Being Black In The World, one of N. Chabani Manganyi’s first publications, was written in 1973 at a time of global socio-political change and renewed resistance to the brutality of apartheid rule and the emergence of Black Consciousness in the mid-1960s.

Manganyi is one of South Africa’s most eminent intellectuals and an astute social and political observer. He has written widely on subjects relating to ethno-psychiatry, autobiography, black artists and race. In 2018 Manganyi’s memoir, Apartheid and the Making of a Black Psychologist was awarded the prestigious ASSAf (The Academy of Science of South Africa) Humanities Book Award. Publication of Being-Black-in-the-World was delayed until the young Manganyi had left the country to study at Yale University. His publishers feared that the apartheid censorship board and security forces would prohibit him from leaving the country, and perhaps even incarcerate him, for being a ‘radical revolutionary’. The book found a limited public circulation in South Africa due to this censorship and original copies were hard to come by.

This new edition is an invitation to a younger generation of citizens to engage with early decolonialising thought by an eminent South African intellectual. While the essays in this book are clearly situated in the material and social conditions of that time, they also have a timelessness that speaks to our contemporary concerns regarding black subjectivity, affectivity and corporeality, the persistence of a racial (and racist) order and the possibilities of a renewed de-colonial project. Each of these short essays can be read as self-contained reflections on what it meant to be black during the apartheid years. Manganyi is a master of understatement, and yet this does not stop him from making incisive political criticisms of black subjugation under apartheid. The essays will reward close study for anyone trying to make sense of black subjectivity and the persistence of white insensitivity to black suffering.

Ahead of its time, the ideas in this book are an exemplary demonstration of what a thoroughgoing and rigorous de-colonial critique should entail. The re-publication of this classic text is enriched by the inclusion of a foreword and annotation by respected scholars Garth Stevens and Grahame Hayes respectively, and an afterword by public intellectual Njabulo S. Ndebele.

This book provides a unique perspective, at once scholarly and fully engaged, on the political violence in South Africa during 'The Time of the Comrades' in the mid-1980s. The work of a group of social scientists and professionals, whose own work and thinking have been profoundly affected by the political crisis of that time, it provides an in-depth research and analysis as well as critical reflections on the difficult political and theoretical issues raised by political violence and the struggle in South Africa.

This intriguing memoir details in a quiet and restrained manner with what it meant to be a committed black intellectual activist during the apartheid years and beyond. Few autobiographies exploring the 'life of the mind' and the 'history of ideas' have come out of South Africa, and N Chabani Manganyi's reflections on a life engaged with ideas, the psychological and philosophical workings of the mind and the act of writing are a refreshing addition to the genre of life writing. Starting with his rural upbringing in Mavambe, Limpopo, in the 1940s, Manganyi's life story unfolds at a gentle pace, tracing the twists and turns of his journey from humble beginnings to Yale University in the USA. The author details his work as a clinical practitioner and researcher, as a biographer, as an expert witness in defence of opponents of the apartheid regime and, finally, as a leading educationist in Mandela's Cabinet and in the South African academy. Apartheid and the Making of a Black Psychologist is a book about relationships and the fruits of intellectual and creative labour. Manganyi describes how he used his skills as a clinical psychologist to explore lives - both those of the subjects of his biographies and those of the accused for whom he testified in mitigation; his aim always to find a higher purpose and a higher self.

When Chabani Manganyi published the first edition of selected letters twenty-five years ago as a companion volume to Exiles and Homecomings: A Biography of Es'kia Mphahlele, the idea of Mphahlele's death was remote and poetic. The title, Bury Me at the Marketplace, suggested that immortality of a kind awaited Mphahlele, in the very coming and going of those who remember him and whose lives he touched. It suggested, too, the energy and magnanimity of Mphahlele, the man, whose personality and intellect as a writer and educator would carve an indelible place for him in South Africa's public sphere. That death has now come and we mourn it. Manganyi's words at the time have acquired a new significance: in the symbolic marketplace, he noted, 'the drama of life continues relentlessly and the silence of death is unmasked for all time'. The silence of death is certainly unmasked in this volume, in its record of Mphahlele's rich and varied life: his private words, his passions and obsessions, his arguments, his loves, hopes, achievements, and yes, even some of his failures. Here the reader will find many facets of the private man translated back into the marketplace of public memory. Despite the personal nature of the letters, the further horizons of this volume are the contours of South Africa's literary and cultural history, the international affiliations out of which it has been formed, particularly in the diaspora that connects South Africa to the rest of the African continent and to the black presence in Europe and the United States. This selection of Mphahlele's own letters has been greatly expanded; it has also been augmented by the addition of letters from Mphahlele's correspondents, among them such luminaries as Langston Hughes and Nadine Gordimer. It seeks to illustrate the networks that shaped Mphahlele's personal and intellectual life, the circuits of intimacy, intellectual inquiry, of friendship, scholarship and solidarity that he created and nurtured over the years. The letters cover the period from November 1943 to April 1987, forty-four of Mphahlele's mature years and most of his active professional life. The correspondence is supplemented by introductory essays from the two editors, by two interviews conducted with Mphahlele by Manganyi and by Attwell's insightful explanatory notes.

This book provides a unique perspective, at once scholarly and fully engaged, on the political violence in South Africa during 'The Time of the Comrades' in the mid-1980s. The work of a group of social scientists and professionals, whose own work and thinking have been profoundly affected by the political crisis of that time, it provides an in-depth research and analysis as well as critical reflections on the difficult political and theoretical issues raised by political violence and the struggle in South Africa.

Gerard Sekoto is without doubt one of South Africa's major painters of the twentieth century. Considered increasingly as one of the earliest South African modernists and social realists, he completed his most memorable work during the early and middle years of the 1940s, first at Sophiatown (Johannesburg), then in District Six in Cape Town and later in Eastwood, Pretoria. When he left to go to Paris in 1947, he was at the height of his creative powers. Yet during the forty-five years that he spent as an exile in France, his talent, moral resilience, dedication, belief in the equality of all people and, most of all, his identity as an African sustained him during the most difficult times.
Sekoto said of his work, ""All my paintings searched to rediscover an identity common to all people of different origins, to the quest for the common relation between beings.""
The story told in this book reveals the extent to which triumphant moments in the painter's life were, at times, accompanied by heart-rending adversity. Interesting too is the richness retrospectively brought to light by the discovery, after Sekoto's death, of the painter's suitcase of treasures, which contained previously unknown musical compositions, letters and a large quantity of notes, writings and private documents.
The biography ends with a statement by Gerard Sekoto on art and the responsibility of artists, which he presented in Rome in 1959. Photographs and full color plates of previously unpublished and significant paintings are included.
Chabani Manganyi, currently a Vice Principal at the University of Pretoria, is a clinical psychologist, biographer, and non-fiction writer.