In nearly every realm of daily life there is an invisible velvet rope that divides how we live. On one side, appointments are secured, queues are skipped and doors are opened. On the other, people fight for an empty seat on the plane, a place in line at a theme park or even a medical exam. Schwartz shows how business innovators have stepped in to exploit the gap between the rich and everyone else, shifting services away from the masses and finding new ways to profit by serving the privileged. The frictionless world of VIP experiences seems like good business, but as this model expands, the costs are mounting. Schwartz's gripping account takes us on a glittering, behind-the-scenes tour of this new reality - and shows the toll the velvet rope divide is taking on society.

The Federal Theatre Project, a 1930s relief project of the Roosevelt administration, brought more theater to more people in every corner of America that at any time in U.S. history. The Project had units in every region of the country, including groundbreaking African American troupes, and staged productions from daring dramas like "The Voodoo Macbeth," "Waiting for Lefty," and "The Cradle Will Rock "to musicals, vaudeville, and puppet shows. It was canceled in a firestorm of controversy that gave birth to the damning question: "Are you now or have you ever been a member of the Communist party?"
This book documents that vibrant, colorful, politically explosive time, which gave rise to bitter debates about the role of government in American art and culture. It includes interviews with such Federal Theatre actors, playwrights, directors, designers, producers, and dancers as Arthur Miller, Studs Terkel, Jules Dassin, Katherine Dunham, Rosetta Lenoire, John Houseman, and many others.
"Voices from the Federal Theatre" is a tie-in with the public televison special "Who Killed the Federal Theatre?" hosted by Judd Hirsch and coproduced by Schwartz with the Educational Film Center.