This dictionary provides information on the writers, editors, and publications that have carried on a strong American tradition of peace advocacy that goes back to colonial times. The only work of its kind, the dictionary contains entries for some 400 individuals and more than 200 periodicals that represent viewpoints ranging from radical nonresistance, religious pacifism, and racial nonviolence, to selective anti-war positions and advocacy of world government.

Professor Roberts' introduction presents an interpretive overview of peace advocacy and the various print media that became vehicles for it, including mainstream magazines and church or peace movement publications such as tracts, books, and pamphlets. Each entry summarizes the individual's literary contributions and lists known affiliations with periodicals, peace organizations, and religious groups. The bibliographic section documents a representative selection of periodicals that have sought to promote peace at various times in America's history. The volume also includes information on peace organizations and the writers and editors affiliated with them. The product of meticulous research, this reference dictionary brings together a rich collection of material on the writers, social reformers, and publications that have shaped American pacifist tradition. Of interest for the fields of American social history, journalism and communication history, and religion, as well as peace studies.

Set in Palestine, before the creation of the state of Israel, this lyrical and deftly written novel spans three generations living in the small village of Hadiya. Reaching back into the late nineteenth and early twentieth centuries, the immense history of this period is brought into focus by the very human stories of Hajj Mahmoud, his son Khaled, and grandson Naji. As the cruel hand of history hovers above them, their destinies are shaped by outside forces - first the crumbling Ottoman Empire, then the British Mandate, and finally the Nakba. Nasrallah's elegant and epic tale is one of both suffering and survival, heart-break and hope.

This book, by one of the most innovative and challenging contemporary thinkers, consists of an extensive essay from which the book takes its title and five shorter essays that are internally related to "Being Singular Plural."
One of the strongest strands in Nancy's philosophy is his attempt to rethink community and the very idea of the social in a way that does not ground these ideas in some individual subject or subjectivity. The fundamental argument of the book is that being is always "being with," that "I" is not prior to "we," that existence is essentially co-existence. Nancy thinks of this "being-with" not as a comfortable enclosure in a pre-existing group, but as a mutual abandonment and exposure to each other, one that would preserve the "I" and its freedom in a mode of imagining community as neither a "society of spectacle" nor via some form of authenticity.
The five shorter essays impressively translate the philosophical insight of "Being Singular Plural" into sophisticated discussions of national sovereignty, war and technology, identity politics, the Gulf War, and the tragic plight of Sarajevo. The essay "Eulogy for the Melee," in particular, is a brilliant discussion of identity and hybridism that resonates with many contemporary social concerns.
As Nancy moves through the exposition of his central concern, being-with, he engages a number of other important issues, including current notions of the "other" and "self" that are relevant to psychoanalytic, political, and multicultural concepts. He also offers astonishingly original reinterpretations of major philosophical positions, such as Nietzsche's doctrine of "eternal recurrence," Descartes's "cogito," and the nature of language and meaning.

Ghostwriters Nancy Roberts and Taryn Plumb spin fascinating tales about 26 haunted houses all over America. Based on stories told by first-hand witnesses, these stories of ghostly goings-on will keep you on the edge of your seat-and possibly up all night! Read about San Diego's Whaley House, whose former residents maintain an active presence, as does Yankee Jim, a hanging victim over whose gallows the house was built. Learn about the house in Massachusetts that once belonged to eccentric millionaire and brilliant inventor John Hammond, Jr.-whose practice in spiritualism, say some, continues long after his death. And relive the terrifying battle that claimed the lives of 1,700 Confederate soldiers whose battlefield became their final resting place on Tennessee's Carnton Plantation.

Set in late nineteenth-century Benghazi, Najwa Bin Shatwan's powerful novel tells the story of Atiqa, the daughter of a slave woman and her white master. We meet Atiqa as a grown woman, happily married with two children and working. When her cousin Ali unexpectedly enters her life, Atiqa learns the true identity of her parents, both long deceased, and slowly builds a friendship with Ali as they share stories of their past. We learn of Atiqa's childhood, growing up in the "slave yards," a makeshift encampment on the outskirts of Benghazi for Black Africans who were brought to Libya as slaves. Ali narrates the tragic life of Atiqa's mother, Tawida, a black woman enslaved to a wealthy merchant family who finds herself the object of her master's desires. Though such unions were common in slave-holding societies, their relationship intensifies as both come to care deeply for each other and share a bond that endures throughout their lives. Shortlisted for the 2017 International Prize for Arabic Ficiton, Bin Shatwan's unforgettable novel offers a window into a dark chapter of Libyan history and illuminates the lives of women with great pathos and humanity.

This book, by one of the most innovative and challenging contemporary thinkers, consists of an extensive essay from which the book takes its title and five shorter essays that are internally related to "Being Singular Plural."
One of the strongest strands in Nancy's philosophy is his attempt to rethink community and the very idea of the social in a way that does not ground these ideas in some individual subject or subjectivity. The fundamental argument of the book is that being is always "being with," that "I" is not prior to "we," that existence is essentially co-existence. Nancy thinks of this "being-with" not as a comfortable enclosure in a pre-existing group, but as a mutual abandonment and exposure to each other, one that would preserve the "I" and its freedom in a mode of imagining community as neither a "society of spectacle" nor via some form of authenticity.
The five shorter essays impressively translate the philosophical insight of "Being Singular Plural" into sophisticated discussions of national sovereignty, war and technology, identity politics, the Gulf War, and the tragic plight of Sarajevo. The essay "Eulogy for the Melee," in particular, is a brilliant discussion of identity and hybridism that resonates with many contemporary social concerns.
As Nancy moves through the exposition of his central concern, being-with, he engages a number of other important issues, including current notions of the "other" and "self" that are relevant to psychoanalytic, political, and multicultural concepts. He also offers astonishingly original reinterpretations of major philosophical positions, such as Nietzsche's doctrine of "eternal recurrence," Descartes's "cogito," and the nature of language and meaning.

This book/software package brings the tools and excitement of modeling to pre-college teachers, to researchers involved in curriculum development, and to software developers interested in the pre-college market.

They were bold, arrogant, brutal. They strode the rolling deck of a ship more easily than the tame streets of a town. They were wealthy--some beyond the wildest dreams of the governors and kings who first supported them, then pursued them. They were the pirates of the seventeenth and eighteenth centuries, and they terrorized shipping lanes and coastal villages around the world. The pirates in this book sailed far and wide, but all made their mark on the Atlantic coast. Some made their home there, such as the notorious Blackbeard, who anchored his ship off Ocracoke Island and lived for a time in Bath, North Carolina. Others put ashore just long enough to change seafaring history, such as the rakish Calico Jack Rackham, whose chance meeting in Providence, Rhode Island, with a spirited redheaded girl would give the world another legendary pirate--the beautiful Anne Bonny. Though popular culture has created an image of a typical pirate, plying his trade with dash and vigor beneath his skull-and-crossbones flag, in reality these men--and women--were of character and background as varied as the flags they flew. In this collection of pirate tales, you will meet scions of colonial aristocrats like Rhode Island's Thomas Tew and the dandified Stede Bonnet of Barbados; off-spring of unassuming farm families like Pennsylvanian Rachel Wall and Massachusetts' Charles Gibbs; and those like Edward Low of England, who escaped lives of desperate poverty and squalor by putting to sea. What these men and women had in common was a yearning for excitement, a love for the seafaring life, and a taste for the wealth that piracy could provide. Romance, danger, suspense, adventure--all this and more awaits you on board the tall ships with the pirates of the Atlantic coast. Join them now for a voyage you will never forget. Nancy Roberts, a popular Southern writer and storyteller, was the acclaimed, award-winning author of more than twenty-five books where she blended suspense, mystery, and history with a talent for finding true stories of the supernatural. She was aptly proclaimed the Custodian of the Twilight Zone by Southern Living magazine, and was frequently introduced as the First Lady of Folklore. She was a featured speaker or teller at several locations: the North Carolina Museum of History; Thalian Hall in Wilmington, North Carolina; Kiawah Island Resort, South Carolina; University of Illinois at De Kalb; and many schools and libraries throughout the Southeast. She passed away in the fall of 2008.

Collection of eleven classic films from influential filmmakers Michael Powell and Emeric Pressburger. 'The Battle of the River Plate' (1956) tells the true story of the famous 1939 naval battle. Hans Langsdorff (Peter Finch) is captaining the crack German battleship Graf Spee through the South Atlantic, unaware that a small number of lightweight British battle cruisers are hot on his trail. When the British cruisers manage to trap the powerful German ship in the Uruguayan harbour of Montevideo, they attempt to trick Langsdorff into believing that an entire battle fleet is waiting to destroy his vessel at sea. In 'A Canterbury Tale' (1944), a British sergeant, a land girl and a United States Army officer arrive at a Kent village on the same train. The newcomers are brought face to face with the bizarre menace causing bewilderment in the tight-knit community: someone is pouring glue onto the hair of girls who dare to venture out at night with visiting servicemen. Powell and Pressburger offered this 'propaganda' piece as their contribution to the war effort, but the authorities were unsure how its oddball tone would go down with the Allies. In '49th Parallel' (1941), Laurence Olivier and Leslie Howard are among the stars who try to prevent Nazi sailors, from a sunken U-Boat, reaching neutral USA through Canada in this classic war film, which was intended to persuade America to join World War II. Pressburger won an Academy Award for the story and the film was directed by Powell. In 'I Know Where I'm Going!' (1945), a woman (Wendy Hiller) has always known what she wanted in life, and now she is about to marry a millionaire. But when she ends up stranded on a Hebredian island due to a storm, she begins to see things a little differently. 'Ill Met By Moonlight' (1957) was the final film created by Powell and Pressburger together. Set on the island of Crete during the Nazi occupation, the film stars Dirk Bogarde and David Oxley as British officers assigned to kidnap the German commander-in-chief General Kreipe (Marius Goring) and spirit him back to Cairo. If successful, the morale of the Germans would be weakened and the resistance would be stronger. But once he is captured, the British officers have to get him past German patrols at almost every turning. In 'The Life and Death of Colonel Blimp' (1943), stuffy ex-soldier Clive Candy (Roger Livesey) recalls his career which began as a dashing officer in the Boer War. As a young man he lost the woman he loved (Deborah Kerr, who plays three roles) to a Prussian officer (Anton Walbrook), whom he fought in a duel only to become lifelong friends with. Candy cannot help but feel that his notions of honour and chivalry are out of place in modern warfare. The film's title comes from 'Evening Standard' cartoonist David Low's satirical comic creation, Colonel Blimp. In 'The Red Shoes' (1948), ballet impressario Boris Lermontov (Walbrook) hires up-and-coming ballerina Victoria Page (Moira Shearer) and talented young composer Julian Craster (Goring) to work with him on a new ballet, an adaptation of the Hans Christian Andersen story 'The Red Shoes'. The show is a great success and Victoria and Julian fall in love, but Boris is jealous and makes moves to spoil their happiness. 'A Matter of Life and Death' (1946) is a classic wartime propaganda movie, commissioned by the Ministry of Information, but turned into a fantastical allegory by the Archers, aka Powell and Pressburger. David Niven plays an RAF pilot who is ready to be picked up by the angels after bailing out of his plane. But an administrative error in Heaven leads to a temporary reprieve, during which he must prove his right to stay on Earth. A tribunal in heaven ensues to decide the case. In 'They're a Weird Mob' (1966), Nino Culotta (Walter Chiari) is an Italian immigrant who arrives in Australia with the promise of a job as a journalist on his cousin's magazine, only to find that when he gets there the magazine has folded, the cousin has done a runner and the money his cousin sent for the fare was borrowed from the daughter of the boss of a local construction firm. 'The Tales of Hoffman' (1951) is an adaptation of Jacques Offenbach's opera and follows Hoffman's (Robert Rounseville) tales of his love for the doll Olympia, the courtesan Giuletta (Ludmilla Tcherina) and the frail diva Antonia (Anne Ayars), and of how his quest for the eternal woman was always thwarted by evil. Finally, in 'Black Narcissus' (1946), a group of British nuns are sent into the Himalayas to set up a mission in what was once the harem's quarters of an ancient palace. The clear mountain air, the unfamiliar culture and the unbridled sensuality of a young prince (Sabu) and his beggar-girl lover (Jean Simmons) begin to play havoc with the nuns' long-suppressed emotions. Whilst the young Mother Superior, Sister Clodagh (Deborah Kerr), fights a losing battle for order, the jaunty David Farrar falls in love with her, sparking uncontrollable jealousy in another nun, Sister Ruth (Kathleen Byron).

Winner of the 2012 Naguib Mahfouz Medal, this novel is set in an idyllic Egyptian village from the time it was discovered by Muhammad Ali's mission in the early nineteenth century to the 2003 US invasion of Iraq, movingly intertwining events on the world scene with the life dramas of its protagonists. The story opens with the pivotal character, Mubarka Badr, now a grandmother and matriarch, wanting to dictate a letter to God for her grandson to send to the Almighty by email. We are then ushered back in time to Mubarka's fiery adolescence and her painfully aborted romance with Muntasir, son of the village's deceased but legendary strongman. The shifting fortunes of the Deeb clan affect every aspect of its members' lives, from their sexual vulnerabilities to the grief of loss, the uncertainties of a changing world, and the heartaches borne of betrayal and love unfulfilled.

As the author of twelve ghost story collections, Nancy Roberts may certainly be considered an expert on the subject of the supernatural. In this book, she turns her attention to Georgia, capturing over fifty chilling stories from the Peachtree State. Perhaps no other city in this country is as haunted as Savannah. Beneath this city's romantic façade, lies a multitude of eerie tales. Here, Roberts describes the pirates that still reside in the Pirates' House Restaurant, the angry spirit who haunts the Shrimp Factory restaurant, the strange happenings in the house of Jim Williams—the central character in the book Midnight in the Garden of Good and Evil—and many other spooky stories. The ghost stories of Savannah are only the beginning, though, for Georgia Ghosts takes you on a supernatural tour throughout the state. On St. Simons Island, you will shiver at the account of the ghost who haunts the island's lighthouse. In Atlanta, you'll hear of the ghost who now resides in the "Uncle Remus" House. In Fayetteville, you'll learn why the legendary gunslinger "Doc" Holliday still waits outside the home of a lost love. And you will wonder about the identity of the mysterious man responsible for Georgia's own version of Stonehenge located near Elberton. From haunted college towns and opera houses to tales of werewolves that roam the countryside, no other collection covers the contemporary and classic ghost stories of the state as completely as Georgia Ghosts. Nancy Roberts, a popular Southern writer and storyteller, was the acclaimed, award-winning author of more than twenty-five books where she blended suspense, mystery, and history with a talent for finding true stories of the supernatural. She was aptly proclaimed the "Custodian of the Twilight Zone" by Southern Living magazine, and was frequently introduced as the "First Lady of Folklore." She was the featured speaker or teller at the North Carolina Museum of History; Thalian Hall in Wilmington, North Carolina; Kiawah Island Resort, South Carolina; University of Illinois at De Kalb; and at many schools and libraries throughout the southeast. She passed away in the fall of 2008.

"When you read Shada Mustafa's prose, you feel as though you're walking through a dream. An exquisite novel, Things I Left Behind escorts you down its magical passageways, but as you go, be on the lookout for unexpected side doors." Jokha Alharthi, winner of the Man Booker International Prize, with translator Marilyn Booth, for her novel Celestial Bodies

Expectation is a major volume of Jean-Luc Nancy's writings on literature, written across three decades but, for the most part, previously unavailable in English. More substantial than literary criticism, these essays collectively negotiate literature's relation to philosophy. Nancy pursues such questions as literature's claims to truth, the status of narrative, the relation of poetry and prose, and the unity of a book or of a text, and he addresses a number of major European writers, including Dante, Sterne, Rousseau, Hoelderlin, Proust, Joyce, and Blanchot. The final section offers a number of impressive pieces by Nancy that completely merge his concerns for philosophy and literature and philosophy-as-literature. These include a lengthy parody of Valery's "La Jeune Parque," several original poems by Nancy, and a beautiful prose-poetic discourse on an installation by Italian artist Claudio Parmiggiani that incorporates the Faust theme. Opening with a substantial Introduction by Jean-Michel Rabate that elaborates Nancy's importance as a literary thinker, this book constitutes the most substantial statement to date by one of today's leading philosophers on a discipline that has been central to his work across his career.