This volume explores the ways in which contemporary society negotiates digital technologies and media in South Asia. It focuses on cyber-religion, the notion of self-formation and digital technology, urban cybercultural phenomenon, digital era in cinema and photography that represent an eclectic mix of theoretical positions and practical domains. It offers an insight into the digital phenomenon and its impacts; religion and theology in the information society; the concept of alterity; new technology and human nature; mobile phones, internet, blog, radio, and the new digital lifestyle; digital cinema; publishing and electronic reproduction; the internet and the bully; city and the global nomad; and digitising the sociological imagination. This volume will be of great interest to those in media & communication studies, cultural studies, and South Asian studies.

The work explores the complex and profound implications of digital technology for a stunning variety of spaces, ranging from science and cinema to citizenship and bazaars. It maps the multiple ways in which the 'new' media rewrites the 'old', and the dilemmas and issues that they pitch - questioning, in turn, recieved notions of knowledge, legality, ethics, privacy, identity and community. The book argues that the old and the new media are neither radically different nor the same: while the mutability of a narrative, whether on the printed page or on a digitally recorded disk remains, there are intrinsic differences between print and digital print.

This book looks at the triadic relations between faith, the state and political actors, and the ideas that move them. It comprises a set of essays on diverse histories and ideas, ranging from Gandhian civic action to radical free thought in colonial India, from liberation theologies, that take their cue from specific and lived experiences of oppression and humiliation, to the universalism promised by an expansive Islam. Deploying gender and caste as the central analytical categories, these essays suggest that equality and justice rest on the strength and vitality of the exchanges between the worlds of the civic, the religious and the state, and not on their strict separation. Going beyond time-honoured dualities - between the secular and the communal (especially in the Indian context), or the secular and the pre-modern - the book joins the lively debates on secularism that have emerged in the 21st century in West, South and South-east Asia.

This book looks at the triadic relations between faith, the state and political actors, and the ideas that move them. It comprises a set of essays on diverse histories and ideas, ranging from Gandhian civic action to radical free thought in colonial India, from liberation theologies, that take their cue from specific and lived experiences of oppression and humiliation, to the universalism promised by an expansive Islam. Deploying gender and caste as the central analytical categories, these essays suggest that equality and justice rest on the strength and vitality of the exchanges between the worlds of the civic, the religious and the state, and not on their strict separation.
Going beyond time-honoured dualities ? between the secular and the communal (especially in the Indian context), or the secular and the pre-modern ? the book joins the lively debates on secularism that have emerged in the 21st century in West, South and South-east Asia.

The work explores the complex and profound implications of digital technology for a stunning variety of spaces, ranging from science and cinema to citizenship and bazaars. It maps the multiple ways in which the 'new' media rewrites the 'old', and the dilemmas and issues that they pitch - questioning, in turn, recieved notions of knowledge, legality, ethics, privacy, identity and community. The book argues that the old and the new media are neither radically different nor the same: while the mutability of a narrative, whether on the printed page or on a digitally recorded disk remains, there are intrinsic differences between print and digital print.

This edited volume is an exploration of the many different ways in which contemporary society negotiates digital technologies and media in South Asia. It especially focuses on cyber-religion, the notion of self-formation and digital technology, urban cybercultural phenomenon, digital era in cinema and photography that represent an eclectic mix of theoretical positions and practical domains.