"The subject of 'Kokoro,' which can be translated as 'the heart of things' or as 'feeling,' is the delicate matter of the contrast between the meanings the various parties of a relationship attach to it. In the course of this exploration, Soseki brilliantly describes different levels of friendship, family relationships, and the devices by which men attempt to escape from their fundamental loneliness. The novel sustains throughout its length something approaching poetry, and it is rich in understanding and insight. The translation, by Edwin McClellan, is extremely good."Â Anthony West, The New Yorker

No collection of Japanese literature is complete without Natsume Soseki's "Kokoro," his most famous novel and the last he complete before his death. Published here in the first new translation in more than fifty years, "Kokoro"--meaning "heart"-is the story of a subtle and poignant friendship between two unnamed characters, a young man and an enigmatic elder whom he calls "Sensei." Haunted by tragic secrets that have cast a long shadow over his life, Sensei slowly opens up to his young disciple, confessing indiscretions from his own student days that have left him reeling with guilt, and revealing, in the seemingly unbridgeable chasm between his moral anguish and his student's struggle to understand it, the profound cultural shift from one generation to the next that characterized Japan in the early twentieth century.

Botchan is a modern young man from the Tokyo metropolis, sent to the ultra-traditional Matsuyama district as a Maths teacher after his the death of his parents. Cynical, rebellious and immature, Botchan finds himself facing several tests, from the pupils - prone to playing tricks on their new, naive teacher; the staff - vain, immoral, and in danger of becoming a bad influence on Botchan; and from his own as-yet-unformed nature, as he finds his place in the world. One of the most popular novels in Japan where it is considered a classic of adolescence, as seminal as The Catcher in the Rye, Botchan is as funny, poignant and memorable as it was when first published, over 100 years ago. In J. Cohn's introduction to his colourful translation, he discusses Botchan's success, the book's clash between Western intellectualism and traditional Japanese values, and the importance of names and nicknames in the novel.

A stunning new translation-the first in more than forty years-of a major novel by the father of modern Japanese fiction
Natsume S?seki's "Kusamakura" follows its nameless young artist-narrator on a meandering walking tour of the mountains. At the inn at a hot spring resort, he has a series of mysterious encounters with Nami, the lovely young daughter of the establishment. Nami, or "beauty," is the center of this elegant novel, the still point around which the artist moves and the enigmatic subject of S?seki's word painting. In the author's words, "Kusamakura" is "a haiku-style novel, that lives through beauty." Written at a time when Japan was opening its doors to the rest of the world, "Kusamakura" turns inward, to the pristine mountain idyll and the taciturn lyricism of its courtship scenes, enshrining the essence of old Japan in a work of enchanting literary nostalgia.

Sanshiro (1908) is a novel by Natsume Soseki. Inspired by the author's experience as a student from the countryside who moved to Tokyo, Sanshiro is a story of family, growth, and identity that captures the isolation and humor of adjusting to life on one's own. Recognized as a powerful story by generations of readers, Sanshiro is a classic novel from one of Japan's most successful twentieth century writers. Raised on the island of Kyushu, Sanshiro Ogawa excels in high school and earns the chance to continue his studies at the University of Tokyo. On his way there, he naively accepts an invitation to share a room with a young woman in Nagoya, realizing only too late that she has other things than sleep in mind. As he adjusts to life in the big city, he finds himself stumbling into more uncomfortable situations with women, radical political figures, and interfering colleagues, all of which shape his sense of identity while teaching him the value of trust, courage, and self-respect. While he misses his family and friends in Kyushu, Sanshiro learns to value his newfound independence, forming friendships that will last a lifetime. Sanshiro proves a gifted student but struggles to understand the intricacies of academic life. As he begins a relationship with the lovely Mineko, he begins to doubt his ability to defy tradition. Will he return home to raise a family in Kyushu, or remain in Tokyo to chart a path of his own? Eminently human, Sanshiro is a beloved story of isolation, morality, and conflict from a master of Japanese fiction. With a beautifully designed cover and professionally typeset manuscript, this edition of Natsume Soseki's Sanshiro is a classic work of Japanese literature reimagined for modern readers.

A humble clerk and his loving wife scrape out a quiet existence on the margins of late-Meiji Tokyo. Resigned, following years of exile and misfortune, to the bitter consequences of having married without their families' consent, and unable to have children of their own, Sosuke and Oyone find the delicate equilibrium of their household upset by a new obligation to meet the educational expenses of S?suke's brash younger brother. While an unlikely new friendship appears to offer a way out of this bind, it also soon threatens to dredge up a past that could once again force them to flee the capital. Desperate and torn, Sosuke finally resolves to travel to a remote Zen mountain monastery to see if perhaps there, through meditation, he can find a way out of his predicament. This moving and deceptively simple story, a melancholy tale shot through with glimmers of joy, beauty, and gentle wit, is an understated masterpiece by the first great writer of modern Japan. At the end of his life, Natsume Soseki declared The Gate, originally published in 1910, to be his favorite among all his novels. This new translation at last captures the original's oblique grace and also corrects numerous errors and omissions that marred the first English version.

Botchan (1906) is a novel by Natsume Soseki. Inspired by his experience as a teacher on the island of Shikoko, Soseki composed a beloved tale of growth and moral decency that continues to be read in Japan and around the world to this day. Filled with humorous asides and heartwarming scenes, Botchan is a classic bildungsroman from one of Japan's most successful twentieth century writers. Ever since his childhood days in Tokyo, Botchan has experienced bouts of "hereditary recklessness," an inability to think and act as others expect him to. Frequently injured, always in trouble, he develops a reputation in his neighborhood as a young rapscallion, a misfit at home and in school. When his mother dies unexpectedly, Botchan is raised by Kiyo, his family's elderly servant, who sees something in him no one else has been able to recognize. Through positive reinforcement and a focus on fostering good morals, she helps Botchan achieve a certain amount of respectability without forcing him to sacrifice his fiercely independent nature. He excels in school and finds a job as a middle school math teacher on the island of Shikoku. Thinking the days of schoolyard drama are behind him, he is surprised to discover that the antics and conflicts inherent to boyhood are rampant among his fellow teachers. Joining forces with Porcupine, he sets out to dethrone head teacher Red Shirt, who indiscriminately wields his power over colleagues and students alike. Hilarious and eminently human, Botchan is a beloved story of class, morality, and conflict from a master of Japanese fiction. With a beautifully designed cover and professionally typeset manuscript, this edition of Natsume Soseki's Botchan is a classic work of Japanese literature reimagined for modern readers.

Sanshiro (1908) is a novel by Natsume Soseki. Inspired by the author's experience as a student from the countryside who moved to Tokyo, Sanshiro is a story of family, growth, and identity that captures the isolation and humor of adjusting to life on one's own. Recognized as a powerful story by generations of readers, Sanshiro is a classic novel from one of Japan's most successful twentieth century writers. Raised on the island of Kyushu, Sanshiro Ogawa excels in high school and earns the chance to continue his studies at the University of Tokyo. On his way there, he naively accepts an invitation to share a room with a young woman in Nagoya, realizing only too late that she has other things than sleep in mind. As he adjusts to life in the big city, he finds himself stumbling into more uncomfortable situations with women, radical political figures, and interfering colleagues, all of which shape his sense of identity while teaching him the value of trust, courage, and self-respect. While he misses his family and friends in Kyushu, Sanshiro learns to value his newfound independence, forming friendships that will last a lifetime. Sanshiro proves a gifted student but struggles to understand the intricacies of academic life. As he begins a relationship with the lovely Mineko, he begins to doubt his ability to defy tradition. Will he return home to raise a family in Kyushu, or remain in Tokyo to chart a path of his own? Eminently human, Sanshiro is a beloved story of isolation, morality, and conflict from a master of Japanese fiction. With a beautifully designed cover and professionally typeset manuscript, this edition of Natsume Soseki's Sanshiro is a classic work of Japanese literature reimagined for modern readers.

Light and Dark, Natsume Soseki's longest novel and masterpiece, although unfinished, is a minutely observed study of haute-bourgeois manners on the eve of World War I. It is also a psychological portrait of a new marriage that achieves a depth and exactitude of character revelation that had no precedent in Japan at the time of its publication and has not been equaled since. With Light and Dark, Soseki invented the modern Japanese novel. Recovering in a clinic following surgery, thirty-year-old Tsuda Yoshio receives visits from a procession of intimates: his coquettish young wife, O-Nobu; his unsparing younger sister, O-Hide, who blames O-Nobu's extravagance for her brother's financial difficulties; his self-deprecating friend, Kobayashi, a ne'er-do-well and troublemaker who might have stepped from the pages of a Dostoevsky novel; and his employer's wife, Madam Yoshikawa, a conniving meddler with a connection to Tsuda that is unknown to the others. Divergent interests create friction among this closely interrelated cast of characters that explodes into scenes of jealousy, rancor, and recrimination that will astonish Western readers conditioned to expect Japanese reticence. Released from the clinic, Tsuda leaves Tokyo to continue his convalescence at a hot-springs resort. For reasons of her own, Madam Yoshikawa informs him that a woman who inhabits his dreams, Kiyoko, is staying alone at the same inn, recovering from a miscarriage. Dissuading O-Nobu from accompanying him, Tsuda travels to the spa, a lengthy journey fraught with real and symbolic obstacles that feels like a passage from one world to another. He encounters Kiyoko, who attempts to avoid him, but finally manages a meeting alone with her in her room. Soseki's final scene is a sublime exercise in indirection that leaves Tsuda to "explain the meaning of her smile."

Light and Dark, Natsume Soseki's longest novel and masterpiece, although unfinished, is a minutely observed study of haute-bourgeois manners on the eve of World War I. It is also a psychological portrait of a new marriage that achieves a depth and exactitude of character revelation that had no precedent in Japan at the time of its publication and has not been equaled since. With Light and Dark, Soseki invented the modern Japanese novel. Recovering in a clinic following surgery, thirty-year-old Tsuda Yoshio receives visits from a procession of intimates: his coquettish young wife, O-Nobu; his unsparing younger sister, O-Hide, who blames O-Nobu's extravagance for her brother's financial difficulties; his self-deprecating friend, Kobayashi, a ne'er-do-well and troublemaker who might have stepped from the pages of a Dostoevsky novel; and his employer's wife, Madam Yoshikawa, a conniving meddler with a connection to Tsuda that is unknown to the others. Divergent interests create friction among this closely interrelated cast of characters that explodes into scenes of jealousy, rancor, and recrimination that will astonish Western readers conditioned to expect Japanese reticence. Released from the clinic, Tsuda leaves Tokyo to continue his convalescence at a hot-springs resort. For reasons of her own, Madam Yoshikawa informs him that a woman who inhabits his dreams, Kiyoko, is staying alone at the same inn, recovering from a miscarriage. Dissuading O-Nobu from accompanying him, Tsuda travels to the spa, a lengthy journey fraught with real and symbolic obstacles that feels like a passage from one world to another. He encounters Kiyoko, who attempts to avoid him, but finally manages a meeting alone with her in her room. Soseki's final scene is a sublime exercise in indirection that leaves Tsuda to "explain the meaning of her smile."

From the great Meiji writer Natsume Soseki, The Miner is an absurdist tale about the indeterminate nature of human personality. 'It makes me very happy that I can read this novel written over a hundred years ago as if it were contemporary and be deeply affected by it. It cannot and should not be overlooked. It is one of my favorites' Haruki Murakami The Miner is the most daringly experimental and least well-known novel of Japanese writer Natsume Soseki. An absurdist tale written in 1908, it was in many ways a precursor to the work of James Joyce and Samuel Beckett. Translated by Jay Rubin, and with an introduction from Haruki Murakami, this is bound to appeal to fans of Japanese literature.

Natsume Soseki's only coming-of-age novel, "Sanshiro" depicts the eponymous twenty-three-year-old protagonist as he leaves the sleepy countryside to attend a university in the constantly moving "real world" of Tokyo. Baffled and excited by the traffic, the academics, and-most of all-the women, Sanshiro must find his way among the sophisticates that fill his new life. An incisive social and cultural commentary, "Sanshiro" is also a subtle portrait of first love, tradition, and modernization, and the idealism of youth against the cynicism of middle age.

Botchan is one of Japan's most popular novels for young people for its meditations upon Japanese culture, lively characters, and coming-of-age theme. The titular character is a young, headstrong and reckless youth who is nevertheless possessed of a serious sense of honor and integrity. Although his temper and impulsiveness create problems, Botchan's moral convictions underpin his journey: indeed, whether he will compromise his morals is the central question. After taking a job as a junior teacher in a local middle school, Botchan comes into conflict with Red Shirt; his school's eloquent but manipulative and conniving head teacher. Vying for the hand of a local beauty, Red Shirt will stop at nothing to achieve his aims, using his position and the system to undermine or defeat others. However a hot tempered but justice-seeking mathematics teacher, Yama Arashi, is determined to oppose such underhand behavior. Who will Botchan side with in the end?

Botchan is one of Japan's most popular novels for young people for its meditations upon Japanese culture, lively characters, and coming-of-age theme. The titular character is a young, headstrong and reckless youth who is nevertheless possessed of a serious sense of honor and integrity. Although his temper and impulsiveness create problems, Botchan's moral convictions underpin his journey: indeed, whether he will compromise his morals is the central question. After taking a job as a junior teacher in a local middle school, Botchan comes into conflict with Red Shirt; his school's eloquent but manipulative and conniving head teacher. Vying for the hand of a local beauty, Red Shirt will stop at nothing to achieve his aims, using his position and the system to undermine or defeat others. However a hot tempered but justice-seeking mathematics teacher, Yama Arashi, is determined to oppose such underhand behavior. Who will Botchan side with in the end?

Literally meaning "heart," the Japanese word "kokoro" can be more distinctly translated as "the heart of things" or "feeling." Natsume Soseki's 1914 novel, which was originally published in serial format in a Japanese newspaper, "Kokoro" deals with the transition from the Japanese Meiji society to the modern era. Divided into three parts "Sensei and I," "My Parents and I," and "Sensei and His Testament," the novel explores the themes of loneliness and isolation. In the first part we find the narrator attending university where he befriends an older man, known only as "Sensei," who lives a largely reclusive life. In the second part of the novel the narrator graduates from college and returns home to await the death of his father. The third part of the novel recounts a letter that the narrator receives from the "Sensei," which describes the circumstances that caused his loss of faith in humanity and the guilt he feels over the death of a childhood friend which drives him to the reclusive life that he has led. A deeply thematic novel "Kokoro" provides an excellent introduction to one of Japan's most beloved authors, Natsume Soseki.

Japan's preeminent modern novelist, Natsume Soseki (1867-1916), may be better known for his works of fiction Kokoro, Botchan, and I Am a Cat, than for his last novel, Meian, uncompleted at his death, which remains something of an enigma -- a neglected masterpiece. A simple plot summary doesn't do it justice: the marriage of Tsuda and O-Nobu is threatened when Kobayashi and others begin dropping hints about another woman. Tsuda departs on a trip to rendezvous with the woman in question, Kiyoko, his former fiancee. The novel is a study of human character, a marriage tested, and what it means to be an individual in the modern world.