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Unlike some other reproductions of classic texts (1) We have not
used OCR(Optical Character Recognition), as this leads to bad
quality books with introduced typos. (2) In books where there are
images such as portraits, maps, sketches etc We have endeavoured to
keep the quality of these images, so they represent accurately the
original artefact. Although occasionally there may be certain
imperfections with these old texts, we feel they deserve to be made
available for future generations to enjoy.
Unlike some other reproductions of classic texts (1) We have not
used OCR(Optical Character Recognition), as this leads to bad
quality books with introduced typos. (2) In books where there are
images such as portraits, maps, sketches etc We have endeavoured to
keep the quality of these images, so they represent accurately the
original artefact. Although occasionally there may be certain
imperfections with these old texts, we feel they deserve to be made
available for future generations to enjoy.
Unlike some other reproductions of classic texts (1) We have not
used OCR(Optical Character Recognition), as this leads to bad
quality books with introduced typos. (2) In books where there are
images such as portraits, maps, sketches etc We have endeavoured to
keep the quality of these images, so they represent accurately the
original artefact. Although occasionally there may be certain
imperfections with these old texts, we feel they deserve to be made
available for future generations to enjoy.
Unlike some other reproductions of classic texts (1) We have not
used OCR(Optical Character Recognition), as this leads to bad
quality books with introduced typos. (2) In books where there are
images such as portraits, maps, sketches etc We have endeavoured to
keep the quality of these images, so they represent accurately the
original artefact. Although occasionally there may be certain
imperfections with these old texts, we feel they deserve to be made
available for future generations to enjoy.
Unlike some other reproductions of classic texts (1) We have not
used OCR(Optical Character Recognition), as this leads to bad
quality books with introduced typos. (2) In books where there are
images such as portraits, maps, sketches etc We have endeavoured to
keep the quality of these images, so they represent accurately the
original artefact. Although occasionally there may be certain
imperfections with these old texts, we feel they deserve to be made
available for future generations to enjoy.
This book explores the ways in which transcultural pedagogies can
support learning and literacies in critical, creative and socially
just ways, highlighting research initiatives from across the
globe. Each chapter provides a different and innovative
perspective with respect to reimagining language and literacy
pedagogies in conjunction with students’ diverse literacies and
resources. Presenting a collection of classroom and
community-based research, the book addresses the intersections of
plurilingualism, identity and transcultural awareness in various
contexts, including schools, universities, as well as local and
Indigenous communities. These settings have been deliberately
chosen to profile the range of research in the field,
showcasing transcultural, plurilingual, translanguaging and
community-engaged pedagogies, among others.
This book explores the ways in which transcultural pedagogies can
support learning and literacies in critical, creative and socially
just ways, highlighting research initiatives from across the
globe. Each chapter provides a different and innovative
perspective with respect to reimagining language and literacy
pedagogies in conjunction with students’ diverse literacies and
resources. Presenting a collection of classroom and
community-based research, the book addresses the intersections of
plurilingualism, identity and transcultural awareness in various
contexts, including schools, universities, as well as local and
Indigenous communities. These settings have been deliberately
chosen to profile the range of research in the field,
showcasing transcultural, plurilingual, translanguaging and
community-engaged pedagogies, among others.
Two children are running around the house, knocking over furniture
and getting in their mother's way, so she tells them to go and play
outside. Beginning in the garden, their outdoor adventure takes
them on a tour through breathtaking landscapes, crossing deserts,
climbing mountains, sailing the seas and exploring jungles. Along
the way they encounter 250 different species of animals, from black
bears and scorpions to barracudas and orangutans, and many of which
are endangered or nearly extinct. Blending storytelling and
adventure, Laurent Moreau's striking picture book celebrates human
connection to the world around us. Play Outside! includes an index
of the animals found within its pages, giving their level of
vulnerability to extinction.
At the beginning of 1736, Voltaire was at the height of his
success, receiving praise from the public and fellow-poets alike.
The breathtaking breadth of Voltaire's activity this year ranges
from comedy, "L'Enfant Prodigue", and a major philosophical poem,
"Le Mondain", to public and private verse, including one of his
most arresting satires in "Le Crepinade", aimed at Jean-Baptiste
Rousseau. Voltaire relished the diversity of his literary output,
as he did the stimulation of his burgeoning scientific interests
and lively correspondence. However, despite the popular acclaim,
literary quarrels and lawsuits caused continuous tension, forcing
Voltaire by the end of the year, to flee France and the
'persecution' his fame had brought him.
Renee Moreau Cunningham's unique study utilizes the psychology of
C. G. Jung and the spiritual teachings of Mahatma Gandhi and Martin
Luther King, Jr. to explore how nonviolence works psychologically
as a form of spiritual warfare, confronting and transmuting
aggression. Archetypal Nonviolence uses King's iconic march from
Selma to Montgomery, a demonstration which helped introduce America
to nonviolent philosophy on a mass scale, as a metaphor for
psychological and spiritual activism on an individual and
collective level. Cunningham's work explores the core wound of
racism in America on both a collective and a personal level,
investigating how we hide from our own potential for evil and how
the divide within ourselves can be bridged. The book demonstrates
that the alchemical transmutation of aggression through a
nonviolent ethos, as shown in the Selma marches, is important to
understand as a beginning to something greater within the paradox
of human violence and its bedfellow, nonviolence. Archetypal
Nonviolence explores how we can truly transform hatred by
understanding how it operates within. It will be of great interest
to Jungian analysts and analytical psychologists in practice and in
training, and to academics and students of Jungian and post-Jungian
studies, American history, race and racism, and nonviolent
movements.
Researching Art Markets brings together a scholars from several,
various disciplinary perspectives. In doing so, this collection
offers a unique multi-disciplinary contribution that disentangles
some of the key aspects and trends in art market practices from the
past to nowadays, namely art collectors, the artist as an
entrepreneur and career paths, and the formation and development of
new markets. In understanding the global art market as an
ecosystem, the book also examines how research and perceptions have
evolved over time. Within the frameworks of contemporary social,
economic and political contexts, issues such as business practices,
the roles of market participants and the importance of networks are
analysed by scholars of different disciplines. With insights from
across the humanities and social sciences, the book explores how
different methods can coexist to create an interdisciplinary
international community of knowledge and research on art markets.
Moreover, by providing historical as well as contemporary examples,
this book explores the continuum and diversity of the art market.
Overall, this book provides a valuable tool for understanding art
markets within their wider context. The volume is of interest to
scholars researching into the cultural and creative industries from
a wider perspective.
The third volume in the AOCS Monograph Series on Oilseeds
presents a unique blend of information focusing on edible oils.
These oils contain either unique flavor components that have lead
to their being considered gourmet oils, or contain unique
health-promoting chemical components. Each chapter covers
processing, edible and non-edible applications, lipids, and the
health benefits related to each type of oil.
Researching Art Markets brings together a scholars from several,
various disciplinary perspectives. In doing so, this collection
offers a unique multi-disciplinary contribution that disentangles
some of the key aspects and trends in art market practices from the
past to nowadays, namely art collectors, the artist as an
entrepreneur and career paths, and the formation and development of
new markets. In understanding the global art market as an
ecosystem, the book also examines how research and perceptions have
evolved over time. Within the frameworks of contemporary social,
economic and political contexts, issues such as business practices,
the roles of market participants and the importance of networks are
analysed by scholars of different disciplines. With insights from
across the humanities and social sciences, the book explores how
different methods can coexist to create an interdisciplinary
international community of knowledge and research on art markets.
Moreover, by providing historical as well as contemporary examples,
this book explores the continuum and diversity of the art market.
Overall, this book provides a valuable tool for understanding art
markets within their wider context. The volume is of interest to
scholars researching into the cultural and creative industries from
a wider perspective.
Renee Moreau Cunningham's unique study utilizes the psychology of
C. G. Jung and the spiritual teachings of Mahatma Gandhi and Martin
Luther King, Jr. to explore how nonviolence works psychologically
as a form of spiritual warfare, confronting and transmuting
aggression. Archetypal Nonviolence uses King's iconic march from
Selma to Montgomery, a demonstration which helped introduce America
to nonviolent philosophy on a mass scale, as a metaphor for
psychological and spiritual activism on an individual and
collective level. Cunningham's work explores the core wound of
racism in America on both a collective and a personal level,
investigating how we hide from our own potential for evil and how
the divide within ourselves can be bridged. The book demonstrates
that the alchemical transmutation of aggression through a
nonviolent ethos, as shown in the Selma marches, is important to
understand as a beginning to something greater within the paradox
of human violence and its bedfellow, nonviolence. Archetypal
Nonviolence explores how we can truly transform hatred by
understanding how it operates within. It will be of great interest
to Jungian analysts and analytical psychologists in practice and in
training, and to academics and students of Jungian and post-Jungian
studies, American history, race and racism, and nonviolent
movements.
Guidance on Protecting and Extending the Life of Suspension Bridges
Suspension bridges are graceful, aesthetic, and iconic structures.
Due to their attractiveness and visibility, they are well-known
symbols of major cities and countries in the world. They are also
an essential form of transportation infrastructure built across
large bodies of water. Despite being expensive to build, they are
economical structures for the lengths they span. They have evolved
significantly from the basic concept dating back to 200 BC China
through the first design for a bridge resembling a modern
suspension bridge, attributed to Fausto Veranzio in 1595, to
present-day span lengths close to two kilometers. Many of these
bridges carry significant traffic and their upkeep is very
important to maintain transportation mobility. They offer grace and
functionality, yet are extremely complex to construct and maintain.
Bridge owners spend a considerable amount of time and resources to
ensure uninterrupted service, safety, and security for users.
Inspection, evaluation, maintenance, and rehabilitation have
evolved significantly. Modern materials and innovative design and
construction practices have been integrated into these bridges to
maintain durability and extended service life. Captures the
Experience of More Than 20 Suspension Bridge Operators Inspection,
Evaluation and Maintenance of Suspension Bridges is written by the
bridge owners and practitioners who strive to cost-effectively
manage these bridges. It is invaluable to everyone interested not
only in suspension bridges but in the upkeep of any
bridges-students, designers, maintenance personnel, contractors,
and owners. Describes the evolution and trends in the operation and
maintenance of cable supported bridges Contains the latest methods
for evaluating cable supported bridge capacities and du
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