After Billy Brute burns down his old school - and gets away with it - his parents have to find him a new one. St Lemons say they'll take him, but little does Billy know that St Lemons have a secret weapon: Enter Miss Wanda . . . Her glasses are spectacular. Her dress so prim and neat. But what big eyes, and what big ears... And what big hairy feet! Perhaps Billy won't get away with EVERYTHING after all. With gloriously gothic illustrations from bestselling Chris Mould, and an alternative back-to-school message, this fabulously dark tale is perfect for parents looking for the picture book equivalent of Roald Dahl's twisted tales.

Pull back the curtain and enter a world where mystery and magic take centre stage in a gloriously gothic adventure from Jenni Spangler, illustrated by Chris Mould. Twelve-year-old Tig works at Manchester's Theatre Royale, cleaning, selling tickets and doing anything else that is asked of her by her tyrannical boss, Mr Snell. Tig will do whatever it takes to get closer to her dream - to become a Stage Manager and spend her days inventing new ways to imagine and build the intricate machinery and props that bring the exciting productions to life! But when a strange new act - a talking machine - arrives at the Theatre Royale, it moves and behaves in a way that Tig just can't work out. It's as though it's alive somehow . . . And when the machine appears to be hiding a dangerous secret, Tig must race against time to solve the mystery, before everything and everyone she cares about is lost forever. A Victorian adventure full of ghost, gadgets and shifty villains, from the critically-acclaimed Jenni Spangler, who's debut The Vanishing Trick, was selected as Waterstones Book of the Month. Praise for THE VANISHING TRICK: A thrilling, original, evocative and eerie tale - I adored it!' Michelle Harrison, author of A Pinch of Magic 'A thrilling page-turner. Madame Pinchbeck is a gloriously Dickensian villain' Abi Elphinstone, author of Sky Song 'Ghosts, gadgets, likeable villains and unlikely heroes: The Vanishing Trick is a dark and dazzling adventure' Emma Carroll, author of Letters from the Lighthouse 'A completely enthralling tale, oozing with atmosphere and originality' Catherine Doyle, author of The Storm Keeper's Island

The African Continental Free Trade Area, established in 2018, represented a monumental step forward for Africa in terms of meeting longstanding aspirations for greater economic and political integration. But it has nonetheless been met with scepticism in some quarters, both within the continent and beyond. 'Borderless Africa' makes the case for the AfCFTA in an accessible and compelling way, without shying away from technical and academic debates. Francis Mangeni and Andrew Mold take us on a journey through the different dimensions and implications of the AfCFTA, the largest free-trade zone in the world, starting with its underlying economic rationale. Pointing to the numerous historical examples of successful regional integration, they argue that the African continent will need to take on board such lessons as the agreement is implemented. They discuss, too, the more controversial elements of the AfCFTA, including the freedom of movement protocol, contending that this should not be seen as an optional extra, but as an intrinsic part of the accord. Also exploring the role of external partners in the construction of an economically stronger, more united Africa, this fascinating study reveals how the AfCFTA is contributing to sustainable development across the continent.

NOMINATED - CILIP KATE GREENAWAY MEDAL All animals are equal but some animals are more equal than others. It's just an ordinary farm - until the animals revolt. They get rid of the irresponsible farmer. The other animals are sure that life is improving, but as systems are replaced and half-truths are retold, a new hierarchy emerges . . . Orwell's tale of propaganda, power and greed has never felt more pertinent. With an exciting new cover and inside illustrations by superstar Chris Mould.

One of the best-loved painters in English history, Thomas Gainsborough (1727-1788) was also one of the most personally engaging. Bon vivant, wit, amateur and enthusiastic musician, he charmed sitters and friends alike. His ebullient, if not always reliable, personality comes to life in these two memoirs, written by two very different friends.

By the end of John Cecil Stephenson's art school training - first a scholarship to Leeds Art School then to The Royal College of Art - he was in a position to produce still lives, landscapes and portraits in a professional capacity. Like many painters of his generation, who had received similarly conventional instruction, he became a competent teacher, appointed in 1922, as Head of Art at The Northern Polytechnic. In this mould Stephenson might have remained a largely undistinguished painter - but in the early 1930s he found himself at the centre of a group of artists with avant-garde credentials, and his own art underwent a remarkable transformation. By 1934 he was exhibiting groundbreaking works such as Mask (CAT. 7), at the 7 & 5 Society, and in 1937 was a key contributor to the watershed publication and exhibition Circle, where his work was showcased alongside that of luminaries such as Kazimir Malevich, Le Corbusier, Fernand Leger, Alberto Giacometti and Pablo Picasso. What led Stephenson to become, in the words of the celebrated art critic Herbert Read, 'one of the earliest artists in the country to develop a completely abstract style'? Between March 1919 and November 1965, John Cecil Stephenson lived in London at No. 6 Mall Studios, off Tasker Road, Hampstead. As the father figure of what Read christened 'a nest of gentle artists', his next door neighbours included, during the course of the decade leading up to World War II, Barbara Hepworth, John Skeaping, Ben Nicholson and Henry Moore. Such fertile ground was further enriched by visits from artists fleeing persecution - including Piet, Laszlo Moholy-Nagy and Alexander Calder - just a few of the many internationally acclaimed artists who, whilst passing through London, formed part of the art set who congregated around Read's house at No. 3 Mall Studios.

Meet the bacteria, viruses, and other germs and microbes that are all around, but too small for us to see. Learn how they keep us and our world running.

What do a squid that glows, fungus that grows, and tiny creatures in the soil under your toes all have in common? They're all part of the world of microbiology! In this awesome book for kids, scientist Steve Mould reveals fun and fascinating facts about bacteria, viruses, and other germs and microbes. The Bacteria Book explores why we need bacteria, and introduces readers to its microbial mates - viruses, fungi, algae, and protozoa.

Bacteria are the most important living organisms on Earth, and 99 per cent of them are helpful, not harmful. Without bacteria, we wouldn't have bread or cheese, and our bodies wouldn't be able to work how we need them to. Microbes keep us and our world running in surprising ways. This book will show you how, through real-life examples of microbiology in action.

The Bacteria Book is a fun and informative introduction to a STEAM subject that brings kids up-close with the big world of tiny science. With remarkable photography, kooky character illustrations, and lots of fun facts that toe the line between "ew!" and "oh!", it's the only book on microbiology young scientists won't want to put down.

NOMINATED - CILIP KATE GREENAWAY MEDAL All animals are equal but some animals are more equal than others. It's just an ordinary farm - until the animals revolt. They get rid of the irresponsible farmer. The other animals are sure that life is improving, but as systems are replaced and half-truths are retold, a new hierarchy emerges . . . Orwell's tale of propaganda, power and greed has never felt more pertinent. With an exciting new cover and inside illustrations by superstar Chris Mould. 'Heartily recommend.' Just Imagine 'Never been so timely . . . simply striking illustrations.' Armadillo Magazine 'Atmospheric and deliciously macabre.' Lancashire Post 'Perfectly pitched.' WRD Magazine

Towards the end of this century we celebrate three great discoveries of the last one - of X-rays in 1895, of radioactivity in 1896 and of radium in 1898 - and recall the pioneering achievements that founded the new science of radiology and changed the face of medicine forever. Dr Mould's comprehensive centennial history makes a unique contribution to the telling of this entertaining story - in the unusual and accessible style of a 'radiological photograph album'. Over 700 historical illustrations, with full and informative captions, are supported by short introductory essays to blow the dust off our fascinating radiological past in an easily readable style. The focus of this book is on the historically more interesting earlier years - of discovery and invention, diagnosis and therapy, dosimetry, risk and protection. The photographic record is complemented by archival accounts of the pioneer scientists and physicians, and of their early patients, and is interspersed with a variety of radiological anecdotes. In the several chapters on diagnostic techniques, radiotherapy and nuclear medicine the history is nevertheless brought up to date so that the old methodologies may be contrasted with newer technologies. The medical theme is itself complemented by two interesting chapters on museum and industrial applications of radiography. The predominantly photographic presentation of this book is derived from the author's earlier but smaller A History of X-rays and Radium, no longer available yet still of enduring interest. Research has been based on original source material which is fully cited and the illustrations and text are comprehensively indexed for easy retrieval of the wide variety ofpeople, techniques, apparatus and examples featured throughout this radiological journey.

BELIEVE IN THE IMPOSSIBLE

You are about to read the TRUE STORY of FATHER CHRISTMAS.

If you are one of those people who believe that some things are impossible, you should put this book down right away.
(Because this book is FULL of impossible things.)
Are you still reading?
Good.

Then let us begin...

Beautifully evocative of the music, people, and culture of one of the most fascinating countries in the world, this book is essential reading for Cuba's growing band of supporters and visitors. A travelogue detailing two separate missions for musician and writer Rupert Mould, this explores some of the biggest names in Cuban music while seeking out an increased personal understanding of two of Cuba's most influential revolutionaries, Ernesto Che Guevara and Jose Marti. In the course of this book much of the essential character of Cuba, her people, her music, and history are sensitively portrayed.

Jackson LOVES football. He plays it. He watches it. He eats it. He sleeps it! Jackson lives and breathes football - he knows all the players, the fixtures, the scores. Then, one grey stormy day, Jackson kicks his ball, and it goes up ... and up ... and UP! All the way to the moon! Overnight, Jackson becomes an international footballing sensation, and before you know it, he's kicked ALL of the Earth's footballs into space. The moon-folk - the aliens! - don't know the rules of the game, but they become football mad all the same. It's up to Jackson to bring football home...

Curation as a concept and a catchword in modern parlance has, over recent decades, become deeply ingrained in modern culture. The purpose of this study is to explore the curatorial forces at work within the modern opera house and to examine the functionaries and processes that guide them. In turn, comparisons are made with the workings of the traditional art museum, where artworks are studied, preserved, restored, displayed and contextualised - processes which are also present in the opera house. Curatorial roles in each institution are identified and described, and the role of the celebrity art curator is compared with that of the modern stage director, who has acquired previously undreamt-of licence to interrogate operatic works, overlaying them with new concepts and levels of meaning in order to reinvent and redefine the operatic repertoire for contemporary needs. A point of coalescence between the opera house and the art museum is identified, with the transformation, towards the end of the nineteenth century, of the opera house into the operatic museum. Curatorial practices in the opera house are examined, and further communalities and synergies in the way that 'works' are defined in each institution are explored. This study also considers the so-called 'birth' of opera around the start of the seventeenth century, with reference to the near-contemporary rise of the modern art museum, outlining operatic practice and performance history over the last 400 years in order to identify the curatorial practices that have historically been employed in the maintenance and development of the repertoire. This examination of the forces of curation within the modern opera house will highlight aspects of authenticity, authorial intent, preservation, restoration and historically informed performance practice.

Establishes a new framework for the architectural design of prisons to promote the health and well-being of all in the prison environment Essential reading for those engaged in the study of criminology, corrections, and penology;. prison authorities, policymakers, and public health officials; and architects and engineers interested in the effects of design on well-being Uses information gathered from prison authorities and designers from four countries and three different prison models to understand the differences and similarities in their approach to the well-being of both inmates and staff

The first magical book in Matt Haig's festive series - now a major new film!

BELIEVE IN THE IMPOSSIBLE

You are about to read the TRUE STORY of Father Christmas.

If you believe that some things are impossible, you should put this book down right away.
(Because this book is FULL of impossible things.)
Are you still reading? Good.

Then let us begin . . .

After Billy Brute burns down his old school - and gets away with it - his parents have to find him a new one. St Lemons say they'll take him, but little does Billy know that St Lemons have a secret weapon: Enter Miss Wanda . . . Her glasses are spectacular. Her dress so prim and neat. But what big eyes, and what big ears... And what big hairy feet! Perhaps Billy won't get away with EVERYTHING after all. With gloriously gothic illustrations from bestselling Chris Mould, and an alternative back-to-school message, this fabulously dark tale is perfect for parents looking for the picture book equivalent of Roald Dahl's twisted tales.

Capitalism has become so dominant that it is difficult to ever imagine a world in which its injustices and inequalities are not violently present. In this ambitious and compelling book, Oli Mould turns his diagnosis of capitalism's perversions towards defining the new set of ethics we need to succeed in organizing a more just society. In the wake of the coronavirus pandemic, capitalism has been rocked to its foundations and 'the commons' as a means of providing for all people in our world has come crashing into the foreground. However, in order for the commons to be a viable alternative to the injustices of capitalism, it needs to be grown to a planetary scale. This is not an easy process, but if we can commit to act ethically in the world, then suddenly anything is possible. Blending theoretical thinking and real-life examples of commoning in action, Mould guides the reader through a suite of ethical mindsets - mutualism, transmaterialism, minoritarianism, decodification, slowness, failure and love - which can stand firm against capitalism's seemingly inexorable ability to co-opt and subsume all before it. When thought of collectively, these ethics can offer tantalizing visions and practical approaches towards a world beyond capitalism.

Curation as a concept and a catchword in modern parlance has, over recent decades, become deeply ingrained in modern culture. The purpose of this study is to explore the curatorial forces at work within the modern opera house and to examine the functionaries and processes that guide them. In turn, comparisons are made with the workings of the traditional art museum, where artworks are studied, preserved, restored, displayed and contextualised - processes which are also present in the opera house. Curatorial roles in each institution are identified and described, and the role of the celebrity art curator is compared with that of the modern stage director, who has acquired previously undreamt-of licence to interrogate operatic works, overlaying them with new concepts and levels of meaning in order to reinvent and redefine the operatic repertoire for contemporary needs. A point of coalescence between the opera house and the art museum is identified, with the transformation, towards the end of the nineteenth century, of the opera house into the operatic museum. Curatorial practices in the opera house are examined, and further communalities and synergies in the way that 'works' are defined in each institution are explored. This study also considers the so-called 'birth' of opera around the start of the seventeenth century, with reference to the near-contemporary rise of the modern art museum, outlining operatic practice and performance history over the last 400 years in order to identify the curatorial practices that have historically been employed in the maintenance and development of the repertoire. This examination of the forces of curation within the modern opera house will highlight aspects of authenticity, authorial intent, preservation, restoration and historically informed performance practice.

Step into a world of secrets, folklore and illusions, where nothing is as it seems and magic is at play…

Madame Augustina Pinchbeck, travels the country conjuring the spirits of dearly departed loved ones... for a price. Whilst her ability to contact ghosts is a game of smoke and mirrors, there is real magic behind her tricks too - if you know where to look.

Through a magical trade, she persuades children to part with precious objects, promising to use her powers to help them. But Pinchbeck is a deceiver, instead turning their items into enchanted Cabinets that bind the children to her and into which she can vanish and summon them at will.

When Pinchbeck captures orphan Leander, events are set into motion that see him and his new friends Charlotte and Felix, in a race against time to break Pinchbeck’s spell, before one of them vanishes forever…

#TheVanishingTrick

A historical adventure with a magical twist from an outstanding debut talent. Perfect for fans of Michelle Harrison, Sophie Anderson and Emma Carroll.

Now in its second edition, The Routledge Dictionary of Cultural References in Modern French reveals the hidden cultural dimension of contemporary French, as used in the press, going beyond the limited and purely lexical approach of traditional bilingual dictionaries. Even foreign learners of French who possess a good level of French often have difficulty in fully understanding French articles, not because of any linguistic shortcomings on their part but because of their inadequate knowledge of the cultural references. This cultural dictionary of French provides the reader with clear and concise explanations of the crucial cultural dimension behind the most frequently used words and phrases found in the contemporary French press. This vital background information, gathered here in this innovative and entertaining dictionary, will allow readers to go beyond a superficial understanding of the French press and the French language in general to see the hidden yet implied cultural significance that is so transparent to the native speaker. This fully revised second edition includes: a broad range of cultural references from the historical and literary to the popular and classical; an enhanced analysis of punning mechanisms used in the press; over 3,000 cultural references explained with updated examples; a three-level indicator of frequency; new and expanded chapters on the French of Quebec, institutional and academic references, and English borrowings in the areas of IT and medical science; over 600 online questions to test knowledge before and after reading. The Routledge Dictionary of Cultural References in Modern French is the ideal reference for all undergraduate and postgraduate students of French seeking to enhance their understanding of the French language. It will also be of interest to teachers, translators and Francophiles alike. French students in khagne, Sciences-Po and schools of journalism will also find this book valuable and relevant for their studies. Test questions and solutions are available at www.routledge.com/9780367376758, in addition to three online chapters. These bonus chapters explore figurative expressions involving the names of animals, the language of the law and slang terms.

Now in its second edition, The Routledge Dictionary of Cultural References in Modern French reveals the hidden cultural dimension of contemporary French, as used in the press, going beyond the limited and purely lexical approach of traditional bilingual dictionaries. Even foreign learners of French who possess a good level of French often have difficulty in fully understanding French articles, not because of any linguistic shortcomings on their part but because of their inadequate knowledge of the cultural references. This cultural dictionary of French provides the reader with clear and concise explanations of the crucial cultural dimension behind the most frequently used words and phrases found in the contemporary French press. This vital background information, gathered here in this innovative and entertaining dictionary, will allow readers to go beyond a superficial understanding of the French press and the French language in general to see the hidden yet implied cultural significance that is so transparent to the native speaker. This fully revised second edition includes: a broad range of cultural references from the historical and literary to the popular and classical; an enhanced analysis of punning mechanisms used in the press; over 3,000 cultural references explained with updated examples; a three-level indicator of frequency; new and expanded chapters on the French of Quebec, institutional and academic references, and English borrowings in the areas of IT and medical science; over 600 online questions to test knowledge before and after reading. The Routledge Dictionary of Cultural References in Modern French is the ideal reference for all undergraduate and postgraduate students of French seeking to enhance their understanding of the French language. It will also be of interest to teachers, translators and Francophiles alike. French students in khagne, Sciences-Po and schools of journalism will also find this book valuable and relevant for their studies. Test questions and solutions are available at www.routledge.com/9780367376758, in addition to three online chapters. These bonus chapters explore figurative expressions involving the names of animals, the language of the law and slang terms.

CSI meets Who Do You Think You Are? meets Time Team meets The Antiques Roadshow. Two-dimensional works of art become three-dimensional thrillers. Philip Mould is an international art dealer who has lived the high stakes game of art sleuthing for twenty years. In Sleuth, we encounter the fascinating dealers, experts, auctioneers and restorers who risk fortunes and reputations to turn overlooked artworks into coveted treasures. Sleuth is laced with dramas: * Gainsborough's earliest picture emerges in a Los Angeles saleroom - the author has three days to find the missing facts and decide what to pay. * The most powerful man in the art establishment, with the influence to elevate a copy into a priceless original, is asked to look at a 'fake' Rembrandt self portrait: if he says yes a GBP5,000 picture turns into GBP5 million masterpiece. * A Vermont professor unlocks the door of a defunct Catholic church to reveal a hidden cache of 300 portraits. * An auctioneer notices from the upper story of a bus that Damien Hirst's restaurant is being dismantled. He swoops in and sells the fixtures and fittings for GBP13 million. Sleuth is a series of stories which not only reveals the extraordinary culture of detection but the people behind it. Paintings and their discovery become a way into the minds, preoccupations and professions of a raft of influential figures beyond the commercial and museum facade - men and women who have shaped their lives in pursuit of truth and profit through art.