Musical Instruments presents the first comprehensive survey to explain how Western musical instruments work, how they developed historically, how they are manufactured, and how they are used to make music. After introducing the nature of sounds and production mechanisms, the authors survey each family in turn, covering acoustical features, historical development of instrument forms, sizes and shapes in current use, the manufacturing processes, and commonly-used playing techniques. The full index and glossary also contain definitions of technical terms and notes on instruments not included in the text, making this the essential reference for everyone researching and working with musical instruments and performance.

In the spring of 1970 Peter Farago organised a three-day conference on Polarised Electron Beams at Carberry Tower, near Edinburgh. Although the development of the gallium arsenide source, which was to revolutionise the world of experimental polarised electron physics, was still some years in the future, the meeting provided an important forum for the exchange of ideas among theoreticians and experimentalists engaged in both high and low energy electron collision studies. As soon as the decision had been taken to hold the 5th European Conference on Atomic and Molecular Physics in Edinburgh in 1995, it occurred to the editors of the present volume that it would be highly appropriate to mark the twenty-fifth anniversary of the Carberry Tower Conference by organising an ECAMP satellite meeting in honour of Peter Farago. The opportunity to pay tribute to Peter's many important contributions in the broad field of electron physics attracted colleagues from allover the world to the symposium, which was held in the rooms of the Royal Society of Edinburgh on 31st March and 1st April 1995. Peter himself, now Professor Emeritus at the University of Edinburgh, was present throughout the meeting. We were particularly happy to welcome back to Edinburgh many participants in the original Carberry Tower conference; these included Professor P. G. Burke, Professor J. Kessler, Professor E. Reichert and Professor H. C. Siegmann, whose review papers had been highlights of the 1970 meeting.

Musical Instruments presents the first comprehensive survey to explain how Western musical instruments work, how they developed historically, how they are manufactured, and how they are used to make music. After introducing the nature of sounds in music, and the sound production mechanisms of different families of instruments, the authors survey each family in turn, giving a description of the distinguishing acoustical features, the various forms of instruments adopted in different periods, the variety of sizes and shapes in current use, the manufacturing processes, and the playing techniques commonly used by performers. The full index and glossary also contain definitions of technical terms and notes on instruments not included in the text, making this the essential reference for everyone researching and working with musical instruments and performance.

Fraser, a Scottish teenager, follows his best friend to Canada, only to discover their friendship didn't survive the journey. Alone, in more senses than one, he faces a clique at his new school which is hell-bent on making his life a misery. He is warned off doing well in class, and an impending public recital competition puts him in the firing line. He cannot hide from their unwelcome attention. As an escape, Fraser sets off on a camping trip and has a curious, fortune-changing encounter. Helping hands embolden him to plot a route to even the odds; however, there are cow-pats on the road ahead. His idea offers payback but needs his peer group to get their noses in the trough first. Would they act true to form? Would his guardian angel or St Christopher medallion protect him on this perilous venture? Either way, the very thought made him chuckle.