An illuminating look at how the Pre-Raphaelite movement was embraced by a group of vanguard American artists Bringing together insights from a distinguished group of scholars, this beautiful book analyzes the history and historiography of the American Pre-Raphaelites, and how the movement made its way from England to America. Led by Thomas Charles Farrer-an English expatriate and acolyte of the hugely influential English critic John Ruskin-the American Pre-Raphaelite artists followed Ruskin's dictum to depict nature close up and with great fidelity. Many members of the group (including Farrer, who served in the Union army during the American Civil War) were also abolitionists, and several created works with a rich political subtext. Featuring the work of artists such as Fidelia Bridges, Henry and Thomas Charles Farrer, Charles Herbert Moore, Henry Roderick Newman, and William Trost Richards, this generously illustrated volume is filled with insightful essays that explore the influence of Ruskin on the American artists, the role of watercolor and photography in their work, symbolism and veiled references to the Civil War, and much more.

The first comprehensive resource for spiritual and pastoral caregivers—a vital resource for clergy, seminarians, chaplains, pastoral counselors and caregivers of all faith traditions. This essential resource integrates the classic foundations of pastoral care with the latest approaches to spiritual care. It is specifically intended for professionals who work or spend time with congregants in acute care hospitals, behavioral health facilities, rehabilitation centers and long-term care facilities. Offering the latest theological perspectives and tools, along with basic theory and skills from the best pastoral and spiritual care texts, research and concepts, the contributors to this resource are experts in their fields, and include eight current or past presidents of the major chaplaincy organizations. Contributors include: Rev. Nancy K. Anderson • Rev. Dr. Willard W. C. Ashley, Sr. • Dr. Nancy Berlinger • Rev. W. L. (Bill) Bross • Rev. Robin C. Brown-Haithco • Rabbi Zahara Davidowitz-Farkas • Paula DeAngelo • Chaplain D. W. Donovan • Dr. George Fitchett • Rev. Bill Gaventa • Rabbi H. Rafael Goldstein • Chaplain Dr. Daniel Grossoehme • Sr. Norma Gutierrez • Rev. George Handzo • Rev. Curtis W. Hart • Rev. Brian Hughes • Rev. Dr. Martha R. Jacobs • Chaplain Gerald L. Jones • Rev. Robert A. Kidd • Rev. Yoke Lye Kwong • Rev. Michele J. Guest Lowery • Rev. Marcia Marino • Rev. Lynne M. Mikulak • Rev. Nancy Osborne • Rev. Jon Overvold • Rev. Brent Peery • Chaplain Linda F. Piotrowski • Rev. David B. Plummer • Rabbi Stephen B. Roberts • Rev. Dr. Glenn A. Robitaille • Chaplain Timothy G. Serban • Bishop Dr. Teresa E. Snorton • Rev. Dr. Dane R. Sommer • Rabbi Dr. Shira Stern • Rev. Jo Clare Wilson • Rev. Sue Wintz

Anna Akhmatova (1889-1966), one of twentieth-century Russia's greatest poets, was viewed as a dangerous element by post-Revolution authorities. One of the few unrepentant poets to survive the Bolshevik revolution and subsequent Stalinist purges, she set for herself the artistic task of preserving the memory of pre-Revolutionary cultural heritage and of those who had been silenced. This book presents Nancy K. Anderson's superb translations of three of Akhmatova's most important poems: Requiem, a commemoration of the victims of Stalin's Terror; The Way of All the Earth, a work to which the poet returned repeatedly over the last quarter-century of her life and which combines Old Russian motifs with the modernist search for a lost past; and Poem Without a Hero, widely admired as the poet's magnum opus. Each poem is accompanied by extensive commentary. The complex and allusive Poem Without a Hero is also provided with an extensive critical commentary that draws on the poet's manuscripts and private notebooks. Anderson offers relevant facts about the poet's life and an overview of the political and cultural forces that shaped her work. The resulting volume enables English-language readers to gain a deeper level of understanding of Akhmatova's poems and how and why they were created.

In a major burst of creativity, Russian poet Alexander Pushkin during just three months in 1830 completed Eugene Onegin, composed more than thirty lyric poems, wrote several short stories and folk tales, and penned the four short dramas in verse that comprise the "little tragedies". The "little tragedies" stand among the great masterpieces of Russian literature, yet they were last translated into English a quarter-century ago and have in recent years been out of print entirely. In this outstanding new translation, Nancy K. Anderson preserves the cadence and intensity of Pushkin's work while aligning it with today's poetic practices and freer approach to metrics. In addition she provides critical essays examining each play in depth, a discussion of her approach to translating the plays, and a consideration of the genre of these dramatic pieces and their performability.

The four "little tragedies" -- Mozart and Salieri, The Miserly Knight, The Stone Guest, and A Feast During the Plague -- are extremely compressed dialogues, each dealing with a dominant protagonist whose central internal conflict determines both the plot and structure of the play. Pushkin focuses on human passions and the interplay between free will and fate: though each protagonist could avoid self-ruin, instead he freely chooses it.