Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

This anthology provides a single-volume overview of the essential theoretical debates in the anthropology of art. Drawing together significant work in the field from the second half of the twentieth century, it enables readers to appreciate the art of different cultures at different times.
Advances a cross-cultural concept of art that moves beyond traditional distinctions between Western and non-Western art.
Provides the basis for the appreciation of art of different cultures and times.
Enhances readers' appreciation of the aesthetics of art and of the important role it plays in human society.

This book Includes chapters from many of the leading figures in museum anthropology, as well as from outstanding early-career researchers This volume presents a diverse range of international case studies that bridge the gap between theory and practice. It demonstrates that ethnographic collections and the museums that hold and curate them have played a central role in the value creation processes that have changed attitudes to cultural difference. The essays engage richly with many of the important issues of contemporary museum discourse and practice. They show how collections exist at the ever-changing point of articulation between the source communities and the people and cultures of the museum and challenge presentist critiques of museums that position them as locked into the time that they emerged. The book will be of great interest to researchers and students engaged in the study of museums and heritage, anthropology, culture, Indigenous peoples, postcolonialism, history and sociology. It will also be of interest to museum professionals.

This book Includes chapters from many of the leading figures in museum anthropology, as well as from outstanding early-career researchers This volume presents a diverse range of international case studies that bridge the gap between theory and practice. It demonstrates that ethnographic collections and the museums that hold and curate them have played a central role in the value creation processes that have changed attitudes to cultural difference. The essays engage richly with many of the important issues of contemporary museum discourse and practice. They show how collections exist at the ever-changing point of articulation between the source communities and the people and cultures of the museum and challenge presentist critiques of museums that position them as locked into the time that they emerged. The book will be of great interest to researchers and students engaged in the study of museums and heritage, anthropology, culture, Indigenous peoples, postcolonialism, history and sociology. It will also be of interest to museum professionals.

Museums, Infinity and the Culture of Protocols enters a dialogue about museums' responsibility for the curation of their collections into an infinite future while also tackling contentious issues of repatriation and digital access to collections. Bringing into focus a number of key debates centred on ethnographic collections and their relationship with source communities, Morphy considers the value material objects have to different 'local' communities - the museum and the source community - and the value-creation processes with which they are entangled. The focus on values and value brings the issue of repatriation and access into a dialogue between the two locals, questioning who has access to collections and whose values are taken into consideration. Placing the museum itself firmly at the centre of the debate, Morphy posits that museums constitute a kind of 'local' embedded in a trajectory of value. Museums, Infinity and the Culture of Protocols challenges aspects of postcolonial theory that position museums in the past by presenting an argument that places relationships with communities as central to the future of museums. This makes the book essential reading for academics and students working in the fields of museum and heritage studies, anthropology, archaeology, Indigenous studies, cultural studies, and history.

This fascinating book comprises hundreds of interesting and delectable mushroom recipes, and includes chapters on: Mushroom Dishes, Various Ways of Preserving and Pickling Mushrooms, A Few Mushrooms Ketchups, Mushroom Garnishes and Stuffings, Sauces with Mushrooms, Mushroom Soups, and much more aside. A wonderful guide for mushroom enthusiasts and those wanting to widen their culinary expertise, this scarce book is a great addition to any kitchen compendium and constitutes a must-have for collectors of antiquarian cookbooks. The information contained herein is timeless and as valuable today as it was at the date of its original publication. Originally published in 1954, this rare book has been elected for modern republication due to its educational value, and is proudly republished here with a new prefatory introduction on the topic.

This collection of essays looks at the relationship between culture and the environment. Leading scholars in the humanities and social sciences explore the concept of landscape across cultures, ranging from Papua New Guinea to ancient Britain. Generously illustrated, the book provides powerful evidence of the role of culture in shaping our understanding of the material world.

This book examines the concept of adaptation in four major fields in the human sciences. Genetic aspects are first considered through an examination of the human genes which have so far been identified as conferring survival value in particular environmental circumstances. The drift versus selection argument is also fully reviewed. The second contribution concerns the physiological changes which occur when individuals move from one environment to another. In the past, most attention has been given to the mechanisms of these changes, but here the focus is on the effects. The third contribution is directed at the analysis of behaviour - especially social behaviour. The application of kin selection and reciprocal attraction theories to humans is explored and the value of these approaches explained, whether the behaviour has a genetic basis or not. The final essay deals with the relevance of the adaptation concept to the social sciences and especially to social anthropology. It demonstrates that an ecological approach to understanding the nature and structure of human societies demands attention to adaptation.Reprinted in paperback for the first time and with a new foreword, this book, which serves as an excellent teaching text, clearly shows how attempts at integration in each of these various fields can benefit the study of human evolution, social structure and organization from all perspectives.

Over the last 25 years there has been an explosion of interest in the Aboriginal religions of Australia and this anthology provides a variety of recent writings, by a wide range of scholars. Australian Aboriginal Religions are probably the oldest extant religious systems. Over some 50,000 years they have coped with change and re-invented themselves in an astonishingly creative way. The Dreaming, the mythical time when the Ancestor Spirits shaped the territories of the Aborigines and laid down a moral and ritual law for their occupants, is the fundamental religious reality. It is the basis of the Aborigines's view of their land or country, kinship relationships, ritual and art. However, the Dreaming is not a static principle since it is interpreted in different ways, as in the extraordinary movement in contemporary indigenous painting, and in attempts at an accommodation with Christianity. The contributions of anthropologists, cultural historians, philosophers of religion and others are included in this anthology which not only guides readers through the literature but also ensures this still largely inaccessible material is available to a wider range of readers and non-specialist students and academics.

Over the last 25 years there has been an explosion of interest in the Aboriginal religions of Australia and this anthology provides a variety of recent writings, by a wide range of scholars. Australian Aboriginal Religions are probably the oldest extant religious systems. Over some 50,000 years they have coped with change and re-invented themselves in an astonishingly creative way. The Dreaming, the mythical time when the Ancestor Spirits shaped the territories of the Aborigines and laid down a moral and ritual law for their occupants, is the fundamental religious reality. It is the basis of the Aborigines's view of their land or country, kinship relationships, ritual and art. However, the Dreaming is not a static principle since it is interpreted in different ways, as in the extraordinary movement in contemporary indigenous painting, and in attempts at an accommodation with Christianity. The contributions of anthropologists, cultural historians, philosophers of religion and others are included in this anthology which not only guides readers through the literature but also ensures this still largely inaccessible material is available to a wider range of readers and non-specialist students and academics.

This book is one of a series of volumes resulting from the World Archaeological Congress, September 1986 which addressed world archaeology in its widest sense, investigating how people lived in the past and how and why changes took place to result in the forms of society and culture which exist now. The series brought together archaeologists and anthropologists from many parts of the world, academics from contingent disciplines, and also non-academics from a wide range of cultural backgrounds who could lend their own expertise to the discussions. This book is an exploration of the way in which the animal world features in the works of art of a variety of cultures of different times and places. Contributors have adopted a variety of perspectives for looking at the complex ways in which past and present humans have interrelated with beings they classify as animals. Some of the approaches are predominantly economic and ecological, some are symbolic and others philosophical or theological. All these different views are included in the interpretation of the artworks of the past, revealing some of the foci and inspirations of cultural attitudes to animals. Originally published 1989.

This book is one of a series of volumes resulting from the World Archaeological Congress, September 1986 which addressed world archaeology in its widest sense, investigating how people lived in the past and how and why changes took place to result in the forms of society and culture which exist now. The series brought together archaeologists and anthropologists from many parts of the world, academics from contingent disciplines, and also non-academics from a wide range of cultural backgrounds who could lend their own expertise to the discussions. This book is an exploration of the way in which the animal world features in the works of art of a variety of cultures of different times and places. Contributors have adopted a variety of perspectives for looking at the complex ways in which past and present humans have interrelated with beings they classify as animals. Some of the approaches are predominantly economic and ecological, some are symbolic and others philosophical or theological. All these different views are included in the interpretation of the artworks of the past, revealing some of the foci and inspirations of cultural attitudes to animals. Originally published 1989.

‘Peter finds a pony pal’ is an utterly gripping story about ten-year-old Peter, a runaway, who hides in a loft and makes a wonderful pony friend, Buster, but can the friendship continue if Peter is found? Peter has to live with the father he has not seen for years. Teased and abused by the stepchildren, who are also unkind to his beloved cat, he runs away. After hiding in a lorry he finds himself in a country area. For weeks he is cared for by local twins, determined to keep him safe. They are impressed by his relationship with Buster, a rescued pony who has been wary of them. But can such happy times really last when there are daily items on the radio and TV about Peter’s disappearance?

Thirty years ago Australian Aboriginal art was little more than a footnote to world art. Today, it is considered to be an important contemporary art movement, often promoted as being connected to a deep cultural past. Becoming Art provides a new analysis of the shifting cultural and social contexts that surround the production of Aboriginal art. Transcending the boundaries between anthropology and art history, the book draws on arguments from both disciplines to provide a unique interdisciplinary perspective that places the artists themselves at the centre of the argument.Western art history has traditionally regarded Aboriginal art as distanced from time and place. Becoming Art uses the recent history of Aboriginal art to challenge some of the presuppositions of western art discourse and western art worlds. It argues for a more cross-cultural perspective on world art history.

This book examines the concept of adaptation in four major fields in the human sciences. Genetic aspects are first considered through an examination of the human genes which have so far been identified as conferring survival value in particular environmental circumstances. The drift versus selection argument is also fully reviewed. The second contribution concerns the physiological changes which occur when individuals move from one environment to another. In the past, most attention has been given to the mechanisms of these changes, but here the focus is on the effects. The third contribution is directed at the analysis of behaviour - especially social behaviour. The application of kin selection and reciprocal attraction theories to humans is explored and the value of these approaches explained, whether the behaviour has a genetic basis or not. The final essay deals with the relevance of the adaptation concept to the social sciences and especially to social anthropology. It demonstrates that an ecological approach to understanding the nature and structure of human societies demands attention to adaptation.Reprinted in paperback for the first time and with a new foreword, this book, which serves as an excellent teaching text, clearly shows how attempts at integration in each of these various fields can benefit the study of human evolution, social structure and organization from all perspectives.

Museums, Infinity and the Culture of Protocols enters a dialogue about museums' responsibility for the curation of their collections into an infinite future while also tackling contentious issues of repatriation and digital access to collections. Bringing into focus a number of key debates centred on ethnographic collections and their relationship with source communities, Morphy considers the value material objects have to different 'local' communities - the museum and the source community - and the value-creation processes with which they are entangled. The focus on values and value brings the issue of repatriation and access into a dialogue between the two locals, questioning who has access to collections and whose values are taken into consideration. Placing the museum itself firmly at the centre of the debate, Morphy posits that museums constitute a kind of 'local' embedded in a trajectory of value. Museums, Infinity and the Culture of Protocols challenges aspects of postcolonial theory that position museums in the past by presenting an argument that places relationships with communities as central to the future of museums. This makes the book essential reading for academics and students working in the fields of museum and heritage studies, anthropology, archaeology, Indigenous studies, cultural studies, and history.

This anthology provides a single-volume overview of the essential theoretical debates in the anthropology of art. Drawing together significant work in the field from the second half of the twentieth century, it enables readers to appreciate the art of different cultures at different times.
Advances a cross-cultural concept of art that moves beyond traditional distinctions between Western and non-Western art.
Provides the basis for the appreciation of art of different cultures and times.
Enhances readers' appreciation of the aesthetics of art and of the important role it plays in human society.