"When you read Shada Mustafa's prose, you feel as though you're walking through a dream. An exquisite novel, Things I Left Behind escorts you down its magical passageways, but as you go, be on the lookout for unexpected side doors." Jokha Alharthi, winner of the Man Booker International Prize, with translator Marilyn Booth, for her novel Celestial Bodies

This dictionary provides information on the writers, editors, and publications that have carried on a strong American tradition of peace advocacy that goes back to colonial times. The only work of its kind, the dictionary contains entries for some 400 individuals and more than 200 periodicals that represent viewpoints ranging from radical nonresistance, religious pacifism, and racial nonviolence, to selective anti-war positions and advocacy of world government.

Professor Roberts' introduction presents an interpretive overview of peace advocacy and the various print media that became vehicles for it, including mainstream magazines and church or peace movement publications such as tracts, books, and pamphlets. Each entry summarizes the individual's literary contributions and lists known affiliations with periodicals, peace organizations, and religious groups. The bibliographic section documents a representative selection of periodicals that have sought to promote peace at various times in America's history. The volume also includes information on peace organizations and the writers and editors affiliated with them. The product of meticulous research, this reference dictionary brings together a rich collection of material on the writers, social reformers, and publications that have shaped American pacifist tradition. Of interest for the fields of American social history, journalism and communication history, and religion, as well as peace studies.

Set in Palestine, before the creation of the state of Israel, this lyrical and deftly written novel spans three generations living in the small village of Hadiya. Reaching back into the late nineteenth and early twentieth centuries, the immense history of this period is brought into focus by the very human stories of Hajj Mahmoud, his son Khaled, and grandson Naji. As the cruel hand of history hovers above them, their destinies are shaped by outside forces - first the crumbling Ottoman Empire, then the British Mandate, and finally the Nakba. Nasrallah's elegant and epic tale is one of both suffering and survival, heart-break and hope.

This book, by one of the most innovative and challenging contemporary thinkers, consists of an extensive essay from which the book takes its title and five shorter essays that are internally related to "Being Singular Plural."
One of the strongest strands in Nancy's philosophy is his attempt to rethink community and the very idea of the social in a way that does not ground these ideas in some individual subject or subjectivity. The fundamental argument of the book is that being is always "being with," that "I" is not prior to "we," that existence is essentially co-existence. Nancy thinks of this "being-with" not as a comfortable enclosure in a pre-existing group, but as a mutual abandonment and exposure to each other, one that would preserve the "I" and its freedom in a mode of imagining community as neither a "society of spectacle" nor via some form of authenticity.
The five shorter essays impressively translate the philosophical insight of "Being Singular Plural" into sophisticated discussions of national sovereignty, war and technology, identity politics, the Gulf War, and the tragic plight of Sarajevo. The essay "Eulogy for the Melee," in particular, is a brilliant discussion of identity and hybridism that resonates with many contemporary social concerns.
As Nancy moves through the exposition of his central concern, being-with, he engages a number of other important issues, including current notions of the "other" and "self" that are relevant to psychoanalytic, political, and multicultural concepts. He also offers astonishingly original reinterpretations of major philosophical positions, such as Nietzsche's doctrine of "eternal recurrence," Descartes's "cogito," and the nature of language and meaning.

This book, by one of the most innovative and challenging contemporary thinkers, consists of an extensive essay from which the book takes its title and five shorter essays that are internally related to "Being Singular Plural."
One of the strongest strands in Nancy's philosophy is his attempt to rethink community and the very idea of the social in a way that does not ground these ideas in some individual subject or subjectivity. The fundamental argument of the book is that being is always "being with," that "I" is not prior to "we," that existence is essentially co-existence. Nancy thinks of this "being-with" not as a comfortable enclosure in a pre-existing group, but as a mutual abandonment and exposure to each other, one that would preserve the "I" and its freedom in a mode of imagining community as neither a "society of spectacle" nor via some form of authenticity.
The five shorter essays impressively translate the philosophical insight of "Being Singular Plural" into sophisticated discussions of national sovereignty, war and technology, identity politics, the Gulf War, and the tragic plight of Sarajevo. The essay "Eulogy for the Melee," in particular, is a brilliant discussion of identity and hybridism that resonates with many contemporary social concerns.
As Nancy moves through the exposition of his central concern, being-with, he engages a number of other important issues, including current notions of the "other" and "self" that are relevant to psychoanalytic, political, and multicultural concepts. He also offers astonishingly original reinterpretations of major philosophical positions, such as Nietzsche's doctrine of "eternal recurrence," Descartes's "cogito," and the nature of language and meaning.

Set in late nineteenth-century Benghazi, Najwa Bin Shatwan's powerful novel tells the story of Atiqa, the daughter of a slave woman and her white master. We meet Atiqa as a grown woman, happily married with two children and working. When her cousin Ali unexpectedly enters her life, Atiqa learns the true identity of her parents, both long deceased, and slowly builds a friendship with Ali as they share stories of their past. We learn of Atiqa's childhood, growing up in the "slave yards," a makeshift encampment on the outskirts of Benghazi for Black Africans who were brought to Libya as slaves. Ali narrates the tragic life of Atiqa's mother, Tawida, a black woman enslaved to a wealthy merchant family who finds herself the object of her master's desires. Though such unions were common in slave-holding societies, their relationship intensifies as both come to care deeply for each other and share a bond that endures throughout their lives. Shortlisted for the 2017 International Prize for Arabic Ficiton, Bin Shatwan's unforgettable novel offers a window into a dark chapter of Libyan history and illuminates the lives of women with great pathos and humanity.

This book/software package brings the tools and excitement of modeling to pre-college teachers, to researchers involved in curriculum development, and to software developers interested in the pre-college market.

Winner of the 2012 Naguib Mahfouz Medal, this novel is set in an idyllic Egyptian village from the time it was discovered by Muhammad Ali's mission in the early nineteenth century to the 2003 US invasion of Iraq, movingly intertwining events on the world scene with the life dramas of its protagonists. The story opens with the pivotal character, Mubarka Badr, now a grandmother and matriarch, wanting to dictate a letter to God for her grandson to send to the Almighty by email. We are then ushered back in time to Mubarka's fiery adolescence and her painfully aborted romance with Muntasir, son of the village's deceased but legendary strongman. The shifting fortunes of the Deeb clan affect every aspect of its members' lives, from their sexual vulnerabilities to the grief of loss, the uncertainties of a changing world, and the heartaches borne of betrayal and love unfulfilled.

Ghostwriters Nancy Roberts and Taryn Plumb spin fascinating tales about 26 haunted houses all over America. Based on stories told by first-hand witnesses, these stories of ghostly goings-on will keep you on the edge of your seat-and possibly up all night! Read about San Diego's Whaley House, whose former residents maintain an active presence, as does Yankee Jim, a hanging victim over whose gallows the house was built. Learn about the house in Massachusetts that once belonged to eccentric millionaire and brilliant inventor John Hammond, Jr.-whose practice in spiritualism, say some, continues long after his death. And relive the terrifying battle that claimed the lives of 1,700 Confederate soldiers whose battlefield became their final resting place on Tennessee's Carnton Plantation.

Expectation is a major volume of Jean-Luc Nancy's writings on literature, written across three decades but, for the most part, previously unavailable in English. More substantial than literary criticism, these essays collectively negotiate literature's relation to philosophy. Nancy pursues such questions as literature's claims to truth, the status of narrative, the relation of poetry and prose, and the unity of a book or of a text, and he addresses a number of major European writers, including Dante, Sterne, Rousseau, Hoelderlin, Proust, Joyce, and Blanchot. The final section offers a number of impressive pieces by Nancy that completely merge his concerns for philosophy and literature and philosophy-as-literature. These include a lengthy parody of Valery's "La Jeune Parque," several original poems by Nancy, and a beautiful prose-poetic discourse on an installation by Italian artist Claudio Parmiggiani that incorporates the Faust theme. Opening with a substantial Introduction by Jean-Michel Rabate that elaborates Nancy's importance as a literary thinker, this book constitutes the most substantial statement to date by one of today's leading philosophers on a discipline that has been central to his work across his career.

With irony and poignant teenage idealism, Butterfly draws us into her world of adult hypocrisy, sibling rivalries, girlfriends' power plays, unrequited love... not to mention the political tension of life under occupation. As she observes her fragile environment with all its conflicts, Butterfly is compelled to question everything around her. Is her father a collaborator for the occupiers? Will Nizar ever give her the sign she's waiting for? How will her friendship with the activist Mays and the airhead Haya survive the unpredictable storms ahead? And why is 'honour' such a dangerous word, anyway?

'In a voice as dim as a lighthouse on a rainy night, he said, "Beware of loving a woman who loves bridges."' ______________________ Once upon a September in Paris... Still heartsick over the break-up of his relationship with the alluring, elusive novelist Hayat, the narrator of The Dust of Promises finds himself adrift in Paris, where he has come to receive a photography award. His photograph of a traumatised war-orphan has been declared profoundly affecting by the judges, but he knows that no picture can ever fully capture the desolation and destruction he has witnessed in his Algerian homeland. When he stumbles into an art exhibition on one of the capital's side streets, he is struck by the power of the paintings and feels impelled to learn more about the artist - an Algerian exile whose painful longing for the country he has lost shines out of his work. The artist is none other than Khaled, the man who haunted the pages of Hayat's first novel, just as the narrator was inextricably entangled in her second. As the two men embark on a tentative friendship, a twist of fate brings Hayat herself to France, where the destinies of all of them will once again collide. The final novel in the international bestselling trilogy from 'the literary phenomenon' (Elle) Ahlem Mosteghanemi, The Dust of Promises is a haunting, elegiac story of love, memory and betrayal - and of what it means to come home. ______________________ 'Remarkable, insightful ... The elegiac quality is present not just in the themes, but also in the astonishingly poetic language throughout ... I stopped and marvelled every few pages ... This is one of the richest and most evocative books that I have read all year' Independent 'Ahlem has carved a place for herself as one of the most important writers of the Arab world' Youssef Chahine, Egyptian director, winner of the Cannes Film Lifetime Achievement Award

Nancy Roberts's Southern Ghost Lore Revival--Exhumed and Improved for Fearless Readers. Nancy Roberts has often been described to as the "First Lady of American Folklore" and the Title is well deserved. Throughout her decades-long career, Roberts documented supernatural experiences and interviewed hundreds of people about their recollections of encounters with the supernatural. This nationally renowned writer began her undertaking in this ghostly realm as a freelance writer for the Charlotte Observer. Encouraged by Carl Sandburg, who enjoyed her stories and articles, Roberts wrote her first book in 1958. Aptly called a "custodian of the twilight zone" by Southern Living magazine, Roberts based her suspenseful stories on interviews and her rich knowledge of American folklore. Her stories were always rooted in history, which earned her a certificate of commendation from the American Association of State and Local History for her books on the Carolinas and Appalachia.