This is a simple and powerful tale of the effects of the Mau Mau war on individuals and families in Kenya. Two brothers must decide where their loyalties lie; Njoroge, the dreamer and accomplished student, finds it hard to give up schooling and is drawn relentlessly into turmoil. Good and evil are portrayed somewhat more starkly than in Ngugi's later works.

In 1978, the South African activist and novelist Alex La Guma (1925-1985) published A Soviet Journey, a memoir of his travels in the Soviet Union. Today it stands as one of the longest and most substantive first-hand accounts of the USSR by an African writer. La Guma's book is consequently a rare and important document of the anti-apartheid struggle and the Cold War period, depicting the Soviet model from an African perspective and the specific meaning it held for those envisioning a future South Africa. For many members of the African National Congress and the South African Communist Party, the Soviet Union represented a political system that had achieved political and economic justice through socialism-a point of view that has since been lost with the collapse of the USSR and the end of the Cold War. This new edition of A Soviet Journey-the first since 1978-restores this vision to the historical record, highlighting how activist-intellectuals like La Guma looked to the Soviet Union as a paradigm of self-determination, decolonization, and postcolonial development. The introduction by Christopher J. Lee discusses these elements of La Guma's text, in addition to situating La Guma more broadly within the intercontinental spaces of the Black Atlantic and an emergent Third World. Presenting a more expansive view of African literature and its global intellectual engagements, A Soviet Journey will be of interest to readers of African fiction and non-fiction, South African history, postcolonial Cold War studies, and radical political thought.

A collection of essays about language and its constructive role in national culture, history, and identity, that advocates for linguistic decolonization. 'The language of literature', Ngugi writes, 'cannot be discussed meaningfully outside the context of those social forces which have made it both an issue demanding our attention, and a problem calling for a resolution.' First published in 1986, Decolonising the Mind is one of Ngugi's best-known and most-cited non-fiction publications, helping to cement him as a pre-eminent voice theorizing the 'language debate' in postcolonial studies. Ngugi wrote his first novels and plays in English but was determined, even before his detention without trial in 1978, to move to writing in Gikuyu. He describes the book as 'a summary of some of the issues in which I have been passionately involved for the last twenty years of my practice in fiction, theatre, criticism, and in teaching of literature...'. Split into four essays - 'The Language of African Literature', 'The Language of African Theatre', 'The Language of African Fiction', and 'The Quest for Relevance' - the book offers an anti-imperialist perspective on the destiny of Africa and the role of languages in combatting and perpetrating imperialism and neo-colonialism in African nations. East Africa [Kenya, Tanzania, Uganda and Rwanda]: EAEP

`Exquisite in its honesty and truth and resilience, and a necessary chronicle from one of the greatest writers of our time.' - Chimamanda Ngozi Adichie Selected as a Book of the Year 2016 in the Guardian As a young student, internationally renowned author Ngugi wa Thiong'o found his voice as a playwright, journalist and novelist, writing his first, pivotal works just as the countries of East Africa were in the final throes of their independence struggles. For Ngugi, an ambitious student leaving Kenya for the first time, the prestigious Makerere University embodies all the potential and excitement of the early 1960s. Campus is a haven of opportunity for the brightest African students, a meeting place for great thinkers and writers from all over the world, and its alumni, including Milton Obote and Julius Nyerere, are filling Africa's emerging political and cultural positions. Despite the challenges he faces as a young black man in a British colony, it is here that Ngugi begins to write, weaving stories from the fibres of memory, history and a shockingly turbulent present. Birth of a Dream Weaver is a moving and thought-provoking memoir of the birth of one of the most important writers today, and the death of one of the most violent periods in global history.

This book explores the themes of colonial encounters and postcolonial contests over identity, power and culture through the prism of theatre. The author examines the work of prominent Nigerian and British playwrights who came of age after the passing of the British Empire.

*LONGLISTED FOR THE 2021 INTERNATIONAL BOOKER PRIZE.* 'One of the greatest writers of our time' Chimamanda Ngozi Adichie The Perfect Nine is a glorious epic about the founding of Kenya's Gikuyu people and the ideals of beauty, courage and unity. Gikuyu and Mumbi settled on the peaceful and bounteous foot of Mount Kenya after fleeing war and hunger. When ninety-nine suitors arrive on their land, seeking to marry their famously beautiful daughters, called The Perfect Nine, the parents ask their daughters to choose for themselves, but to choose wisely. First the young women must embark on a treacherous quest with the suitors, to find a magical cure for their youngest sister, Warigia, who cannot walk. As they journey up the mountain, the number of suitors diminishes and the sisters put their sharp minds and bold hearts to the test, conquering fear, doubt, hunger and many menacing ogres, as they attempt to return home. But it is perhaps Warigia's unexpected adventure that will be most challenging of all. Blending folklore, mythology and allegory, Ngugi wa Thiong'o chronicles the adventures of Gikuyu and Mumbi, and how their brave daughters became the matriarchs of the Gikuyu clans, in stunning verse, with all the epic elements of danger, humour and suspense. 'A tremendous writer... it's hard to doubt the power of the written word when you hear the story of Ngugi wa Thiong'o' Guardian

Informed by traditional African storytelling, discover Ngugi wa Thiong'o's masterpiece. To honour the Ruler's birthday, the Free Republic of Aburiria set out to build a tower; a modern wonder of the world that will reach the gates of Heaven. But behind this pillar of unity a battle for control of the Aburirian people rages. Among the contenders: the eponymous Wizard, an avatar of folklore and wisdom; the corrupt Christian Ministry; and the nefarious Global Bank.

This remarkable and symbolic novel centers around Wariinga's tragedy and uses it to tell a story of contemporary Kenya faced with the "satan of capitalism." Ngugi has directed his writing even more firmly towards the commitment that he shows in Writers in Politics and Detained: A Writer's Prison Diary. The novel was written secretly in prison on the only available material -- lavatory paper. It was discovered when almost complete but unexpectedly returned to him on his release. Such was the demand for the original Gikuyu edition that it reprinted on publication.

A 50th-anniversary edition of one of the most powerful novels by the great Kenyan author and Nobel Prize nominee A legendary work of African literature, this moving and eye-opening novel lucidly captures the drama of a people and culture whose world has been overturned. The River Between explores life in the mountains of Kenya during the early days of white settlement. Faced with a choice between an alluring new religion and their own ancestral customs, the Gikuyu people are torn between those who fear the unknown and those who see beyond it. For more than seventy years, Penguin has been the leading publisher of classic literature in the English-speaking world. With more than 1,700 titles, Penguin Classics represents a global bookshelf of the best works throughout history and across genres and disciplines. Readers trust the series to provide authoritative texts enhanced by introductions and notes by distinguished scholars and contemporary authors, as well as up-to-date translations by award-winning translators.

In 1978, the South African activist and novelist Alex La Guma (1925-1985) published A Soviet Journey, a memoir of his travels in the Soviet Union. Today it stands as one of the longest and most substantive first-hand accounts of the USSR by an African writer. La Guma's book is consequently a rare and important document of the anti-apartheid struggle and the Cold War period, depicting the Soviet model from an African perspective and the specific meaning it held for those envisioning a future South Africa. For many members of the African National Congress and the South African Communist Party, the Soviet Union represented a political system that had achieved political and economic justice through socialism-a point of view that has since been lost with the collapse of the USSR and the end of the Cold War. This new edition of A Soviet Journey-the first since 1978-restores this vision to the historical record, highlighting how activist-intellectuals like La Guma looked to the Soviet Union as a paradigm of self-determination, decolonization, and postcolonial development. The introduction by Christopher J. Lee discusses these elements of La Guma's text, in addition to situating La Guma more broadly within the intercontinental spaces of the Black Atlantic and an emergent Third World. Presenting a more expansive view of African literature and its global intellectual engagements, A Soviet Journey will be of interest to readers of African fiction and non-fiction, South African history, postcolonial Cold War studies, and radical political thought.

This book explores the themes of colonial encounters and postcolonial contests over identity, power and culture through the prism of theatre. The author examines the work of prominent Nigerian and British playwrights who came of age after the passing of the British Empire.

'A compelling novel about the tragedy of corrupting power, set in post-independence Kenya...Ngugi writes with passion about every form, shape and colour which power can take' Sunday Times After decades of British rule Kenya has declared its independence, but drought and poor harvests still govern the village of Ilmorog. Undeterred, Munira, Karega, Wanja and Abdulla each move to Ilmorog in search of a more provincial life, only to find themselves suspects in a crime that signals a dark turning of the times. A classic of modern African literature, Ngugi wa Thiong'o's damning satire of politics and corruption in Kenya would prove the catalyst for his imprisonment by the Kenyan government.

A dazzling, genre-defying novel in verse from the author Delia Owens says "tackles the absurdities, injustices, and corruption of a continent" Ngugi wa Thiong'o's novels and memoirs have received glowing praise from the likes of President Barack Obama, the New Yorker, the New York Times Book Review, The Guardian, and NPR; he has been a finalist for the Man International Booker Prize and is annually tipped to win the Nobel Prize for Literature; and his books have sold tens of thousands of copies around the world. In his first attempt at the epic form, Ngugi tells the story of the founding of the Gikuyu people of Kenya, from a strongly feminist perspective. A verse narrative, blending folklore, mythology, adventure, and allegory, The Perfect Nine chronicles the efforts the Gikuyu founders make to find partners for their ten beautiful daughters--called "The Perfect Nine" --and the challenges they set for the 99 suitors who seek their hands in marriage. The epic has all the elements of adventure, with suspense, danger, humor, and sacrifice. Ngugi's epic is a quest for the beautiful as an ideal of living, as the motive force behind migrations of African peoples. He notes, "The epic came to me one night as a revelation of ideals of quest, courage, perseverance, unity, family; and the sense of the divine, in human struggles with nature and nurture."

The great Kenyan writer's powerful first novel
Two brothers, Njoroge and Kamau, stand on a garbage heap and look into their futures: Njoroge is to attend school, while Kamau will train to be a carpenter. But this is Kenya, and the times are against them: In the forests, the Mau Mau is waging war against the white government, and the two brothers and their family need to decide where their loyalties lie. For the practical Kamau, the choice is simple, but for Njoroge the scholar, the dream of progress through learning is a hard one to give up.

First published in 1964, "Weep Not, Child" is a moving novel about the effects of the infamous Mau Mau uprising on the lives of ordinary men and women, and on one family in particular.

This book reflects many of the concerns found in Decolonising the Mind and Moving the Centre. Ngugi has put together a new collection under an old title, rewriting most of the pieces that appeared in the original 1981 edition, and adding completely new essays, such as 'Freedom of Expression', written for the campaign to try to save Ken Saro-Wiwa and other Niger Delta activists and writers from execution in Nigeria. Kenya: EAEP

Penpoints, Gunpoints, and Dreams explores the relationship between art and political power in society, taking as its starting point the experience of writers in contemporary Africa, where they are often seen as the enemy of the postcolonial state. This study, in turn, raises the wider issues of the relationship between the state of art and the art of the state, particularly in their struggle for the control of performance space in territorial, temporal, social, and even psychic contexts. Kenyan writer, Ngugi wa Thiong'o, calls for the alliance of art and people power, freedom and dignity against the encroachments of modern states. Art, he argues, needs to be active, engaged, insistent on being what it has always been, the embodiment of dreams for a truly human world.

A dazzling short story collection from the person Chimamanda Ngozi Adichie calls one of the greatest writers of our time Ngugi wa Thiong'o, although renowned for his novels, memoirs, and plays, honed his craft as a short story writer. From The Fig Tree, written in 1960, his first year as an undergraduate at Makerere University College in Uganda, to the playful The Ghost of Michael Jackson, written as a professor at the University of California, Irvine, these collected stories reveal a master of the short form. Covering the period of British colonial rule and resistance in Kenya to the bittersweet experience of independence--and including two stories that have never before been published in the United States-- Ngugi's collection features women fighting for their space in a patriarchal society, big men in their Bentleys who have inherited power from the British, and rebels who still embody the fighting spirit of the downtrodden. One of Ngugi's most beloved stories, Minutes of Glory, tells of Beatrice, a sad but ambitious waitress who fantasizes about being feted and lauded over by the middle-class clientele in the city's beer halls. Her dream leads her on a witty and heartbreaking adventure. Published for the first time in America, Minutes of Glory and Other Stories is a major literary event that celebrates the storytelling might of one of Africa's best-loved writers.

Ngugi wa Thiong'o was born the fifth child of his father's third wife, in a family that includes twenty-four children born to four different mothers. He spent his 1930s childhood as the apple of his mother's eye, before attending school to slake what is considered a bizarre thirst for learning. As he grows up, the wider political and social changes occurring in Kenya begin to impinge on the boy's life in both inspiring and frightening ways. Through the story of his grandparents and parents, and his brothers' involvement in the violent Mau Mau uprising, Ngugi deftly etches a tumultuous era, capturing the landscape, the people and their culture, and the social and political vicissitudes of life under colonialism and war.

Alongside the impact of his early novels and plays, and his more recent memoirs, these essays give new insights into Ngugi's and other writers' responses to colonialism - there is new material here for students of literature, politics and culture. Renowned worldwide, as novelist and dramatist, Ngugi wa Thiongo's contributions to the body of critical writing on African literature, politics and society have been highly significant. His best known critical work is Decolonising the Mind, which since publication in 1986 has profoundly influenced other writers, critics, scholars and students. These latest essays reflect Ngugi's continuing interests and enthusiasms. His choice of writers is original. He makes us look again at their novels to address his lifelong concerns with the ways to independence, the meanings of colonialism and the takeover by neo-colonialism, and the functions of literature in political as well asliterary terms. They will appeal not only to his international band of supporters. They will also introduce his views to young people discovering African and Caribbean literature. Ngugi wa Thiong'o is Distinguished Professor of English and Comparative Literature at the University of California, Irvine. Ngugi is renowned for his essays, including the seminal Decolonising the Mind (James Currey 1986); his plays, which led to his detentionin Kenya; his novels - the most recent works being The Wizard of the Crow (2007, translated into English from Gikuyu) and his memoirs Dreams in a Time of War and In the House of the Interpreter East Africa [Kenya, Tanzania, Uganda and Rwanda]: EAEP

Ngugi wa Thiong'o's powerful prison memoir begins half an hour before his release on 12 December 1978. A year earlier, he recalls, armed police arrived at his home and took him to Kenya's Kamiti Maximum Security Prison. There, Ngugi lives in a block alongside other political prisoners, but he refuses to give in to the humiliation. He decides to write a novel in secret, on toilet paper - it is a book that will become his classic, Devil on the Cross. Wrestling with the Devil is Ngugi's unforgettable account of the drama and challenges of living under twenty-four-hour surveillance. He captures not only the pain caused by his isolation from his family, but also the spirit of defiance and the imaginative endeavours that allowed him to survive.

In The Power of the Steel-tipped Pen Noenoe K. Silva reconstructs the indigenous intellectual history of a culture where-using Western standards-none is presumed to exist. Silva examines the work of two lesser-known Hawaiian writers-Joseph Ho'ona'auao Kanepu'u (1824-ca. 1885) and Joseph Moku'ohai Poepoe (1852-1913)-to show how the rich intellectual history preserved in Hawaiian-language newspapers is key to understanding Native Hawaiian epistemology and ontology. In their newspaper articles, geographical surveys, biographies, historical narratives, translations, literatures, political and economic analyses, and poetic works, Kanepu'u and Poepoe created a record of Hawaiian cultural history and thought in order to transmit ancestral knowledge to future generations. Celebrating indigenous intellectual agency in the midst of US imperialism, The Power of the Steel-tipped Pen is a call for the further restoration of native Hawaiian intellectual history to help ground contemporary Hawaiian thought, culture, and governance.

In The Power of the Steel-tipped Pen Noenoe K. Silva reconstructs the indigenous intellectual history of a culture where—using Western standards—none is presumed to exist. Silva examines the work of two lesser-known Hawaiian writers—Joseph Ho‘ona‘auao K�nepu‘u (1824–ca. 1885) and Joseph Moku‘�hai Poepoe (1852–1913)—to show how the rich intellectual history preserved in Hawaiian-language newspapers is key to understanding Native Hawaiian epistemology and ontology. In their newspaper articles, geographical surveys, biographies, historical narratives, translations, literatures, political and economic analyses, and poetic works, K�nepu‘u and Poepoe created a record of Hawaiian cultural history and thought in order to transmit ancestral knowledge to future generations. Celebrating indigenous intellectual agency in the midst of US imperialism, The Power of the Steel-tipped Pen is a call for the further restoration of native Hawaiian intellectual history to help ground contemporary Hawaiian thought, culture, and governance.

With clear, conversational prose, this is the first book dedicated entirely to Ngugi wa Thiong'o's writings on translation. Through his many critically acclaimed novels, stories, essays, plays, and memoirs, Kenyan writer Ngugi wa Thiong'o has been at the forefront of world literature for decades. He has also been, in his own words, "a language warrior," fighting for indigenous African languages to find their rightful place in the literary world. Having begun his writing career in English, Ngugi shifted to writing in his native language Gikuyu in 1977, a stance both creatively and politically significant. For decades now, Ngugi has been translating his Gikuyu works into English himself, and he has used many platforms to champion the practice and cause of literary translations, which he calls "the language of languages." This volume brings together for the first time Ngugi's essays and lectures about translation, written and delivered over the past two decades. Here we find Ngugi discussing translation as a conversation between cultures; proposing that dialogue among African languages is the way to unify African peoples; reflecting on the complexities of auto-translation or translating one's own work; exploring the essential task translation performed in the history of the propagation of thought; and pleading for the hierarchy of languages to be torn down. He also shares his many experiences of writing across languages, including his story The Upright Revolution, which has been translated into more than a hundred languages around the globe and is the most widely translated text written by an African author. At a time when dialogues between cultures and peoples are more essential than ever, The Language of Languages makes an outspoken case for the value of literature without borders.

A legendary work of African literature, Devil on the Cross is one of the cornerstones of Ngugi wa Thiong'o's enduring fame - and at the heart of his perennial contention for the Nobel Prize. An impassioned cry for a Kenya free of dictatorship and for African writers to work in their own local dialects, it has had profound influences on Africa and on African literature. Written on toilet paper while Ngugi wa Thiong'o was in prison, this novel tells the tragic story of Wariinga, a young woman who moves from a rural Kenyan town to the capital, Nairobi, only to be exploited by her boss and later a corrupt businessman. As Wariinga struggles to survive, she begins to realize that her problems are only symptoms of a larger societal malaise and that much of the misfortune stems from the Western, capitalist influences on her country. Climaxing in an unforgettable scene of the 'Devil's Feast', a satirical parable on Western culture and business practices, Devil on the Cross is an essential story of the post-colonial African experience.