these stories and poems in the context of contemporary Islamic literature and gender studies.