First published in 1997. Routledge is an imprint of Taylor and Francis, an informa company.

'This book gives some of the very best of Shakespeare's twenty-first-century colleagues an opportunity to share insights that can only come from playing him' Nicholas Hytner, from his Foreword Twelve leading actors take us behind the scenes of landmark Shakespearean productions, each recreating in detail their memorable performance in a major role. Roger Allam on his Falstaff in both Henry IV plays at Shakespeare's Globe Eileen Atkins on Viola in two productions of Twelfth Night seventeen years apart Simon Russell Beale on Cassius in Deborah Warner's modern-dress Julius Caesar Chiwetel Ejiofor on his Donmar Warehouse Othello, directed by Michael Grandage Sara Kestelman on Hippolyta and Titania in Peter Brook's iconic white-box Dream Ian McKellen on one of Shakespeare's most demanding of roles: King Lear Michael Pennington on stepping in at the eleventh hour as Timon of Athens Alan Rickman on re-evaluating the melancholic Jaques in As You Like It Fiona Shaw on Shakespeare's Shrew, Katherine, in Jonathan Miller's production Patrick Stewart on his Las Vegas-set Shylock, a role he has played many times Harriet Walter on Imogen in Shakespeare's late romance, Cymbeline, at the RSC Zoe Wanamaker on her National Theatre Beatrice, directed by Nicholas Hytner Each actor leads us through the choices they made in rehearsal, and how the character works in performance, shedding new light on some of the most challenging roles in the canon. The result is a series of individual masterclasses that will be invaluable for other actors and directors, as well as students of Shakespeare - and fascinating for audiences of the plays. Shakespeare On Stage: Volume 2 was shortlisted for the 2018 Theatre Book Prize. 'Absorbing and original... Curry's actors are often thinking and talking as that other professional performer, Shakespeare himself, might have done.' TLS on Shakespeare On Stage: Vol. 1

The Sunday Times Bestseller This is the inside story of twelve years at the helm of Britain's greatest theatre. It is a story of lunatic failures and spectacular successes such as The History Boys, War Horse and One Man, Two Guvnors; of opening the doors of the National Theatre to a broader audience than ever before, and changing the public's perception of what theatre is for. It is about probing Shakespeare from every angle and reinventing the classics. About fostering new talent and directing some of the most celebrated actors of our times. Its cast includes the likes of Alan Bennett, Maggie Smith, Mike Leigh, Daniel Day-Lewis, Michael Gambon and Helen Mirren. Intimate, candid and insightful, Balancing Acts is a passionate exploration of the art and alchemy of making theatre.

How has theatre engaged with the nation-state and helped to formulate national identities? What impact have migration and globalization had on the relationship between theatre and nation?
"Theatre and Nation" explores how theatre institutions, playwrights, theatre-makers and performance artists engage with the nation, nationalism and national identity in their work. The book argues that theatrical representations of the nation are constantly in flux and that the way theatre engages with the nation changes according to different geographical, political, economic, social and cultural circumstances.

Drawing on international examples, "Theatre and Nation "is essential reading for those studying the relationship between theatre and national identity and theatre and society.