Popular religion in village India is overwhelmingly dominated by goddess worship. Goddesses can be nationally well-known like Durga or Kali, or they can be an obscure deity who is only known in a particular rural locale. The origins of a goddess can be both ancient with many transitions or amalgamations with other cults having occurred along the way and very recent. While some have tribal origins, others sprout up overnight due to a vivid dream. Inventing and Reinventing the Goddess: Contemporary Iterations of Hindu Divinities on the Move looks at the nature of how and why goddesses are invented and reinvented historically in India and how social hierarchy, gender differences, and modernity play roles in these emerging religious phenomena."

Includes a range of voices - such as women and Hindus in the diaspora - which are often excluded or given short shrift in other textbooks, so that readers are provided with a more comprehensive overview of the tradition. Explores both the commonalities and differences between the various aspects of Hindu traditions to introduce students to their complexity and diversity. Explores the rise of Hindu nationalism and other developments of the 21st Century to ensure that this is the most up-to-date introduction to Hinduism available.

Includes a range of voices - such as women and Hindus in the diaspora - which are often excluded or given short shrift in other textbooks, so that readers are provided with a more comprehensive overview of the tradition. Explores both the commonalities and differences between the various aspects of Hindu traditions to introduce students to their complexity and diversity. Explores the rise of Hindu nationalism and other developments of the 21st Century to ensure that this is the most up-to-date introduction to Hinduism available.

Toleration in Comparative Perspective is a collection of essays that explores conceptions of toleration and tolerance in Asia and the West. It tests the common assumption in Western political discourse and contemporary political theory that toleration is a uniquely Western virtue. Toleration in modern Western philosophy is understood as principled noninterference in the practices and beliefs of others that one disapproves of or, at least, dislikes. Although toleration might be seen today as a quintessential liberal value, precedents to this modern concept also existed in medieval times while Indigenous American stories about welcome challenge the very possibility of noninterference. The modern Western philosophical concept of toleration is not always easily translated into other philosophical traditions, but this book opens a dialogue between various traditions of thought to explore precisely the ways in which overlap and distinctions exist. What emerges is the existence of a family of resemblances in approaches to religious and cultural diversity from a program of pragmatic noninterference in the Ottoman Empire to deeper notions of acceptance and inclusiveness amongst the Newar People in the Kathmandu Valley. The development of an Islamic ethic of tolerance, the Daoist idea of all-inclusiveness, and Confucian ideas of broad-mindedness, respect, and coexistence to the idea of 'the one in the many' in Hindu thought are examined along with sources for intolerance, tolerance, and toleration in Pali Buddhism, early modern Japan, and contemporary India.

Popular religion in village India is overwhelmingly dominated by goddess worship. Goddesses can be nationally well-known like Durga or Kali, or they can be an obscure deity who is only known in a particular rural locale. The origins of a goddess can be both ancient-with many transitions or amalgamations with other cults having occurred along the way-and very recent. While some have tribal origins, others sprout up overnight due to a vivid dream. Inventing and Reinventing the Goddess: Contemporary Iterations of Hindu Divinities on the Move looks at the nature of how and why goddesses are invented and reinvented historically in India and how social hierarchy, gender differences, and modernity play roles in these emerging religious phenomena.

Neelima Shukla-Bhatt offers an illuminating study of Narsinha Mehta, one of the most renowned saint-poets of medieval India and the most celebrated bhakti (devotion) poet from Gujarat, whose songs and sacred biography formed a vital source of moral inspiration for Gandhi. Exploring manuscripts, medieval texts, Gandhi's more obscure writings, and performances in multiple religious and non-religious contexts, including modern popular media, Shukla-Bhatt shows that the songs and sacred narratives associated with the saint-poet have been sculpted by performers and audiences into a popular source of moral inspiration.
Drawing on the Indian concept of bhakti-rasa (devotion as nectar), Narasinha Mehta of Gujarat reveals that the sustained popularity of the songs and narratives over five centuries, often across religious boundaries and now beyond devotional contexts in modern media, is the result of their combination of inclusive religious messages and aesthetic appeal in performance. Taking as an example Gandhi's perception of the songs and stories as vital cultural resources for social reconstruction, the book suggests that when religion acquires the form of popular culture, it becomes a widely accessible platform for communication among diverse groups. Shukla-Bhatt expands upon the scholarship on the embodied and public dimension of bhakti through detailed analysis of multiple public venues of performance and commentary, including YouTube videos.
This study provides a vivid picture of the Narasinha tradition, and will be a crucial resource for anyone seeking to understand the power of religious performative traditions in popular media.

Neelima Shukla-Bhatt offers an illuminating study of Narsinha Mehta, one of the most renowned saint-poets of medieval India and the most celebrated bhakti (devotion) poet from Gujarat, whose songs and sacred biography formed a vital source of moral inspiration for Gandhi. Exploring manuscripts, medieval texts, Gandhi's more obscure writings, and performances in multiple religious and non-religious contexts, including modern popular media, Shukla-Bhatt shows that the songs and sacred narratives associated with the saint-poet have been sculpted by performers and audiences into a popular source of moral inspiration.
Drawing on the Indian concept of bhakti-rasa (devotion as nectar), Narasinha Mehta of Gujarat reveals that the sustained popularity of the songs and narratives over five centuries, often across religious boundaries and now beyond devotional contexts in modern media, is the result of their combination of inclusive religious messages and aesthetic appeal in performance. Taking as an example Gandhi's perception of the songs and stories as vital cultural resources for social reconstruction, the book suggests that when religion acquires the form of popular culture, it becomes a widely accessible platform for communication among diverse groups. Shukla-Bhatt expands upon the scholarship on the embodied and public dimension of bhakti through detailed analysis of multiple public venues of performance and commentary, including YouTube videos.
This study provides a vivid picture of the Narasinha tradition, and will be a crucial resource for anyone seeking to understand the power of religious performative traditions in popular media.